Never let this die
IT GOT BETTER SINCE I LAST SAW IT
taylor price

祝日 / Permanent Vacation

PR's Tumblrdome
Xuebing Du
NASA

roma★

oozey mess
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Discoholic 🪩
Keni

if i look back, i am lost

Love Begins
Show & Tell
wallacepolsom
todays bird
TVSTRANGERTHINGS

@theartofmadeline
art blog(derogatory)
I'd rather be in outer space 🛸
Misplaced Lens Cap
seen from Türkiye

seen from Switzerland

seen from Malaysia
seen from Bulgaria

seen from United States

seen from Singapore
seen from Hungary
seen from Sweden

seen from Malaysia

seen from United States

seen from Sri Lanka
seen from France
seen from Brazil
seen from Malaysia

seen from Malaysia
seen from United States
seen from United States

seen from Canada
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seen from United States
@anthromorphiccollagen
Never let this die
IT GOT BETTER SINCE I LAST SAW IT
Norwegian Sweater, Celia Pym, 2010
MICKALENE THOMAS “Angelitos Negros”, 2016 eight (8) two-channel HD video duration: 23 minutes, New York.
“Hunched over a computer in her studio, Thomas shows me one of the works that’s in the show. It’s a four-channel video piece based on Eartha Kitt’s performance of “Angelitos Negros,” or, “Little Black Angels,” a song that finds the singer wondering why, when she enters a church, she only sees images of white angels. She implores painters to paint black angels for “all good blacks in heaven.” Thomas’ take on the video features herself, Racquel, and an actress, all reenacting Eartha Kitt’s performance alongside Kitt’s original, their four voices intertwining for the audio.
“How come you don’t paint our skin?” Kitt, Thomas, and the other women ask in song. Even though the work positions Thomas as an observer of art, in reality she is one of the painters to whom the song begs representation. Her every work is an answer to the song’s plea—Mickalene Thomas is forever painting our skin.” —-The Creator’s Project, Gabrielle Bruney
The indoor garden, Kyoto @walkergarden
1970′s Burger King Love Labels stickers (via: eBay)