Gouache Unit: Lesson #1 - Introduction to Gouache w/ Scott Christian Sava (Google Slides) (Google Docs)
Literally Everything I Know About Gouache Paint! - Youtube Video
RollingStone The 500 Greatest Albums of All Time - Article
The traditional approach to watercolor uses the paper as the source of white in a painting, with color applied in thin veils. Some purists take this principle very seriously, even avoiding white paint altogether. Watercolor paint is used thinly and the sparkling paper underneath is an integral part of the painting. This technique allows artists to achieve great intensity and depth of color, while using a minimal amount of paint. The rough texture of watercolor paper enhances this effect, while breaking up surface tension and preventing paint from pooling and running excessively.
Gouache is often described as “opaque watercolor”, but while it shares basic ingredients and professional-grade pigment concentration with watercolors, gouache has its own set of unique properties and techniques that set it apart from its transparent cousin. Mixed with white directly on the palette, gouache is formulated for use in a combination of translucent and fully opaque techniques, applied in a range from thin washes to broad, thick layers. It has a shine-free, matte finish for a soft, substantial appearance with glowing color, especially in mid-tones and darks. A self-leveling, flat surface makes gouache a favorite of illustrators and graphic artists, for a finish free of reflections which could interfere with reproduction and photography. Many fine artists also appreciate this non-reflective surface, both for its attractive appearance and for displaying art without glare. (Dick Blick)
Once primarily for illustrators and designers, gouache has earned its place next to watercolor as a medium for fine art. Artists who work with gouache mix white paint directly with colors, usually from thin to thick. Because gouache quickly re-activates with water, layers tend to intermix, and darker colors will show through lighter ones. Some use this to their advantage, deliberately planning for lines to show through top layers. Others begin with lighter colors and work their way toward darks to prevent bleed-through. There’s also an acrylic-based version of gouache that doesn’t mix between layers, which can even be used on canvas.
My mentor teacher had an area where she displayed daily objectives, steps, and examples of the current unit. Bouncing off the past acrylic unit, I prepared a poster for students for gouache.
Students were able to use a range of surface materials to try gouache. Sticker paper, usps labels, and watercolor paper.
Student Examples: Album Covers Practice
Gouache Painting - Lesson Plan #2 Unit Assessment
(Google Slide; Google Doc)
Gouache Painting - Lesson Plan #3 Mini Lesson
(Google Slide; Google Doc)
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