philippa iksiraq, "flowers," 1990, felt, embroidery floss and duffle

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philippa iksiraq, "flowers," 1990, felt, embroidery floss and duffle
elaborate book covers
Eternal Love
By Frank Kunert
Blue Ridge Parkway through North Carolina, October 2022
If I keep loving myself tenderly Will it start to feel familiar? Somehow it always feels unnatural, Like a second language I should have learned When I was young.
Haven’t I been good long enough?—kept my sorrows
tucked in a back pocket, folded like a Swiss blade. But now, I want to lie down, press my spine to the pocked earth,
tear off my shirt and writhe ‘til I loosen something at the back of my throat, make my own, terrible noise, hear it slip
into the iced air—is this how they do it?—when they open their trick jaws, tilt their heads up.
— Danusha Laméris, from “Coyote,” Bonfire Opera
View of a sculpture relief “The Spirit’s Flight” by E.D. Palmer, [between 1854 and 1860], half plate daguerreotype, b&w film copy neg.
There’s a world you’re living in, no one else has your part.
Vintage knife circa 1919, newly engraved.
June 1969 // landscape // Pacific Northwest
A Healing Vision, Kathleen Lolley
kathleenlolley.com
Suppressed evidence, Motohide Takami
Innocence. Cassey Chanel photographed by Arianna Lago for Metal Magazine.
dos | víctor m. alonso
Albarran Cabrera —– Instagram
The Mouth of Krishna
Japan, 2016, #721 Pigments, gampi paper and gold leaf.
Gardens of Lorien - Giverny, France