so simple so simple so simple
12 1/2" x 8 5/8"
charcoal, resin stick on book cover
4.2024
w. tucker wtucker-art.com

❣ Chile in a Photography ❣
we're not kids anymore.

Origami Around
NASA

Janaina Medeiros
wallacepolsom

No title available
Keni

★

PR's Tumblrdome
RMH
d e v o n
noise dept.
Lint Roller? I Barely Know Her

titsay

shark vs the universe

pixel skylines
occasionally subtle

ellievsbear

No title available
seen from Portugal
seen from Colombia
seen from United States
seen from Austria
seen from United States

seen from United Kingdom

seen from Malaysia

seen from Malaysia

seen from Malaysia

seen from United States
seen from Argentina
seen from United States
seen from Norway
seen from South Africa

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
@antitect
so simple so simple so simple
12 1/2" x 8 5/8"
charcoal, resin stick on book cover
4.2024
w. tucker wtucker-art.com
Molitor Apartment renovation RREEL Paris, France, 2024
Joe Gilmore, [thinking is form], 2025 [© Joe Gilmore]
Guy VandenBranden (1926–2014) [Belgium] - ‘Composition’, ND. Acrylic on canvas (130 x 110 cm).
Kozan Askerlik Şubesi
Roser Bru
Ibiza
Côte d'Azur, Le Corbusier
Janet Cohen, 7-28-07 Washington at N.Y. Mets (Game 2), 8th Inning, (space), (pencil on paper), 2007 [© Janet Cohen]
String Figures: The Collections of Harry Smith. Catalogue Raisonné, Volume II, Edited by John Klacsmann and Andrew Lampert, Text by John Cohen and Terry Winters, Published by J&L Books with Anthology Film Archives, Atlanta, GA and New York, NY, 2015
Alexandra Phillips
Arturo Luz
1. Arturo Luz B. 1926 , Three Black Objects
2. Arturo Luz | MutualArt
“ Filipino artist Arturo Luz was one of the founders of the modern Neo-Realist style in Philippine art.Though he used several styles and techniques, he was primarily influenced by Modernist Paul Klee. Arturo Luz’s artworks, usually in oil or acrylic paint, were abstract figural or architectural pieces. In the 1950s, he used geometric shapes to create a series of carnival paintings…”
Untitled (parabolic lens), Fred Eversley
lygia clark - monument in all situations (1964)
Keith Coventry [UK] (b 1958) ~ ‘Ontological Picture’, 1998. Oil paint on canvas (91 x 76 cm).
Cedric Price, Generator Project, White Oak, Florida, Plan of Service and Structure with Key, (cut-and-pasted self-adhesive polymer sheets on polymer sheet, layered in board frame), 1978-1980 [MoMA, New York, NY. © Cedric Price]
Oscar Murillo