so stay with me here;

nose to nose, cold enough to see as our breath slowly escapes and exchanges, from my lungs to yours, from your mouth to mine.

[almostshere]

-+- SHAWN !

+-+ DECAYDANCE ENJOYER (with a side of placebo and suede)

-+- THE ACADEMY IS.../THE HUSH SOUND CODED HEY MONDAY GIRL

+-+ HE/HIM

this is a sideblog 🙏 my main is @seapeesound !

feel free to send me an ask or dm me whenever ! <3

#shawn.txt — my text posts

#shawn.gif — my gifsets

#shawn.mov — my videos

#shawn.png — my photos

#shawn.art — my art posts

[smileymoth]

i post from here or whatever they say

[ybcpatrick]

[thekidsarentalright]

!! attention all fall out boy fans !!

the time has come for the sixth annual fall out boy fan census! if you would like to participate, please fill out this form by January 10th at 11:59pm pst to have your opinion counted! please consider reblogging this post to spread the word! and, most importantly, have fun! 💙

[findmyfears]

billmike lean you will always be famous to me

[noelle-ism]

how various 90s/2000s rock bands would react to you coming out as transfem (assuming the person talking is the lead singer):

Fall Out Boy: Hell yeah! Pete can show you how to put some eyeshadow on! #Centuries

Green Day: That's awesome! Tre Cool will take you out clothes shopping while me and Mike make out! #AmericanIdiot

Red Hot Chili Peppers: Cool man - Oops, sorry, i mean lady! Haha! *every member goes back to their weed bong*

Foo Fighters: That's awesome, hey, you don't mind that I cheated on my wife right? Cool, cool. #Everlong

Weezer: Oh thank god, now I don't feel weird about writing a song about how bad I want to fuck you

[themythicalcodfish]

MyChem: *frantically figuring out how to add you to the band, offers you cheap black eyeliner, a flowy black dress, big boots and a tambourine*

[tasteofchaos2005]

ticketmaster literally is evil & has ruined the live music industry like it cost no more than $25 to see large bands at stadiums until like the 90s. this is evil & bad. & ALSO large shows are essentially luxury purchases now that you have to save for & there are many other great shows to go to that don’t cost this much. both are true either way the consumer gets fucked & blamed when really we should be trying to destroy this literal monopoly & also pressure artists to not allow surge pricing bc its possible to do & it’s evil mcr doesn’t take any action to avoid it

[findmyfears]

‘picture us back then’

[screwby]

Mike and I are definitely an interesting pair, and our dynamic worked for a while, but not without great struggle and internal battles and demons. I mean, there have been eight-month periods when we didn’t even speak on tour, at all.

(x)

[nomaptomyowntreasure-deactivate]

from Jan 2, 2012. he really did say anything back then.

[cattyclandestine]

[salamiilover1234]

Ryan Ross request from long time ago

[thuringwethilsfangz]

fall out boy album themed dividers plus evening out with your girlfriend and pax am days made by yours truly because i needed an infinity divider for my intro post and then i got carried away. feel free to use them

[saintvaleyardblog-deactivated20]

[steelydanfan420]

MySpace music player

[mikecardensolofolkalbum]

it's crazy how santi opens with same blood, a song about unity and overcoming societal differences, this overarching hopeful anthem that we can come together despite adversity, and then takes us on this journey of a snot-nosed band coming off the heels of three years of nonstop touring, flexing their new found confidence, having their heads filled with promises of success and fame and riches by fbr execs, and then closes with unexpected places, a song about a band in total despair that asks the repeated question "is this the way to carry on?" and then the tragedy of santi underperforming and being labeled a critical failure. it's almost as if they predicted this inevitable failure. or perhaps it was a self-fulfilling prophecy? by chanting "is this the way to carry on?" over and over, perhaps they brought about their own demise by second-guessing themselves. santi is a tragic album, one that is quietly cool and confident at face value, but ultimately a facade, an album written by a band in turmoil and chaos, not knowing which way to go, unable to have one unifying idea, dealing with the pressures of writing a sophomore album as catchy and timeless as almost here. was it the way to carry on? or would they have found more success if they followed the same formula they used to pen almost here? but there's something that has to be said for taking chances. did the swing and miss of santi force them to redouble their efforts next time they were in the studio? would they have the success of fast times at barrington high if they hadn't stumbled through the tumultuous santi era? i think santi was necessary growing pains for this disjointed group of very young men. they had to get through this to truly come together. nothing like overcoming differences and unifying, nothing like coming together despite adversity...

[weylandkonami-2000]