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3Crumbs app - Are you the local thrifter we all have been looking for?

❣ Chile in a Photography ❣
trying on a metaphor
Sweet Seals For You, Always
Misplaced Lens Cap
macklin celebrini has autism
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he wasn't even looking at me and he found me
Xuebing Du

roma★

★

gracie abrams
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The Stonewall Inn
cherry valley forever
d e v o n
occasionally subtle
One Nice Bug Per Day
TVSTRANGERTHINGS
PUT YOUR BEARD IN MY MOUTH

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@annydeery
Hi,
I just moved my posts from Posterous! Do go though my blog for all the new posts.
Its easy to migrate try JustMigrate
3Crumbs app - Are you the local thrifter we all have been looking for?
Atoms for Peace - Amok
Atoms for Peace - free stream of AMOK.
This has been available online for a few days so thought I'd share in case you've not heard it yet. There's more chat from Thom Yorke and Nigel Godrich on this Reddit string.
#SMWBOOKCLUB
My #SMWBOOKCLUB event at SkyPark, Glasgow was not only well attended it also included lively open discussion involving many attendees. People had different reasons for attending, not least curiousity about the use of tech in the form of Google Plus hangouts for connecting with a wider audience.
Kicking off the evening with beer kindly supplied by WEST brewery, we had time to talk with each other and get a feel for our reasons for attending. I wanted to create an informal social space where people could talk freely and share their ideas to make what they want out of book club. This was acheived in part although an initial book for discussion will be selected over the coming weeks.
Finnish based author, Heikki read his short story, Lord Stanton's Horse and explained how the award winning 480 word story won the Flash500 short story competition.
In discussions around the future of the printed book, Heikki highlighted the FiveStopStory app that's designed for commuters to be read within the average journey time of 5 station stops.
Alan gave a great performance of an extract of his latest novel PackMen. The subject matter is a little racy, recounting a male on male sexual encounter between university students, it wouldn't make the 9pm watershed.
Thanks to Alan Bissett, Heikki Hietala, Dougal Perman of Inner Ear for getting involved and making the tech happen.
#SMWBOOKCLUB Tue 25 Sep, 7-9pm
#SMWBOOKCLUB is a book club event taking place in Glasgow as part of the global social media week, 24-28 September 2012. I decided to host this event as I've been involved in a book club, organised by friends through a Facebook group. I knew there was a demand outside of this group of friends so I wanted to establish a book group where people have an opportunity to meet socially and talk about their favourite books in an environment with likeminded folk.
I'm also keen on technology and wanted to explore the opportunities of communication tools like Google+ hangouts for people to join in overseas and for people to be able to participate without having to physically attend a meeting.
Scottish based author, Alan Bissett will be reading from his latest novel, Pack Men. Alan has kindly taken time out of his busy performance schedule for a reading. Finnish based author, Heikki Hietala will read his short story, Lord Stanton's Horse. He's also generously offered a PDF of Filtered Light and a collection of short stories that attendees can download here.
If you'd like to learn more about the event that's happening at Skypark (6th Floor), Glasgow, Tue 25 Sep 7-9pm, you can view the Livestream here: http://bit.ly/SMWBOOKCLUBLIVE or through the Google + hangout: http://bit.ly/SMWBOOKCLUBGPLUS
Open publication - Free publishing - More book club
Music Hack Day, DeerNome
I went along to Music Hack Scotland on Friday afternoon in between interviewing previous Chancellor of the Exchequer's and the sedate environment of the Edinburgh International Book festival. SummerHall is a brilliant setting and it was good to be back in the building after the List launch party earlier in the month.
My boyfriend, Dougal Perman who set up internet radio station, Radio Magnetic (ahead of the curve in that broadband internet didn't exist, laptops weren't nearly as common or portable as they are now and mobile devices weren't yet internet enabled, wifi wasn't prevalent and well people hadn't got turned on to the idea of streaming music and data online) with his university friend after they graduated from Glasgow, was DJing at the hack throughout the evening along with Cliff Waddell from Glasgow based music blog and label, Phuturelabs so I went along to hang out.
