Do you think about Nagito's turn from Chapter 1's class trial onwards and miss the good old days of thinking that guy is scary? Do you also happen to be a x reader simp just like me and interested in romance accounting for these spooks at the same time??
Then you're in the right place because I have this Nagito x reader fic about all of those things and more wow more I can't believe it--
Danganronpa Another Episode: Hope Starved Theater
Rating: M | Nagito Komaeda x femreader | Summary:
In a building too uncanny to be considered a hospital, you wake up from a coma struggling with the loss of years of memory. However, the gaps begin to fill when you come face to face with the only other person present, an old friend named Nagito Komaeda. He seems to have been responsible for you while you were unconscious, and was eagerly waiting for your awakening in preparation for something, but what exactly compelled him to transport you to this location? That question soon becomes inescapable, and whether the answer carries hope or despair is up to you to unravel…
Currently, the story has 8 chapters out but those 8 chapters total to 176k words which I don't know sounds like a sizable readable chunk to me! The intention here was to write a reader fic in which I would be able to portray as many facets of Nagito's character as I can think of, drawing from research of the source material. With this in mind, character accuracy and tone accuracy were the main focus of my efforts and continue to be as I write the second draft. Because that's right! I'm on a second draft stage I technically already finished the fic in other words ooooo stick with me it'll be complete for sure oooooo 👻👻
(fanfiction progress status below:)
18/07 update: Next chapter is an interlude! But it's also gonna be one of the most important chapters in the story. I want it to be impactful, and because of that I ended up scrapping most of what I had and writing essentially a third draft for it. So, getting that done is a priority before returning to the rest of my second draft, but I'm taking advantage of this opportunity and lack of monthly schedule to finally put out the side content I had pre-cooked since forever which I didn't have the chance to upload until now. Second chapter of that currently out, buuuut the author's notes are coming in tomorrow because I need to sleep aaaaaaa--
Author's Notes Index:
Prologue: Pre-Determined Checkmate
Chapter 1: Cemetery Under the Unfamiliar Ceiling (First Half)
Interlude: Lost Golden Years (1)
Chapter 1: Cemetery Under the Unfamiliar Ceiling (Second Half)
Interlude: Lost Golden Years (2)
Chapter 1: Cemetery Under the Unfamiliar Ceiling (Checkpoint)
Interlude: Lost Golden Years (3)
Let's Look Back at Chapter 1 of My Fanfiction With Junko Enoshima
Chapter 2: What Does Oolong Tea Wish Upon the Seven Stars? (First Half)
There is also now a separate entry in AO3 with all of the side stories that I wasn't able to include in the main story proper!
Hope Starved Theater Side Content Compilation
It's exactly what it says on the tin and has extra content in the same universe for the people who might like it. If not convinced I have a cutie pitch for it too 😳
Side Content Author's Notes Index:
First Time in the Clock Tower
Feel free to ask me about current progress or anything else! Thank you very much for taking the time to read and I hope that it can be an experience worth your time.
Hi Archsimp I have a migraine so I'm functionally illiterate rn but I wanted to say hi and hello and I hope ur doing well and I always smile when I see you on my dash 😇 totally unrelated how do you think Komaeda would cope with a migraine? Do you think he gets them often? Would he just tank it and move on or would he rest? Or would it be situational? I assume situational as are all things Komaeda AKA the number one "Idk it depends" guy but idk take this concept and go wild
Henlo!!! always greeting me so polite 😳 First off, 🫂
The afflictions are spreading within the moots again... I wish you a very ability to rest and recover if possible 🫂🫂
As for this line of questioning, ngl I almost never think about these types of headcanons unless it came up somewhere like in my fanfiction incidentally so it's gonna be off the top of my head and skipping over the disclaimers you already stopped to bar me from the long-winded version of them but hmmm! Nagito with migraines... Hmmmm... You see left by myself and with full freedom I always end up thinking, "Which would be funnier?"
I guess to put him through a situation similar to ours like draw out the migraine energy by putting him in a specialized magical field for migraines, let's yeet Nagito into an office. Summoning ritual (disclaimer one does not technically need a summoning ritual to summon migraines unfortunately).
