Anima Reborn

|Cosplay|Fashion|Obsession| This is just where I'll share WIPS, tutorials, and general fandom fanatics. I'm just getting around to setting this up so please pardon the dust. {Chat: Yinyue -  Nina: Texas Cosplayers - Panne: Arkane Image - Tharja: Btse Photography}

[onlytwitterpics]

[quarryknightcosplayandcustoms]

I made another comic

[letsgayguys-blog]

Godamnit this has me cr y in g

[it-wasnt-that-bad]

[astraldemise]

god nerfed me by making me allergic to garlic and sunlight

[valquita]

so, a vampire?

[astraldemise]

i can confirm that i am not a vampire as i have blood

[nisslaboratories]

Is it your blood?

[astraldemise]

it is blood, yes

[nisslaboratories]

Is it blood that has always belonged to you, from the moment of your spawning?

[astraldemise]

it is blood, it is in my possession, therefore it is my blood

[tahthetrickster]

[sirthursday]

i’m already crying laughing

[babblingfishes]

i’m offended that you left out the next panel

[morticiaandthediamonds-blog]

date someone who loves your belly

[deadjosey-deactivated20200613]

[krazehkai]

Inktober doodle batch 13~

[theveryworstthing]

the fight is harder each year.

[theveryworstthing]

gotta keep going because nothing ever stops.

[theveryworstthing]

you deserve to be new and whole.

[nervosityperson]

Can someone explain what’s happening besides someone being reborn?

[naamahdarling]

In the first comic, which is from the Warrior’s point of view, the Warrior has defeated the Monster, who jeers that there will always be another Monster to fight. The Monster dissolves into mist, leaving another tiny, baby Monster in its place. The Warrior picks up this helpless new baby Monster and carries it away. They will try again and do better this time.

In the second comic, which is from the Monster’s point of view, the Monster says that this has to happen; it can’t come with the Warrior, and there will always be another.  It tells the Warrior to use what they have learned to fight.  It wants to die knowing that the Warrior has hope for the future.  It dissolves into mist, and the exhausted Warrior collapses. The new baby Monster comes and brings the Warrior some water in a leaf.  Because we are reading this in the Monster’s voice, we realize that it is a new Monster, but also somehow, magically, the same.  We also see that the Monster is not inherently evil.  It is only very strong, and inevitable.

The third comic is a dialogue between the Monster and the Warrior.  The Warrior is exhausted and horrifically wounded. The Monster is also horribly maimed.  They are both dying. The Warrior doesn’t want to fight anymore.  The Monster tells them to rest and heal. The Warrior hands over their amulet, and we see the Monster’s paw become a hand just before they both dissolve into mist.  It clears, revealing that the Monster has turned into a beautiful humanoid, who says they will take care of the new baby monster the Warrior has turned into.  The two have changed roles.  The Warrior takes up the former Warrior’s gear and strides into the new year with the new baby Monster riding on their shoulders.

It is a beautiful, ruthless, hopeful metaphor about keeping up the good fight, year after year, even when we are worn down, and how we can still face the new year with hope and light, no matter how painful the last one was, and how it is okay to rest if we can’t fight.

[eliliyah]

This.

[cleverlittlefox]

“Dogs don’t know what they look like. Dogs don’t even know what size they are. No doubt it’s our fault, for breeding them into such weird shapes and sizes. My brother’s dachshund, standing tall at eight inches, would attack a Great Dane in the full conviction that she could tear it apart. When a little dog is assaulting its ankles the big dog often stands there looking confused — “Should I eat it? Will it eat me? I am bigger than it, aren’t I?” But then the Great Dane will come and try to sit in your lap and mash you flat, under the impression that it is a Peke-a-poo… Cats know exactly where they begin and end. When they walk slowly out the door that you are holding open for them, and pause, leaving their tail just an inch or two inside the door, they know it. They know you have to keep holding the door open. That is why their tail is there. It is a cat’s way of maintaining a relationship. Housecats know that they are small, and that it matters. When a cat meets a threatening dog and can’t make either a horizontal or a vertical escape, it’ll suddenly triple its size, inflating itself into a sort of weird fur blowfish, and it may work, because the dog gets confused again — “I thought that was a cat. Aren’t I bigger than cats? Will it eat me?” … A lot of us humans are like dogs: we really don’t know what size we are, how we’re shaped, what we look like. The most extreme example of this ignorance must be the people who design the seats on airplanes. At the other extreme, the people who have the most accurate, vivid sense of their own appearance may be dancers. What dancers look like is, after all, what they do.”

— Ursula Le Guin, in The Wave in the Mind (via fortooate)

[darkgreyclouds]

please come back with me I would like to show you my homeland

[acecroft]

It’s just a bunch of hocus pocus! HOCUS POCUS (1993) dir. Kenny Ortega

[detailedart]

“On Friday, July 27, the full moon passed through the shadow of the Earth for 103 minutes. It was the longest “blood moon” lunar eclipse of the century, as the moon turned red in the shadow of the Earth for nearly two hours.” x - x - x - x

[were-writes]

Will humanity ever be free of the influence of Edna Mode? Can any of us so much as consider the character design for a hero or villain without her manifesting in the room, fully aware of our sins?

[were-writes]

You know what, another layer of difficulty is when you’re thinking about villains, and the wise words of Megamind come into your head. You don’t just want your child to be just a regular villain. But how do you make your villain a Supervillain with no cape? Where is the drama? But Edna says no capes, you must deny them the flair. It is impossible to please them both, and it’s tearing this family apart.

[iisiibear]

since I’ve drawing a lot of glowy magic/fire things lately,,,,here’s a tutorial with brush settings!! :0

[goldensunset]

some of y’all still can’t recognize the differences between platonic, romantic, sexual, mentor-student, and familial relationships, both in fiction and reality, and it really shows

[goldensunset]

some of y’all still think there’s only one type of love and it really shows

[writersblockandapotoftea]

Didn’t the greeks have five words for love? 

[scottishhellhound]

They actually had 7

Eros: sexual love

Philia: deep friendship

Storge: love between parents and children

Ludus: playful love

Agape: love for everyone/selfless love

Pragma: longstanding love

Philautia: love of self

Here’s a link that goes more in depth into what each one meant.

[zee-enby]

I learnt this in Drama&Theatre while studying Antigone and it’s so interesting

[frankbelloriley]

I’m a dumb idiot who needed Hurricanes Harvey, Irma, and Maria to hit in the same month to realize Kaijus in Pacific Rim were a metaphor for climate change and hurricanes and, like, the movie isn’t even subtle about it

[pizzamozzerella-deactivated2019]

there’s a very long tradition in monster movies (and kaiju eiga if you wanna be specific) of monsters as allegory for natural disasters, pollution and climate change. Godzilla vs Hedorah is a really good example where the enemy is literally sentient pollution, and pacific rim does the same thing it did in taking widesweeping environmental issues and linking it DIRECTLY to the appearance of these monsters, both with the above examples and newt’s dialogue after he drifts with the kaiju brain and points out that climate change and co2 emissions means we practically terraformed our planet for these aliens to come BACK and take over. Monster movies are a LOT of different things and can be very silly and absurd but they can also be built around very serious and specific messages about the condition of our planet, and in many ways messages about human impact on the environment has been built into modern monster movies since the very beginning (looking at the impact the original ‘godzilla’ had on pop culture and monster movies the world over)(its also worth noting that this probably extends into many other monster films and franchises from many other countries that i havent seen)