I didn't know quite what to expect from a music hack but had been along to the Culture Hack event in Glasgow earlier in the year. I was impressed with the introductory presentations including FOUND's new music app, a souvenir concept for the Glasgow 2014 Commonwealth Games. I was also keen to hear Matthew Herbert talk as he's such an interesting character and well the last time I 'saw' him was at the final Kinky Afro night on my 30th bday.
I'd been to a Culture Hack day in Glasgow earlier in the year where I learnt to code some basic javascript. Since the start of the year I've tried a few sessions on CodeAcademy, something I'd like to get into a little more. I really enjoyed the session, demystifying the art of coding and so with it breaking down the barriers between those with technical or predestined ability to develop. I'd have stuck around for the whole weekend had I not misunderstood the attendance policy. I thought that the overnight hack part of the weekend was more or less exclusively for developers. Heading back on Saturday afternoon for the developer session and the show and tell, I soon realised that the Culture Hack session encouraged participation from people who like me are more firmly based in the creative or cultural sector.
The line up was impressive. The SMIA and Jim Wolff, Jann et al had done an excellent job on attracting some superb folk. On returning later that evening when the hack was underway (filming duties took me away for a few hours), masses of delicious, authentic curry was being served up. Three times in a week for me and the Mosque kitchen.
The developing had begun and the tunes spun. I was curious to see if there were any projects I could input or get involved with so decided to find out what everyone was up to. I pretty much introduced myself to almost everyone in the three rooms. There was an interesting mix of concepts being thrashed out and ideas being formulated. I was certainly impressed to see the likes of Last.fm, Shufflr.fm and ThisIsMyJam hard at it. One common theme seemed to be that many people wanted to work with the Echonest api. I was a little surprised to learn about it as it was news to me but it seems to offer some really intelligent development potential.
I had wanted to create something myself. After meeting with Ben Fawkes from SoundCloud when we presented a digital media workshop for Edinburgh Fringe participants earlier in the month. He'd told me about their API where if you've geotagged your soundcloud content you can pull this into a player. After working on Walking Heads and having this content and information I wanted to see how feasible it would be to pull this info together in a mobile format for potential integration into native apps. As my developer skills are somewhat lacking, and my cheek not sufficient to blag or cajole somebody into doing it for me I decided to change tack. I was determined to leave the Music Hack after making something. Inspired by the creations of Lucy Robinson and Taras Young at the Culture Hack I set about to make something. I'd heard about the conductive pens so wanted to do something with them, but not sure what. We left the Music Hack at about 3am, then back to the house for a drink for an hour or so as I was driving. Returning to Summer Hall on Saturday around lunchtime (another amazing spread!), I set about rummaging through the box of hardware in a quest to build some kind of music creation.
I'd found something that looked like a speaker and some other bits and pieces. John was most helpful in directing me toward a project I could start my electronics hack with. Obviously wanting to maintain some music theme, I found a metronome project that looked fairly straightforward. Of course even with Rory's help in sourcing materials the magic box of gear didn't have exactly what was needed. After drawing out the circuit on a piece of squared paper, I took that along with the directions for making the circuit to Radio Shack just along Nicholson Street. Of course they didn't have exactly what was needed but I figured I'd take their advice and buy a couple of their most popular resistors. I really only had rudimentary knowledge. I'd made a buzzer loop with an old wire coat hanger and a big chunky 12V battery when I was a guide in an attempt to extract cash from punters in exchange for challenging to travel from one end to the other without making a circuit and buzzing.
Back on the bike to Summerhall, with only a few hours remaining before the show and tell and I'd not started soldering yet. John very kindly furnished me with copper circuitry that had a sticky back. Stick backed copper tape, neat! Laying out the copper tape, I then stuck it down. Each joint needed soldering. In my maverick, or somewhat lacidasal way, I had to be careful so as not to burn through the paper. There's a few smoulder marks where soldering had to be
Thanks again to John for the use of his soldering iron. I had used one many years ago. Although I've no idea what for!
A mad dash to complete my project left me almost out of time. Unfortunately I wasn't able to give my full attention to the weird and wonderful 3D globe projections that were happening. One final hurdle, on completion and testing of my metronome masterpiece, I'd realised it wasn't working. Thankfully John came to my rescue and was able to test the battery which proved to be emitting 2 of it's potential 9V. Another visit to the newsagent over the round, and the best part of a fiver later, I had a battery. I could hardly contain my excitement when watching the speaker cone rise and fall, dependent on where the adjustor was placed.
