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lauren

[thefugitivesaint]

Richard Jones, ''A Pride of Monsters'' by James H. Schmitz, 1970

[huariqueje]

Poetics of Abandoned - Susanna Iivanainen  , 2023.

Finnish , b. 1973 -

Colour ink and marker on canvas, 80 x 60 cm.

[1five1two]

'Mid Autumn'. Tsunenobu Namiki.

[weepingwidar]

Jean Mallard (French, 1997) - Retour à Ithaque (Return to Ithaca) (2025)

[ortut]

Duan Zhengqu - Carp in The Yellow River No. 3 (oil painting on canvas), 2000

[unplaces]

Concord St, Pittsburgh, Pennsylvania.

[fuzzbby]

Martin Krammer.

[surrealistart]

Stairway and Tree (1946) Gertrude Abercrombie, oil on board, 22.9 x 29.2 cm

[enki2]

[pam3pr]

Caberet du L’Enfer, satanic themed cabaret founded by Antonin Alexander in 1892 near Montmartre, Paris, demolished in 1950.

[thunderstruck9]

Mark Thomas Gibson (American, 1980), So Slips the Knot, 2016. Acrylic on canvas, 60 x 40 in.

[unsubconscious]

Ethel Greene, “The World’s Greatest Parking Lot,” oil on canvas, 1969

[ymutate]

Kathleen Eaton (is a Chicago area artist)

[sowhatifiliveinkyushu]

裏窓  (1964年07月)

[dropdome]

The intestines of the furnace by Stéphane Gaudry, 2012

[brzuszko]

Marianowi Henelowi sławę przyniosło trzynaście wielkoformatowych gobelinów powstałych techniką wiązaną, głównie o tematyce erotycznej i magicznej, na których nagie postaci kobiet i samego Henela pojawiają się w otoczeniu owadów, ptaków i zwierząt o znaczeniu symbolicznym: sowy, orła, węża, ropuchy, nietoperza, kota.

Renown came to Marian Henel with his thirteen large-scale tapestries, created in hand-tied technique, mainly with erotic and magical underpinning. In these works, naked figures of women and Henel himself appear amongst insects, birds and animals that bear symbolic meanings: owl, eagle, snake, toad, bat, cat.

(źródło: outsiders.artmuseum.pl, album The Host in a bottle/ Polish artists)

[chessboxingstreetwear]

Gao Hang