Bury me with my earphones in
Today's Document
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
let's talk about Bridgerton tea, my ask is open
noise dept.
KIROKAZE

#extradirty
Claire Keane

Love Begins
NASA
PUT YOUR BEARD IN MY MOUTH
Misplaced Lens Cap

JVL
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PR's Tumblrdome
The Bowery Presents
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seen from Australia
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seen from Belarus

seen from United Kingdom
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@heartshop
Bury me with my earphones in
Leonard Cohen photographed by Gijsbert Hanekroot in Amsterdam, Netherlands, 1972
The Approaching Shadow by Fan Ho, 1954
Collected Studies on the Pathology of War Gas Poisoning (1920)
— by Milton C. Winternitz, Robert A. Lambert
Downtown, Las Vegas Blvd, c. 1968. Photo by Denise Scott Brown.
The rainbow is underestimated, Piero Percoco
!!!! this man !!!!
'many scratched doors,' 1994 in sigalit landau - gabriele horn + ruth ronen (2008)
James Son Thomas - Artesia, Mississippi Picnic 1980
A bad scan of a new drawing, 'Real Name, No Gimmicks'. I mostly did it with HB pencil but there were a few terrible days with a 2H. U can get prints from my website etc!
Sang Woo Kim, Ways of Seeing 025, 2026
the mistake (or illusion?) of regarding the phenomenal “self”—
Girl with calla lilies, Mexico, 1951.
Photography by John Dominis.
Gucci fw26
Morris Huberland, Human Ladder’, East Side, NYC, 1940s.
Source
Gennady Dobrov – Farewell glance (1982)
The artist conceived the painting "Farewell Look" to immortalize the story of his own sister. A pianist, she married a violinist, a graduate of the same conservatory. However, the musician failed to manage his talent or his life wisely. He began drinking heavily and eventually became a complete alcoholic. His wife took their daughter and left him. Dobrov depicted this very moment in his painting. [...] From the memoirs of Gennady Dobrov: I approached Boris Georgievich Lukyanov, the editor of the magazine "Artist." He looked at "A Farewell Look" and said, "No, Gena, we can't just show your painting like that. The editorial board members are against it, the Union secretaries are against it too... Sergei Petrovich Tkachev brought a delegation of the Komsomol Central Committee to the painting while it was being hung and complained, "We tell him, 'Take the axe out of the alcoholic's hands,' but he doesn't!" He also forbade television crews from approaching it. And he said to me, "You probably think your painting is brilliant? No, no, no, my dear fellow. We don't need that kind of realism." I filed an appeal... It didn't help. "Farewell Look" was first displayed at the spring exhibition in the Begovaya Street exhibition hall in 1984. The painting caused a sensation, and the number of visitors to the exhibition grew daily. (source)