by Lorraine Sorlet
Three Goblin Art

Janaina Medeiros
Xuebing Du
No title available
trying on a metaphor
let's talk about Bridgerton tea, my ask is open
h
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he wasn't even looking at me and he found me

if i look back, i am lost
ojovivo
Sade Olutola

blake kathryn
Stranger Things
d e v o n
occasionally subtle
we're not kids anymore.
Acquired Stardust
Cosmic Funnies

⁂
seen from Singapore
seen from United States
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seen from United States

seen from Canada

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seen from Netherlands
seen from Canada
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seen from Malaysia

seen from France
seen from Colombia
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seen from Türkiye

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seen from Peru
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@aodessa
by Lorraine Sorlet
“Golda” (1979) by Leon Berkowitz ☀ Where orange forgets where it ends
is that what makes you fascinating?
the Fandom Memes about hannibal being very pretentious regarding his food and being horrified at the sight of will eating mcdonalds are funny and all but also he literally ate a severed lip that someone mailed him in a paper envelope
Raw lip is a delicacy, like the finest cut of sashimi
Thinking about the poems about peeling clementines for people and how Clementia is the name of a Roman goddess of forgiveness. Love as an offering; this act says "forgive me, I love you".
Love as absolution.
"I don't want your love unless you know I am repulsive, and love me even as you know it."
— Georges Bataille, My Mother
I think the reason I am so quick to forgive Hannibal for gutting Will and killing Abigail is because of the amount of emotional pain we see him in. We go from seeing him so calm and collected for two entire seasons and suddenly the mask is ripped off completely. You can see how much he is hurting. I cannot imagine how heartbreak must feel for someone who has barely ever touched love. What he feels must be magnified because he isn’t used to feeling it. I can sympathize with that. He did not expect to fall for Will the way that he did. He was obviously unfamiliar with this feeling. In that kitchen, when he guts Will, he lashes out but it’s not because he is in control but because he’s out of control. He is in so much distress he acts impulsively, something we don’t see Hannibal do until then. And even when he goes to Florence he is acting impulsively as he deals with his broken heart. Will makes him lose control — the only person who has been able to do that to him since his late sister. He is reckless. He doesn’t care. A monster who spent his entire life carefully curating a facade for himself and he breaks it all and gives it all up for a man. This is a monster who has already come to terms with the fact that he would be alone possibly for the rest of his life. He has already accepted that nobody would be able to ever see him and he will live his life in solitude. To go from that kind of loneliness to meeting someone who understands you on such a fundamental level when you never thought it possible, that is literally life altering. He meets Will and everything changes for him, for both of them. His love may be greedy and unhealthy but it’s real and it’s tangible. I think of a monsters love like the sun. It is brutal and beautiful and passionate and you cannot look directly at it without hurting yourself. It burns, it leaves you with marks and scars. He meets Will and, for possibly the first time in his entire life, sees someone he can share his deepest thoughts with. Someone he could confide in and trust. Someone who could see him and be seen in return. He has never needed acceptance or companionship until Will. And Hannibal trusted him. A monster who has not trusted anyone allowed himself to trust Will. And when he guts Will in that kitchen and I see the mask finally come off, I can see how hurt he truly is. Because physical pain is something that Hannibal knows. If Will had stabbed him it probably would’ve hurt less than the betrayal. Nobody expects a monster to be capable of love and such large amounts of it. Will himself didn’t realize just how much Hannibal is capable of feeling. Hannibal is far from heartless. He has a heart and such a large capacity for love and it consumes him, controls him. He is hurt because Will would take away the one thing in life Hannibal values so greatly — his freedom. But after Florence he realizes his freedom is no good if Will isn’t there. So he submits to love and to Will and gives up his freedom because he has tasted life without Will and it is plain and dull and not worth living. A monster gives up everything he values in life for a man. It’s tragic and beautiful. A monster who is capable of so much senseless violence is also capable of such ardent love.
Anastasia Trusova on Instagram
i can appreciate feminist retellings of mythology for sure, but at the same time i am very suspicious of revisionist retellings that erase the tragic or violent aspects of the story in the name of giving the women in their stories “agency” - i think that there is a meaningful distinction between violence against women as spectacle and violence against women as a core part of the story that should be addressed, even if the story is re-contextualized. i also understand the impulse to pursue narratives that don’t include violence against women at all because our culture is oversaturated with it and that desensitizes us and makes it spectacle, and frankly i AM sick of seeing that shit in the media constantly (personally i don’t trust men to write narratives of female trauma lol and i’m tired of seeing “realism” or “empowerment” used as an excuse to make porn out of abuse)
however. i don’t like the implication that victims of violence (regardless of gender) lose their agency once they are subjected to that experience. i think that overlooks the way that stories are used to illuminate parts of our culture that are harmful, that we don’t like to think about, that aren’t addressed how they should be, and their power as a means of expression and healing for people who need a place for their experience of violence.
i’m not saying there’s not a place for retellings where persephone is a badass with a healthy relationship with her sugar daddy husband hades and medusa has been blessed with the power to protect herself from men rather than cursed and sought out to destroy by men as a monster for the rest of her life (and actually athena is a feminist icon supporting other women). i’m just saying that these are the retellings i see hyped up constantly as being inherently better than stories where the woman subjected to violence isn’t your modern cardboard cut-out Strong Female Character or in which there is no experience of violence at all. i don’t think that’s a responsible way to frame the conversation around injustice experienced by women in mythology and modern literature. worse, i see people claim that these are the true intent of the original myths. i…. don’t even know what to say to that except don’t trust shit you see on the internet making historical claims without checking their damn sources. that’s all