Thankfully I'd already entered my project on the wiki so was all up for presenting. I have to say part of my motivation for entering the contest was the opportunity to win a Raspberry Pi. Who knew there were ipad's up for grabs too. I got to present toward the end of the session. It was a little apprehensive. As I'd spoke with almost everyone there the prospect of telling my story was a little less daunting as it seemed like a room full of familiar faces. I presented and seemingly folk seemed to be receptive to my journey that day. Even though you could barely hear the tiny 8Ohms speaker even on the front row, never mind toward the back of the layered lecture hall.
I was delighted too with the response from everyone there. I was also ecstatic when I got the opportunity to buy my own Raspberry Pi from Eben and met his wife who wrote about Music Hack Scotland. Bare Conductive also offered up a set of pens, fortuitously I won a set which was just as well as it'll encourage me to continue my electronic circuitry in a really fun, tactile way.Being a participant, and I do mean participating, creating and presenting my hack, (unimaginatively called the Deer-Nome, Deer from my surname Deery, Nome from Metro-Nome) made for a slightly different experience than mere hack observer. I certainly was left feeling there was a culture of cooperation, and whilst there may have been some gentle competitive spirit, the atmosphere was mostly quite open and encouraging. One thing I'd like to see at future hacks would be some limitations. It'd be interesting to see what folk could do with just the data that's provided. Perhaps even offering up the same data sets and API and limiting them so there's a closer competitive element? Perhaps that's not in the spirit of a hack but something that might produce interesting results.
Just favorited "Stacks 1st Birthday Mix" by Duncan Harvey on Mixcloud.com
Just favorited ""Highlife" 03 radio show by Brian D'Souza and Esa Marvin Granger Williams" by Radio Cómeme on Mixcloud.com
Just favorited "T Break Stage 2012: Podcast Episode 2" by Radio Magnetic on Mixcloud.com
Cool wee teaser video for #UNRAVEL
Just favorited "The Stone Roses -2012-06-12 Heineken Music Hall,Amsterdam,The Netherlands" by sinlopez on Mixcloud.com
Just favorited "The Stone Roses : Live : Blackpool '89" by Transphase Modular Experiment: on Mixcloud.com
Just favorited "Insider Festival Mix" by Duncan Harvey on Mixcloud.com
Five minutes with Matthew Dear
This Saturday marks a very special Subculture and quite possibly the highlight of our entire birthday programme. Everyone here at Sub Club is unanimous in their anticipation and love for both of our guests and excitement has reached (without straying into the realms of hyperbole) an unprecedented level. It is with great pleasure that we welcome both Andrew Weatherall (a man who has played at the club so often that we’ve actually lost count of which number this appearance will be) and Matthew Dear, arguably one of the hardest working men in modern music, adopting a variety of different monikers to create a variety of sounds whilst also operating the record label Ghostly International.
Producing under his own name, Audion, False and Jabberjaw, as well and leading a live band under the name of Matthew Dear and Big Hands, there are many sides to the producer. So what can people be expecting from his DJ set at Subculture and how does he find switching between the role of DJ and frontman to a live band?
“When I DJ, I play a mixture of house and techno. Some old, and some new. Switching between DJ sets and the band sets isn’t very difficult. Sometimes I’ll even do both in the same night. When I was trying to do Audion live and the band at the same time, it was a bit difficult, as there was simply too many different routings I’d have to rearrange in my set up every night.”
With the success of his avant-garde pop albums ‘Asa Breed’ and ‘Black City’, Matthew has spent a great deal of his recent time touring with his live band. But he confirms that he’ll be resurrecting his other much loved production name Audion soon, stating that he has “been working on a lot of Audion material in my spare time lately. I’m getting very excited to release more of it and craft a new live show for 2013” as well as continuing his work for Ghostly.
“I keep my ears open and always look for new artists while on the road. Each release is a collaboration between the musician, the label, and a visual artist. Every album’s artistic process is a bit different. For the most part, we rely on the relationships we’ve constructed over the years, and allow for a dialog to develop between everyone. For my upcoming album ‘Beams’, I had basic color concepts in place based the work of Morgan Beringer. I took those ideas to Michael Cina, and he came up with an interpretation. It was a very amorphous process that changed many times throughout, but resulted in a very special album cover.”
