hello all,
using this blog for quotes and research for and in relation to Classics. drop a chat if you'd like!
The Bright Sessions

oozey mess
Fai_Ryy
I'd rather be in outer space 🛸

Origami Around
PUT YOUR BEARD IN MY MOUTH
Doug Jones

Love Begins
sheepfilms

ellievsbear
🩵 avery cochrane 🩵
Not today Justin

bliss lane

titsay

Kiana Khansmith
Interview Vampire Daily
art blog(derogatory)
Claire Keane
No title available
★

seen from Malaysia

seen from India
seen from Italy

seen from Germany

seen from United States
seen from Germany
seen from Canada
seen from Maldives
seen from United States
seen from Pakistan

seen from Latvia
seen from Kenya
seen from Philippines

seen from Malaysia
seen from United Kingdom

seen from Iraq

seen from India
seen from United States
seen from India
seen from Philippines
@archaiological-natterings
hello all,
using this blog for quotes and research for and in relation to Classics. drop a chat if you'd like!
narrative and lyric levels in catullus, gail trimble
do you ever remember the note the scribe left at the end of catullus manuscript G and want to burst into tears
colophon from manuscript G (36 recto), trans. oakley
the thing is lucretius was so right. isn't it beautiful to be in a whole world that's come about entirely by chance
Etruscan duck askos
325 - 275 BCE
British Museum 1865,0103.20
Egyptian lentoid flask, 1300-1200 BCE, glass, J. Paul Getty Museum
As in Mesopotamian and Syrian glass, most Egyptian glass vessel shapes were copies of those that already existed in materials like clay or stone. But this lentoid or lentil-shaped form may have developed among glassmakers and influenced other media rather than the other way around. To create this vessel, the glassmaker gathered hot glass around a core--made of animal dung and clay--supported by a rod. After the shape was formed, the handles and yellow trail were added. Once the vessel had slowly cooled, the core was removed from inside the finished vessel.
New article!
"It was Sogdian, a language originally spoken in the province of Sogdiana and the city of Samarkand in modern-day Uzbekistan and Tajikistan, that became the lingua franca of the Silk Road in that part of Central Asia. Turkic peoples such as the Uyghurs, whose native language differed greatly from Indo-European Sogdian, also used this language for administration. The Sogdians were known as industrious merchants, and it was through trade that they spread their language as far as western China, among other means by founding merchant colonies in Chinese Turkestan."
Read the full piece here: https://alongthesilkroad.com/2026/02/11/the-forgotten-language-of-the-silk-road-sogdian/
Roman Centurion Tombstone Discovered in Bulgaria
Tomb plate belonging to a centurion of the First Italic Legion discovered at Nove.
Rescue excavations in the western necropolis of the Roman military camp at Nove, near Svishtov, have brought to light a fragment of a tomb plate belonging to a centurion of the First Italic Legion (Legio I Italica).
Archaeologists from the Municipal Institute in Svishtov and the Regional Museum of History in Veliko Tarnovo quickly initiated emergency investigations. The site proved to contain five burial structures, including two limestone cyst graves—rectangular chambers constructed from stone slabs—alongside a brick-and-stone walled grave, a simple grave pit, and a stepped pit showing evidence of burning.
The most significant find emerged from one of the cyst graves, where a partially preserved tombstone of the centurion Gaius Valerius Verecundus had been reused as building material. His epitaph, composed in verse, poignantly records that he had been “heavily pressed by fate.” The reuse of funerary monuments in later burials suggests that older graves in the necropolis had already been dismantled in antiquity.
Other inscribed monuments were incorporated into the same structure. Among them was the tombstone of Marcus Marius Patro, a veteran of the First Italian Legion originally from Iconium in Asia Minor, today’s Konya in Turkey. A roof slab was fashioned from a stela bearing the complete epitaph of Aelia Basilia, described as a “most virtuous sister” (soror pientissima). The monument had been erected by her brother, Publius Aelius Bassus, himself a veteran and beneficiarius of the legion.
The second cyst grave yielded comparable evidence of reuse. Its eastern wall consisted almost entirely of the well-preserved tombstone of Gaius Alpinius Secundus, son of Gaius, from Colonia Claudia Ara Agrippinensium—modern Cologne, Germany—and a soldier of the Eleventh Legion Claudia. Another roof slab carried part of an epitaph commemorating a veteran who had served 25 years and died at the age of 60.
Three of the tombstones feature decorative wreaths, ivy leaves, and branches, while the monument to Marcus Marius Patro includes carved signa, or military standards, underscoring the martial identity of the deceased.
All five graves had been looted in antiquity or modern times, leaving only sparse finds: a bone needle, a spindle fragment, and two bronze fibulae. Mixed skeletal remains recovered from the graves will undergo anthropological analysis, while specialists continue detailed study of the Latin inscriptions to shed further light on the lives commemorated in stone.
By Mark Milligan.
Vase in the shape of a duck, Ptolemaic Egypt, 3rd-2nd century BC
from The Walters Art Museum
The best thing about being a chronically online papyrologist in training is being assigned an unpublished fragment to decipher, and slowly realising it's talking about the purity of mesopotamian copper.
Two millennia after Ea Nasir, the Romans are worried about buying impure copper ingots, imported from Mesopotamia.
You know, we talk about the purity of copper ingots being in question but we rarely ask why the purity of copper ingots would have been so important? What was being made where copper ingots needed to be as pure as they claim to be?
Was it color? I bet it was color. Isn’t egyptian blue copper based?
Copper is used to make bronze which remained a valuable metal, and yes! Egyptian blue!
Its pretty important in glassmaking and ceramics :)
This glass plaque from the met is a great example of late Ptolemaic/ early Roman Egyptian glasswork!
The best thing about being a chronically online papyrologist in training is being assigned an unpublished fragment to decipher, and slowly realising it's talking about the purity of mesopotamian copper.
Two millennia after Ea Nasir, the Romans are worried about buying impure copper ingots, imported from Mesopotamia.
Pyxis with horses, Greece, circa 750 BC
from The Penn Museum
A Marble Portrait Head of a Man Julio-Claudian, circa 1st half of the 1st Century A.D.
A Roman Mosaic Depicting a Red Mullet Fish 1st century CE The State Historical Museum in Moscow.
Hadrian’s Library & Acropolis, Athens, Greece by Milan Gonda
“the kiss,” at pedra furada in brazil, c. 10,000bc
“the kiss,” at pedra furada in brazil, c. 10,000bc