anyway i do know of some very good myth adaptations that don’t fall into this trap so again, i’m not saying retellings can’t be done well or can’t have a feminist framework
tags from @filmnoirsbian
yes exactly!! especially since the actual myth is primarily about demeter and her significance to the pantheon, the extant version of the story is the homeric hymn to demeter, so prioritizing the romantic/sexual relationship between persephone and hades shows
1) a fundamental misunderstanding of the myth,
2) a fundamental misunderstanding of greek religion and culture despite trying to make claims about the theoretical “original” myth (i won’t even get into that but there’s a lack of understanding the academic theory that claim is based on and how trustworthy it is, which is not at all imo),
3) the inability to engage with stories about women without it being through the lens of a male perspective or at the very least without a romantic relationship,
4) the desire to continue to understand complicated or difficult stories at the level of childhood which is where most people first heard greek myths – and to not be told that they were taught simplified versions of those themes because they were children but now they have a likable version of hades in their mind and try to defend it at all costs for some reason. and they’re unable to relate to older women or mothers so they can scapegoat demeter without realizing that she’s the point of the story,
6) that people will talk in circles about wanting to restore agency to and empower female figures in ancient literature while simultaneously overlooking complicated and powerful women. people want persephone to be powerful and in control so bad but they totally write off how powerful and compelling demeter is, in fact most retellings leave out huge chunks of the story that don’t feel “relevant” to modern audiences when they were the most important parts to ancient greeks and probably the reason why the myth exists in the first place (justification for rituals to demeter, including the eleusinian mysteries and the thesmophoria in athens). there’s all kinds of theories about the “original” persephone but i see no reason to believe and of them are true or that there was a version of her that exists before this story, unless it’s as a component of demeter (they’re referred to together as the demeteres so i can see arguments for her existence as a facet of demeter’s role in the pantheon).
it’s also for the sake of this glamorized aesthetic where persephone is simultaneously a flower goddess and queen of the underworld – a revisionist “girl power” image of the goddess that appeals to what seems to the modern reader like a radical contradiction of life/fragility/femininity and death/power/masculinity. imo this is neither radical in terms of modern feminism to align weakness with womanhood or to put this version of powerful women on a pedestal, nor in terms of the ancient greek understanding of these themes since life and death, agriculture and famine, earth and the underworld go hand in hand in these stories. demeter is also a chthonic deity as well as her better known role as an agricultural deity (or really, because of this role – chthonic due to her association with earth and the ground and her control over life & death, as an agricultural goddess). so we could easily apply the “goth flower power” aesthetic to demeter as well, but she’s old and unmarried and has no “shipping” potential so nobody cares about her enough to do so. not that i particularly want this treatment for her but it’s just that much more obvious that people don’t get this myth or greek mythology at large (even though they think they do because they read percy jackson in elementary school – a book series, by the way, that does the “demeter is an overprotective, hovering, toxic mother” thing lol)
i also think that people don’t want to be told their favorite retelling is “wrong” so they have to try to justify it by denying that the extant version of the myth is the “right” version by trying to deny its legitimacy, either by calling it fanfic or by making claims about an original “feminist” version of the myth, and as much nicer as it sounds for a matrilineal pre-greek society to tell the story of a young girl choosing to walk into hell and stay there, you’ve gotta be living in a fucking fantasy world if you think that’s the most likely theory of persephone’s origin (my friend showed me a video about this topic where one theory is that she’s derived from this super ancient ultra powerful goddess who was a daughter of poseidon or something and i just ????? like no. sorry. i just don’t see it. where the fuck are your sources)
but for real. tl;dr: it’s such a shallow, sexist reading of the myth that comes from a work called the homeric hymn to demeter, commonly referred to as the rape of persephone, to make it all about justifying hades and his actions, and trying to “empower” female characters by sanitizing the myth for your own comfort while ignoring or rewriting important female figures is an effort that lacks real empathy towards women or at least shows a basic misunderstanding of the story. not to mention what it says about real victims of violence to act like they’re less valuable or have less agency than anyone else
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I know I’ve already reblogged this but I absolutely love this old timey adhd info graphic
The Mountain hare/skogshare reminds you of the importance to wash your feet, including between your toes!
Damn
[Image description:
Cropped image of medieval-stylized printed text, focused on a line which reads: “This wenche thikke”
/end image description]
Thank you for adding this image description! Just wanted to clarify that it’s not stylised, but actual Middle English. The text is from The Canterbury Tales.
Okay, had to track it down. It’s from the Reeve’s Tale, and it’s a description of a 20yo young woman:
This wenche thikke and wel y-growen was, With camuse nose and yën greye as glas; With buttokes brode and brestes rounde and hye, But right fair was hir heer, I wol nat lye.
In modern English (had to look up “camuse”, so that’s as good as my source, but I know the rest)
This wench was thick and well-grown With a pug nose and eyes grey as glass; With buttocks broad and breasts round and high, But right fair was her hair, I will not lie.
The fact that Chaucer had “big butt” and “I will not lie” within two lines of each other is causing me disproportionate amusement. Also the fact that “this wenche thikke” works equally well in Middle English and in modern slang.
I don't even know if you use perfume, but if you do, this is what you would use.
this is... simply exquisite......
Baby lamb I met today