Miscellaneous. @and-wakes-imagination - Tumblr Blog

A very merry birthday to you! :)

Thank you so much! 💜💜

Happy Birthday! 🎂🎉🎁🎈

Thank you so much my friend 💜

It’s magnificent. Masquerade NYC is absolutely magnificent.

I was the biggest skeptic going in. I thought it would be cringey and awkward. Now I think it may be the best theatre experience I’ve ever had.

Try NOT to spoil yourself for this. It’s worth going in blind. But if you have questions, please ask. I can always message you back privately 💜

#masquerade nyc #the phantom of the opera #personal #phantom of the opera #I may write a more in depth review tomorrow but I’m exhausted right now #I also met Hugh Panaro again! over 15 years later omg

limeshade

Like most of its silent contemporaries, The Phantom of the Opera made extensive use of color. An array of vibrant tints were used as storytelling tools, evoking different times of day, lighting conditions, and moods for each scene. But the film didn’t stop at these usual embellishments: one of the biggest productions of its year, Phantom also employed natural color systems Prizma Color and an early form of Technicolor in several sequences. For the famous “Apollo’s Lyre” scene in which Christine betrays the Phantom’s secret, the semi-automated Handschiegl color process was used to tint Erik’s lavish, billowing red cape. Sadly, no original print of Phantom survives today, and these tints are now lost—instead, preservationists have approximated them digitally, reconstructing the Phantom’s magnificent “Red Death” costume with the aid of computerized colorization in lieu of gelatin and dye.

THE PHANTOM OF THE OPERA (1925) Directed by Rupert Julian et al. Shot by Charles Van Enger

#lon chaney #1925 phantom #the phantom of the opera #favorite