This photo you guys *thud*
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Claire Keane
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@ancienthalfling
This photo you guys *thud*
Adam (and his wife Joanne) in the short film The Basement
Brave {Sentence Starters}
"If you could just try to see what I do, I do out of love."
"I'll fight you with my bare hands!"
"Well, that's just grand, isn't it?"
"It's marriage, it's not the end of the world."
"You don't know what you've done!"
"I want to stay single and let my hair flow in the wind as I ride through the glen firing arrows into the sunset."
"Good day to you. We'll expect your declarations of war in the morning."
"A princess does not put her weapons on the dining table!"
"Well, that's attractive."
"Where are you, you little rascal? I'm coming to get you!"
"But we can't just run away from who we are."
"Our fate lives within us, you only have to be brave enough to see it."
"I'm not doing any of this to hurt you."
"I'll never be like you! I'd rather DIE than be like you!"
"I don't believe you! I've just about had enough of you!"
"But are you willing to pay the price your freedom will cost?"
"If you had a chance to change your fate, would you?"
"I don't want my life to be over. I want my freedom!"
"You embarrassed them! You embarrassed me!"
Describe my muse’s aesthetic.
hurt meme.
“ i got you. it’s gonna be okay, you’re going to be okay.”
“i feel like everyone’s miles away from me.”
“my mind is a dark place. you don’t want to be there.”
“i know this hurts, but you have to stay awake.”
“don’t close your eyes, please don’t close your eyes!”
“i just want to be numb, i don’t want to feel anything.”
“please don’t do this, don’t act like you care.”
“you don’t care, nobody cares, just leave.”
“you’re my friend, of course i fucking care.”
“i can’t give up on you, so please don’t give up on yourself.”
“i love you so much, i forgot what hating myself felt like.”
“i fucked up, why do you not care?”
“i can’t walk, just go on without me.”
“you have broken ribs, take it easy.”
“i have no idea how to do cpr.”
“whose blood is that?”
“apply pressure to the wound, don’t let go.”
“don’t you dare fucking let go!”
“what the hell happened to you?”
“are they dead? did you kill them?”
“do you know what you’ve done?”
“you’re either with me or against me.”
“who the hell did this to you?”
“are you alright? you hit your head pretty hard…”
“i can’t see!! what’s happening to me?”
“when was the last time you ate?”
“what do you mean you’re fine? you are not fine!”
“i’m fine, it’s just a flesh wound, i’ll be okay.”
“for how long? how long were you bottling this up?“
“there’s so much blood, you won’t last.”
“are you… throwing up in there?”
“why aren’t you eating?”
“just breathe… you’re okay, i promise, just breathe.”
“i can’t breathe, i can’t –”
“i woke up, & you were gone.”
“just tell me something, was it really worth it?”
“it’s okay to hurt & breakdown. you don’t have to be strong all the time.”
How to write a kiss
Rebloggable version, as requested by davrosbro. :)
Oooh! Yes! I love kisses. Kisses are where it all starts ;).
Okay, first, remember that a kiss is much, much more than just lips. It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats, breath, voice- and most importantly, a kiss is emotions. A kiss without emotion is just wet mushy lips stuck together. Ew. Gross. The most important part of a kiss isn’t the how, but the who- because of the emotions between the two people.
Okay so:
lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other. They can match, top-to-top and bottom-to-bottom, or they can overlap, with one person’s top or bottom lip captured between the other person’s lips (yummy). If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips don’t have a taste (can you taste yours?). Lips also can smack- the sound of two of them coming together or pulling apart, because they’re wet and warm and soft.
tongue- Tongues are always wet, and always warm. They’re very versatile. They can trace over lips, teeth, or another tongue. They can be smooth and graceful or teasing and flicking. When tongues are involved, there is drool. It’s only sexy when you like the person you’re kissing, or else it’s kinda gross. :P
teeth- teeth can clack together awkwardly, or teeth can bite down sensually. A person biting their own lip is cute, a person biting another’s lips is sexy. A person biting gently is sensual, a person biting roughly is sexual.
eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure. Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters. Have them do whatever you like, but don’t leave them out- give them at least a mention!
faces- Faces are what the lips are attached to. Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax. Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats. Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual. And a kiss on the lips can be all of those! <3
hands- Hands are super-important. In order to describe a kiss, usually you want to also describe the hands. Where are they? Does one character have their hand behind the other’s head or back, holding them close? Are they on someone’s shoulders pulling them near, or pushing them away? Fingers brushing someone’s cheek or palms grabbing someone’s ass convey two very different kinds of situations, even if the kiss itself is exactly the same.
noses- Noses are annoying. They easily get in the way, especially for first kisses! People have to tilt their head to one side or the other, and if they don’t, noses bump. I’d only mention noses if a kiss is supposed to be awkward or uncertain or nervous.
bodies- bodies are either close together, or far away. Someone can be surrounded comfortingly by someone’s arms, or terrifyingly trapped by them. Bodies are warm or hot, they are calm or nervous, relaxed or tense. Body language says a lot. Is your character pulling away, or moving closer?
heartbeat- Hearts can beat fast or slow, and that’s about all they can do- but there are lots of reasons why they do! A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy. Hearts can glow, cower, or shatter. When you really want to drive the emotions of a character home, mention the heart.
breath- To me, the most consuming part of a kiss is the breath. The air that someone else has just breathed going deep into your lungs is very intimate. Lips and tongues don’t have a taste, but breath does. Each person’s breath tastes different, smells different, and surrounds a person differently than anyone else’s breath. Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening. It is something that is very present and should not be left out. A lot of writers leave breath out. And it’s so important; it’s the most intimate part of a kiss. Someone else is breathing into your lungs, and it’s either heaven or it’s hell.
voice- Voice conveys much, even without words. A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh. Voice can convey emotion powerfully, and while some kisses are silent, usually they’re not.
emotion- Emotion is the most important- and the thing you try not to say. You want to describe it, through all of the things above, so that it’s perfectly clear what your characters are feeling, without you ever using the “feelings words”. If they’re in love, their bodies will lean close, their eyes will smile, their voices will giggle softly. If they’re nervous, their palms will sweat, their noses will bump, their voices will shudder. If they’re afraid, their muscles will be tense, their faces will grimace, their lips will not open. Emotion is the color that you keep inside your mind as you write; it’s the base line that drives the description behind everything else you say.
Wow, that was a lot! Gosh I hope it wasn’t too much! Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make. Keep in mind that typing “they kissed for a long time”…that’s six words, it takes half a second to read, so that’s a short kiss! If you want a long kiss, you need long sentences that make the reader linger.
So maybe to start off, pick three things on the list to describe in your first kiss. Don’t try to do it all- that would be too much for even the most epic kiss. Just pick what’s most important to this particular scene, to these particular characters, and describe those parts along with the lips, and you’ve got yourself an awesome, emotional kiss. <3
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upyriism:
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The elf groaned, “I’m getting really hungry…” How long has it been since he last fed? Four-five… Maybe six hours ago…? He didn’t know, he just needed blood and if he didn’t get it soon he might have to resort to going into those dreadful dwemer ruins and drink some of the Betrayed…
*blows dust off blog*
hey I’m here, I’m getting to the point where the saying “This muse will have sporadic activity” is becoming true.
so
picture this
lat getting attached
to a baby he found and raised for a year
but having
to give
the baby up and he’s devastated after
The elf groaned, “I’m getting really hungry...” How long has it been since he last fed? Four-five... Maybe six hours ago...? He didn’t know, he just needed blood and if he didn’t get it soon he might have to resort to going into those dreadful dwemer ruins and drink some of the Betrayed...
Hello everyone I am here