will byers stan first human second
trying on a metaphor
he wasn't even looking at me and he found me
TVSTRANGERTHINGS
Xuebing Du
Not today Justin

bliss lane
Claire Keane
Misplaced Lens Cap
we're not kids anymore.
No title available
"I'm Dorothy Gale from Kansas"
KIROKAZE
Keni
Today's Document

❣ Chile in a Photography ❣
noise dept.

No title available
Noah Kahan

Origami Around
seen from Türkiye
seen from Germany
seen from United States

seen from United States
seen from United States
seen from France

seen from Türkiye

seen from Netherlands

seen from Malaysia
seen from Russia
seen from Malaysia

seen from United States
seen from Kazakhstan

seen from United States
seen from Malaysia

seen from Malaysia

seen from Malaysia

seen from Türkiye
seen from Germany
seen from United States
@amesombre
Giuseppe Ungaretti
Ex-libris. Affirmo Mary Morton Kehew. Myths and Myth-makers: Old Tales and Superstitions Interpreted by Comparative Mythology John Fiske Boston: Houghton, Mifflin, & Co., 1888.
Caravaggio - The Isaac’s sacrifice (details), 1598.
“Drunken Angel” (酔いどれ天使 , Yoidore Tenshi), 1948, directed by Akira Kurosawa (b. 1910, Japan)
Profound desires of the Gods (Imamura - 1968)
It only takes two facing mirrors to build a labyrinth.
Jorge Luis Borges, from Seven Nights. (via vulturehooligan)
Les Constellations Toxiques - Jean-Michel Gautreau - 1990 (26min)
Orpheus, 1950, directed by Jean Cocteau.
N. C. Wyeth, The Opium Eater, 1913
And everything stayed unsaid.
Ingeborg Bachmann, tr. by Eavan Boland, from “Departure from England,” (via violentwavesofemotion)
So do the dark in soul expire, Or live like scorpion girt by fire; So writhes the mind remorse hath riven, Unfit for earth, undoom’d for heaven, Darkness above, despair beneath, Around it flame, within it death.
Lord Byron, The Giaour. (via vulturehooligan)
Michael Gira
La situazione degli uomini è scoraggiante. Essi debbono «comunicare». Ma la «comunicazione» non può realizzarsi senza ferire o insozzare gli esseri. La «comunicazione» non può avvenire da un essere pieno e intatto ad un altro: essa vuole esseri in cui si trovi posto in gioco l’essere al limite della morte, del nulla. La presenza altrui è pienamente rivelata soltanto se l’altro si china egli pure sull’orlo del suo nulla. La comunicazione avviene solo tra due esseri messi in gioco – lacerati, sospesi, chini entrambi sul loro nulla.
Georges Bataille, Su Nietzsche (via antiumanistica)