How Wes Craven evolved his presentation and exploration of sexual assault throughout his films, from 'The Last House on the Left' to 'Red Ey
This article has been about a year in the making. I've been fascinated by the shift in Wes Craven's treatment of women and sexual violence for a long time. How can a director go from making The Last House on the Left to something as clever and aware as Scream?
This essay explores the evolution of sexual violence in Craven's filmography, and I have to say I'm really proud of it. I think it's the best piece of film criticism I've done.
I wasn't able to find a publication willing to pay me for this one, so if you enjoyed this please consider tipping me a few pounds:
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