Claude Monet, Morning on the Seine Near Giverny, 1897. Oil on canvas
todays bird

❣ Chile in a Photography ❣
cherry valley forever
h
NASA
almost home
trying on a metaphor
YOU ARE THE REASON
Alisa U Zemlji Chuda
let's talk about Bridgerton tea, my ask is open

roma★

Andulka
hello vonnie
Aqua Utopia|海の底で記憶を紡ぐ

Discoholic 🪩
Sweet Seals For You, Always
Game of Thrones Daily
2025 on Tumblr: Trends That Defined the Year
dirt enthusiast
we're not kids anymore.

seen from United States
seen from United States

seen from United States
seen from Greece

seen from France
seen from Portugal

seen from Australia

seen from United States

seen from United States

seen from United States

seen from Australia
seen from Türkiye
seen from Germany
seen from United States
seen from Norway

seen from Germany

seen from Puerto Rico

seen from Malaysia

seen from United States

seen from China
@amoreelegantweapon
Claude Monet, Morning on the Seine Near Giverny, 1897. Oil on canvas
Edie Sedgwick and Andy Warhol at the Factory in New York City, 1965.
Photos by Bob Adelman
Claude Monet, The Fécamp Pier in Heavy Weather, 1881. Oil on canvas
A number of decades ago, this colorful sub-genre of film was very popular on another continent. They were primarily made in one country that gave the sub-genre its name but other countries on the same continent also made these type of films. They later proved to be very influential on a sub-genre of American film as well. There were hundreds of films made that ranged from popular classics (including the work of this A list director whose family member has been in the news a bit the last few years) to a lot of cheaply made B movies. At the same time, there was a lucrative underground business in snuff films on this continent -movies of real people, usually young women, being murdered. The people who made these films found a way to get their product out right under the nose of authorities. Put real murders in the booming sub-genre's films. The A list director's films of course did not contain murders but many of the b movies that he helped finance behind the scenes did. He got very wealthy from his dealings with the snuff merchants. One telling detail - Look at any old lower budget film of this sub-genre and look at some of the actresses who get murdered who are not stars, the ones who get killed earlier in the films. There is no trace of them anywhere after the films they starred in. Giallo films/Italy/Dario Argento/Asia Argento
Facel-Vega FVS Series 4 Sport Coupe 1958.
It was the mark of a barbarian to destroy something one could not understand.
Philip K. Dick, 2001: A Space Odyssey (via intellectualpoaching)
Aston DB5 - Bonds choice.
Ferrari 250 California.
Who was Stanley Kubrick? A master technician, an unrelenting perfectionist, a tyrannical boss for his cast and crew, an obsessive genius, a cryptic auteur, a man progressively alienated from the physical world, rarely conceding interviews, never seen in public, sitting “in the dark, surrounded by computers and machines, controlling the Earth. Doctor Mabuse No. 2” – as Kubrick himself quipped in an interview. Is it really the truth? My new essay investigates into the Kubrick Mythology and discover why such a peculiar image stuck and is still largely believed.
From “boy genius” to “barking loon”: an analysis of Stanley Kubrick mythology, by Filippo Ulivieri. Essais Hors Serie n.4, Université de Bordeaux-Montaigne.
1959 Maserati 3500 GT.
Screen tests by Andy Warhol
MB 280 Cabrio - sensational.
Albert Camus