ΠΧ.MUSIK

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Kurdish Music

Traditionally, there are three types of Kurdish Classical performers - storytellers (Kurdish: چیرۆکبێژ, çîrokbêj), minstrels (Kurdish: سترانبێژ, stranbêj) and bards (Kurdish: , dengbêj). There was no specific music related to the Kurdish princely courts, and instead, music performed in night gatherings (Kurdish: شه‌ڤبهێرک, şevbihêrk) is considered classical. Several musical forms are found in this genre. Many songs are epic in nature, such as the popular Lawiks which are heroic ballads recounting the tales of Kurdish heroes such as Saladin. Heyrans are love ballads usually expressing the melancholy of separation and unfulfilled love. Lawje is a form of religious music and Payizoks are songs performed specifically in autumn. Love songs, dance music, wedding and other celebratory songs (Kurdish: دیلۆک / نارینک, dîlok/narînk and bend), erotic poetry and work songs are also popular.

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Dark and Ambient Dubstep

Dubstep /ˈdʌbstɛp/ is a genre of electronic dance music that originated in South London, England. It emerged in the late 1990s as a development within a lineage of related styles such as 2-step garage, broken beat,drum and bass, jungle, dub and reggae.[1] In the UK the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s.[1][2] The music generally features syncopateddrum and percussion patterns with bass lines that contain prominent sub bass frequencies.

The earliest dubstep releases date back to 1998, and were usually featured as B-sides of 2-step garage single releases. These tracks were darker, more experimental remixes with less emphasis on vocals, and attempted to incorporate elements of breakbeat and drum and bass into 2-step. In 2001, this and other strains of dark garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), which went on to be considerably influential to the development of dubstep. The term "dubstep" in reference to a genre of music began to be used by around 2002 by labels such as Big Apple, Ammunition, and Tempa, by which time stylistic trends used in creating these remixes started to become more noticeable and distinct from 2-step and grime.[3]

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Berghain Music

Sitting in a dusty lot on the border of Kreuzberg and Friedrichshain, Berghain is widely considered one of the world's best nightclubs. It has two dance floors: Berghain, a dark main room where most DJs play techno, and Panorama Bar, an upstairs space that's more focused on house, though the music policy in both rooms is very open-ended. (There's also a men's-only club on the first level called Lab.Oratory, and a smaller club with a separate entrance called Berghain Kantine.) A number of details give Berghain its cult appeal: its residents, which include Cassy, Marcel Dettmann and Ben Klock, its set lengths, which range from three hours to more than eight, and its decor, which is mostly metal and poured concrete, with 30 meter ceilings and seemingly endless nooks and crannies. Most of the parties are extremely long: Friday night events usually wrap up early Saturday afternoon, but Saturdays typically run well into Monday morning. Perhaps the most notorious aspect of the club is its door policy—hundreds of people are turned away each weekend, including regulars, often for reasons that are completely mysterious to everyone except the doormen.

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Outrun/Synthwave

Synthwave is a form of Electronic music that takes most of its inspiration from synth music and pop culture from the 1980s. Musically, synthwave is often instrumental and has a "futuristic" theme, with large, throbbing, retro synths. House influenced heavy drums (often side-chained) are also very popular. It draws inspiration from a variety of genres that originated and/or was most popular during the 1980s, including, but not limited to,Synthpop, Progressive Electronic, Italo-Disco, Electro-Disco and other derivative styles.  The origins of synthwave can be traced back to French Electro House scene in the mid-2000s. Artists such as Kavinsky combined House music with elements of 1980s Electronic music, complete with 1980s inspired artwork. Soon after, several French producers, such as College, Anoraak and Minitel Rose began producing similar styled music. There have also been some synthwave soundtracks, such as Drive and Hotline Miami.

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Sex Playlist

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Melechesh

Originally a solo project established in 1993 by vocalist/guitarist Melechesh Ashmedi, Melechesh -- the band -- were one of the first death metal/black metal groups to emerge from the city of Jerusalem. Guitarist Moloch and drummer Lord Curse were recruited the following year, and Melechesh quickly began developing their admittedly extreme but culturally relevant "Mesopotamian metal" by combining Middle Eastern music and history with heavy metal. By naming their first demo As Jerusalem Burns...Al' Intisar and openly admitting to Satanic worship in interviews, Melechesh understandably gained both local notoriety and a police rap sheet, seeing as such heretical behavior is literally illegal in that holiest of cities. Then again, there's no such thing as bad press, and all of this hullabaloo only served to fuel the band's fast-rising underground profile, and scored Melechesh the opportunity to release their The Siege of Lachish EP via the Devilish Music Propaganda label.

~E. Rivadavia

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Rockabilly

Rockabilly is one of the earliest styles of rock and roll music, dating to the early 1950s in the United States, especially the South. As a genre it blends the sound of Western musical styles such as country with that of rock and roll,[1] leading to what is considered "classic" rock and roll.[2] Some have also described it as a blend of the bluegrass style with rock and roll.[3] The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "hillbilly music" in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include western swing and boogie woogie.

~Wikipedia

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UK Garage

UK garage (also known as UKG) is a genre of electronic music originating from England in the early 1990s. The genre usually features a distinctive syncopated 4/4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. UK garage was largely subsumed into other styles of music and production in the mid-2000s, including dubstep, bassline and grime. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. ~Wikipedia

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Djent

Djent /ˈdʒɛnt/[1] is a style of heavy metal music that developed as a spinoff of traditional progressive metal.[2][3] The word "djent" is an onomatopoeia for the distinctive high-gain, distorted palm-muted guitar sound most notably employed by bands like Meshuggah and Sikth. The term was initially coined by Meshuggah lead guitarist, Fredrik Thordendal. Typically, the word is used to refer to music that makes use of this sound, to the sound itself, or to the scene that revolves around it.[4]

~Wikipedia

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Destruction

Together with their countrymen Kreator and Sodom, Germany's Destruction constituted the dominating triumvirate of Teutonic thrash metal during the 1980s. And even though they ultimately failed to match these peers in terms of commercial success and longevity, at least two of their albums still qualify among the crème de la crème of the decade's speed metal. Heavy metal underwent a worldwide revolution in the early '80s, when the lingering lessons from '70s giants like Black Sabbath and Judas Priest crashed head-on with the D.I.Y. ethos of punk rock and the sheer velocity of Motörhead to spawn the much ballyhooed New Wave of British Heavy Metal, which, in turn sparked a far more powerful and lasting bastard offspring: thrash metal. Of all the nations contaminated by this musical virus as it proliferated unchecked, Germany was second only to the U.S. in terms of widespread infection. ~E. Rivadavia

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Wild Lyfe Mix