in a fist fight with a fog, baby

[esseklikovboy]

[dongboss]

ITS A PUSSY!!!!!!!!!!!!!!!!!!!!! OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOH!!! SHIT!!!!!!!!!!!!!!!!!!!!!!!!!!!! A PUSSY!!!!  OOOHOHOHOHOHHH SHIT!!!!!!!!!!!!!!!A  FUCKING PUSSY YOU SEE THAT SHIT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[jewishwatson-deactivated2020091]

why does Ted Cruz always look like his suit is way too tight?

the man doesn’t know how to act like a real person i mean look at him

PUT YA ARMS DOWN

CLOSE YA DAMN LEGS BOY

[jewishwatson-deactivated2020091]

If this gets 500 notes I’ll print it and send it to Ted Cruz'a main campaign office

[jewishwatson-deactivated2020091]

i’ll print it tonight and mail it tomorrow 

[fem-usa]

[oldwordcubed]

So our choices for this election are nice grandpa, your aunt who’s trying so hard to pretend she’s still 30, a vulgar talking yam, and a robot from the future sent to kill us all.

[academicssay]

[spatscolombo-deactivated2022030]

Justin go back to your seat this is a nuclear summit not junior high study hall you can’t just sit with your crush there are assigned name tags and you are decidedly not Nigeria

[nonnegative]

tumblr is that guy with the camera in the back

[snstitre]

There’s a key motif in Carol that comes every now and again as a portal to the moment of trauma, to the snapshot that one sees even when their eyelids are shut (this self-inflicted darkness that allows the same bright image to print and print again, 24 times every second, in loop, and that haunts every latecomer who can’t help but carry a movie theater inside their skull). This portal is in fact a window, more precisely, a car window, framing Therese Belivet’s (Rooney Mara, who can’t avoid the facial features of Audrey Hepburn, in another layer of self-reflexivity in a film full of them) face as she looks outside, through the prismatic distortion caused by the raindrops that accumulate on the glass, acting like wormholes to a different time and place. It is through this window that an image corrupted from the past is reassembled, but when we speak of the past, here, it encompasses more than what happened in the diegetic world, before the movie started. In fact, in Carol, the line between the world of the film and the world of film is also seen through this rain drop-covered window, rendering it uneven, distorted and imprecise (a line full of peaks and valleys, like the print made by a heartbeat monitor). Even still, this moment, shattered in parts that flow inside each of those tiny beads of water, is remarkably vibrant and alive. Hell, it’s even acquired colors, painted over the black and white base by years of romanticized recollection… (x) Carol (Dir. Todd Haynes)

[paxamericana]

[antongyang-blog]

Spotlight Church abuse report: Church allowed abuse by priest for years - The Boston Globe

Why did it take a succession of three cardinals and many bishops 34 years to place children out of John J. Geoghan’s reach?

“For decades, within the US Catholic Church, sexual misbehavior by priests was shrouded in secrecy – at every level. Abusive priests – Geoghan among them – often instructed traumatized youngsters to say nothing about what had been done to them. Parents who learned of the abuse, often wracked by shame, guilt, and denial, tried to forget what the church had done. The few who complained were invariably urged to keep silent. And pastors and bishops, meanwhile, viewed the abuse as a sin for which priests could repent rather than as a compulsion they might be unable to control.”

[antongyang-blog]

Expressionist Portraits Capture the Fiery Transience of Jazz Performances

“Each of Glass’ works is a mimetic encapsulation of a particular jazz performance that you’ll likely never see (with the exception of occasional, jerky YouTube footage). Glass spends his evenings going to New York’s jazz clubs and music halls and, for the duration of the concerts, sketching expressionistic portraits that capture the ephemeral fervor and movement of each show — while being both permanent and inanimate... Glass’ work sees these musicians and their unique styles translated into feelings, then reconstituted on the page.”

Related: Beyond the Romantic Mythos, What Life Is Really Like for Artists Living With Mental Illness 

[archatlas]

Classic Architecture Studies Chema Pastrana

[lawpoliticsphilosophy]

Ad-free art on the underground: Düsseldorf’s ‘pure’ new metro line

Geometric shapes, projections of planets, LED walls … Germany’s first art on the underground project is an ambitious collaboration between artists, engineers and architects