Help realise The Digital Streetpaper
Street papers exist to help homeless and vulnerable people earn a dignified income.
Here's an idea to help digitise the Big Issue. The digital street paper will be accessed by purchasing a printed coupon, sold by vendors and offered as an online alternative to the printed magazine, at the same cover price.
This is the first Kickstarter project I've supported, in part because of my association with the people behind it. Davie Craik, of Bright Signals has been working on this project, and my boyfriend's company, Inner Ear created the video working with the very talented Andy Brown.
[[posterous-content:pid___0]]
From the world’s first street magazine in New York City, street papers have grown to become a global movement against social injustice, with 122 editions now being published in 40 different countries.
This worldwide family is joined together by the International Network of Street Papers, which helps street papers share knowledge, skills and technology.
There are various opportunities for supporting this project through crowdfunding platform, Kickstarter, including original artwork by Edinburgh based, Tommy Perman.
You can see more on the video below and show your support at:
http://www.kickstarter.com/projects/1882811473/the-digital-street-paper
Help realise The Digital Streetpaper
Street papers exist to help homeless and vulnerable people earn a dignified income.
Here's an idea to help digitise the Big Issue. The digital street paper will be accessed by purchasing a printed coupon, sold by vendors and offered as an online alternative to the printed magazine, at the same cover price.
This is the first Kickstarter project I've supported, in part because of my association with the people behind it. Davie Craik, of Bright Signals has been working on this project, and my boyfriend's company, Inner Ear created the video working with the very talented Andy Brown.
[[posterous-content:pid___0]]
From the world’s first street magazine in New York City, street papers have grown to become a global movement against social injustice, with 122 editions now being published in 40 different countries.
This worldwide family is joined together by the International Network of Street Papers, which helps street papers share knowledge, skills and technology.
There are various opportunities for supporting this project through crowdfunding platform, Kickstarter, including original artwork by Edinburgh based, Tommy Perman.
You can see more on the video below and show your support at:
http://www.kickstarter.com/projects/1882811473/the-digital-street-paper
Help realise The Digital Streetpaper
Street papers exist to help homeless and vulnerable people earn a dignified income.
Here's an idea to help digitise the Big Issue. The digital street paper will be accessed by purchasing a printed coupon, sold by vendors and offered as an online alternative to the printed magazine, at the same cover price.
This is the first Kickstarter project I've supported, in part because of my association with the people behind it. Davie Craik, of Bright Signals has been working on this project, and my boyfriend's company, Inner Ear created the video working with the very talented Andy Brown.
[[posterous-content:pid___0]]
From the world’s first street magazine in New York City, street papers have grown to become a global movement against social injustice, with 122 editions now being published in 40 different countries.
This worldwide family is joined together by the International Network of Street Papers, which helps street papers share knowledge, skills and technology.
There are various opportunities for supporting this project through crowdfunding platform, Kickstarter, including original artwork by Edinburgh based, Tommy Perman.
You can see more on the video below and show your support at:
http://www.kickstarter.com/projects/1882811473/the-digital-street-paper
Help realise The Digital Streetpaper
Street papers exist to help homeless and vulnerable people earn a dignified income.
Here's an idea to help digitise the Big Issue. The digital street paper will be accessed by purchasing a printed coupon, sold by vendors and offered as an online alternative to the printed magazine, at the same cover price.
This is the first Kickstarter project I've supported, in part because of my association with the people behind it. Davie Craik, of Bright Signals has been working on this project, and my boyfriend's company, Inner Ear created the video working with the very talented Andy Brown.
[[posterous-content:pid___0]]
From the world’s first street magazine in New York City, street papers have grown to become a global movement against social injustice, with 122 editions now being published in 40 different countries.
This worldwide family is joined together by the International Network of Street Papers, which helps street papers share knowledge, skills and technology.
There are various opportunities for supporting this project through crowdfunding platform, Kickstarter, including original artwork by Edinburgh based, Tommy Perman.
You can see more on the video below and show your support at:
http://www.kickstarter.com/projects/1882811473/the-digital-street-paper