[snoopyoftheday]

snoopy of the day

[natalcia1234]

Secretary (2002)

[spacesheeeeeep]

La Pianiste (2001) / Marnie (1964) / Secret Ceremony (1968) / La Religieuse (1968) / Violette Nozière (1979) / L’été Meurtrier (1983)

[wouldvebeensweet]

TAYLOR SWIFT The Eras Tour - Sydney, AUS - February 23rd, 2024. Photographed by Don Arnold.

[taylorswift-edit]

Am I allowed to cry?

[cigarrw-s]

"You had to leave because you're you, and the reason I liked you is because you're you, and who you are is someone who leaves."

Past Lives (2023) dir. Celine Song

[girls-cry]

What if this is a past life as well, and we are already something else to each other in our next life? Who do you think we are then? I don't know. Me neither. See you then.

PAST LIVES 2023, dir. Celine Song

[cloudtinn]

"It's true that if you leave you lose things, but you also gain things, too."

Past Lives (2023), dir. Celine Song.

[alexxmason]

So I wanted to come out here while it's still quiet so that I could look you in the eye in case before I'm all gone and tell you that you are the love of my life because you make me laugh every day and you make my life worth living and you make me feel like I'm not alone. And if things were normal, then you'd be the person that'd make it okay that I gotta grow old and die someday because at least I got to spend some of that time with you. But things aren't normal and so I guess instead, or as well, I love you because you stayed. Because when things got scary you knuckled down and you stayed. And you got me through each day. And I hope I did the same for you, or I hope that I can still do the same for you somehow.

LITTLE FISH (2020) dir. Chad Hartigan

For @jinfromyarikawa 💙

[billy-crudup]

I was so sad the day I met you, I can’t remember why. LITTLE FISH (2020) dir. Chad Hartigan

[snailmailthings]

Phantom Thread dir. Paul Thomas Anderson (2019) / Sharp Objects 1.08 Milk (2018)

[holygayrightsbatman]

In the end, the fact remains: Amma enjoyed hurting. I like violence, she’d shrieked at me. I blame my mother. A child weaned on poison considers harm a comfort.

[snailmailthings]

A PROCLIVITY FOR VIOLENCE

Joya, Adora, Camille and Amma in Sharp Objects, Gillian Flynn (2006)

[cavarage]

SHARP OBJECTS, by Gillian Flynn

[snailmailthings]

AMMA CRELLIN AS THE CHANGELING

Sharp Objects, Gillian Flynn (2006) / Sharp Objects dir. Jean-Marc Vallée (2018) / Fantastic changelings: liminality and narrative technique in Irish changeling tales, Audrey Robitaillié (2023) / From Fairy Host to Mutant Community: The “Singular” Changeling in Folklore, Medical Discourse, and Theories of Evolutionary Change, Adam Lawrence (2018) / Of Mermaids and Changelings: Human Rights, Folklore and Contemporary Irish Language Poetry, Rióna Ní Fhrighil (2017) / Homeric Hymn to Demeter, tr. Gregory Nagy (2020)

[mendingbone]

River— ᴀᴇsᴄʜʏʟᴜs, ᴛʜᴇ ᴏʀᴇsᴛᴇɪᴀ//@ɢᴏᴏsᴇᴋɪᴅ ᴘᴏsᴛ//ɴɪᴋᴏʟᴀʏ ᴅʏʙᴏᴡsᴋɪ ᴀɴᴅ ᴀʟᴇxᴀɴᴅʀᴀ ɢᴏʟᴜʙᴇᴠᴀ, ᴘᴀᴛʜᴏʟᴏɢɪᴄ 𝟸: ᴛʜᴇ ᴍᴀʀʙʟᴇ ɴᴇsᴛ//ᴡɪᴋɪᴘᴇᴅɪᴀ, ᴘʀᴏᴘʜᴇᴛɪᴄ ᴘᴇʀғᴇᴄᴛ ᴛᴇɴsᴇ//ʀɪᴄʜᴀʀᴅ sɪᴋᴇɴ, ᴘʟᴀɴᴇᴛ ᴏғ ʟᴏᴠᴇ//ᴄᴏɴᴏʀ ᴏʙᴇʀsᴛ, sᴀʟᴜᴛᴀᴛɪᴏɴs//ғʟᴏʀᴇɴᴄᴇ ᴡᴇʟᴄʜ, ɪ’ᴍ ɴᴏᴛ ᴄᴀʟʟɪɴɢ ʏᴏᴜ ᴀ ʟɪᴀʀ//ᴄʜᴀʀʟᴇs ʙᴜᴋᴏᴡsᴋɪ, ʀᴀᴡ ᴡɪᴛʜ ʟᴏᴠᴇ//ᴀᴍʏ ᴡᴏʟʟᴀʀᴅ, ʟᴀᴜʀᴀ ᴘᴀʟᴍᴇʀ ɢʀᴀᴅᴜᴀᴛᴇs//ᴅᴀᴠᴇ ᴍᴀʟʟᴏʏ, ᴛᴀɴɢᴏ ᴅᴀɴᴄᴇʀ.

[rippedstitches]