Jiyen Lee’s collages of people ascending and descending staircases.
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Jiyen Lee’s collages of people ascending and descending staircases.
Naomi Hawksley.
Qikai Guo, Kill the Moonman 2025.
Beach Time (2025), bleached cotton with appliqué and acrylic paint, 15 x 34 in.
Erin Lynn Welsh
Erin Lynn Welsh
Vivid, Translucent Quilts by Wally Dion Stitch Together Indigenous Culture and Making Traditions
Joan Miro - Acrobats In The Night Garden, 1948, color lithograph on wove paper, 25.75 x 19.63 in
Ida Ekblad - Never Not Done Puff, plastisol, ink and printed fabric on cotton, 184 x 145 x 7.6 cm framed, 2017
Ida Ekblad - The bassline as heavy as a rhinoceros
Ink, acrylic, and lacquer, 94.4 × 74.3 × 7.6 cm, 2017
Barbara Takenaga, Blue Pour (Marcellus), 2024, acrylic on linen
Ida Ekblad - STRANGE FREEDOMS NEVER CHANGE, 2024, oil on linen, 247 x 187 x 6.3 cm
Natalia Rybka - Jest więcej/There's more (oil on canvas), 2020
Natalia Rybka (Polish, 1988)
Rippled Surface, M. C. Escher, 1950
Linoleum cut on paper 26 x 32 cm (10 ¼ x 12 ⅝ in.)
Dashiell Manley, Rumblings, 2022, Oil on linen
Sergiu Ciochină (Moldovan,b.2001)
Home is where your heart is
Oil on board