Man but I like when Nagito is at a just right level of annoying so then to me I feel like it would be great if everyone around him is struggling like dead on the inside and outside, afflicted by all the ailments
And then there's Nagito "Haha all the easy cases fly to me" Komaeda just ^^ Haha you guys look like ghosts, he says ghostly after downing the 5th soda of the day Do you need any help? I was just about to ask for more work ^^ And he does get the work distributed to him but it's gonna turn out to be easy anyway because he magically gets the easy ones
There's gonna be a huge spike in volumes of work one day and it's gonna be the exact day Nagito is struck with a technical issue on his computer that renders him unable to work the entire day, and he approaches his co-workers like, Sorry haha if only I could help... I'll cheer you on from afar! and they are in shambles
It could also be the worst work day of Nagito's life he got all the hardest stuff to do that day and then it turns out he gets to leave early and then he rests up, he comes back he's doing great he always looks like he's doing great (inwardly he's not doing that great) so then in my jester heart I'd want him to not have the migraines 90% of the time just so he can be that guy like I don't want him to have that relatable dying work guy factor
I feel though like in that sense too even if he was a dying office guy he would probably mask it with a smile until he just about passes out or needs a hospital and so then maybe he's suffering with a migraine, he sounds slower he seems to have no patience he snapped at me :( what's up with Komaeda today but then people don't know he's actually having the migraine of his lifetime which also makes him grumpier about things that would've bothered him less before but now they're annoying I feel in my brain Nagito would be like the type of co-worker who is inwardly keenly aware of how incompetent other people are and thinks about it but usually handwaves it it's okay everyone is nice anyway the work gets done anyway it's all good but then if it's this type of stress situation then some kind of harsh comeback happened and the recipient of it is like scarred for the foreseeable future
So I think in a situation where Nagito would have to do something he might tank it and then only let his guard down in a place where he can rest and doesn't have to do anything. I think it wouldn't even be that he deliberately hides he's feeling terrible it'd just be that since he'd be like yeah haha... I'm feeling pretty terrible right now... the ^^ energy would make everyone else not take it that seriously until he looks like he's about to pass out or something, and then if he doesn't then Nagito could probably be absorbed into what he's doing while feeling terrible that he's focused on that task instead of his own health maybe? Maybe
I guess in that sense the Komaeda in my heart for now would situationally get migraines, but I think there could be a nice enough foundation for a Nagito who is afflicted with migraines at occasion I just have different priorities aka the comedy
Either way thank youuuuuu for asking I like to think thonk about Nagito headcanons!! Would also be nice if the comedy weren't just funny for me but could make you feel a lil better in spirit 🫂
Checked Akane's height and felt the whiplash at Nagito being taller than her
Now I understand my wife (nearly the same height as Akane) when she was complaining about how /reader fanfics always describe the guys towering over her despite her own height and she learned fear when I told her, "Well, Nagito is taller than you so you don't have to worry about that :)"
I realized that my style of posting lends me to not being particularly annoying since I concentrate everything I want to say into one post in other words I'm so ignorable in a dashboard
Hiiiii, Archsimp! I wanted to drop by and share a theory—though I should make it clear that I’m terrible at coming up with theories; I just really love your fanfic. What if Mitsui—aka the reader—had succumbed to despair before Nagito put her into a coma? Maybe she killed the people close to her while driven by despair, or perhaps the people who mattered most to her died, and that trauma pushed her toward the side of despair. And maybe, seeing her like that, Nagito thought it would be best to stop her in order to preserve her image of hope. If that’s the case, Nagito probably figured that if she woke up, she could end up either on the side of hope (without memories) or on the side of despair (with memories). Anyway, this might all sound pretty silly, but it’s my theory, hehe. Thank you so much for creating and sharing this fanfic!
O(≧∇≦)O
aaaaaaaa henlo !!!! Finally got time to type longer stuff gosh
But anyway I don't think it sounds silly at all! I did write this story sort of hoping it would spawn theories surrounding what exactly is going on, or like I guess at least engage one's brain to be wondering what the truth might be? I've seen a theory here and there and I'm happy to get more from that perspective of keeping people on their toes. However, I'm also in this position where I can't lightly make comments on what I think just because I wouldn't want to let something slip that would alert the theory to being true or false. I'm not too sure myself what the boundary for yapping would be, like for example if I said it was interesting, would that sound like the observation of an outsider and make it seem like I'm saying it's not true? Or like if I said that it follows the themes of the story, would it make it seem like I'm saying it's true? Or vice versa? I love to yap but my yap is being put to the test. Either way what I can't express in words I will express in LURV SQUEEEEEEEEEEEEEEEE
And maybe if I can't speak, I can make someone else speak...
Junko!!!!
Junko!!!!!!!
I heard you the first time, baby!! Hell yeah!! It's Junko Enoshima all the way from the fucking afterlife!!
It's more comfortable than it sounds, but... It's also really boring... I mean, you're dead, so you know... There's nothing to do... All you can do is watch, and that gets stale after a while...
Sounds like hell enough for you! But anyway what do you think?
My thoughtsh, you shay? You're tellin' me to look up from this paragraph, right? Well, lemme shee...
Hmmm, uh-huh... To preserve her image of hope, huh... Got it!
It would seem you're troubled on how to reply to this theory without giving spoilers away, correct? Since there is nothing more sinful in a mystery than to know exactly how it will unfold. Naturally, I am more than capable of being hopelessly vague in my reply about this theory. And eloquently, at that.
But then again... That's not why I was called to a place like this, right? We're not girl pals or anything, so if I'm here, it's gotta mean this has something to do with my whole advisor gig with you. So, here's the big money question! Drrrrrrrrrrrrr... Ta-dah! From Junko Enoshima's perspective, is this theory despairful enough to fit in this fanfiction?! Place your bets now before the time runs out!
Not that there's any time here--
Time'sup'cuzIdon'tfeellikewaitingsotheanswerisyes!! Congratulations!! Clap clap clap clap...! Your plot points have successfully passed the preliminary criteria to be considered for this story! As for whether they'll actually make it in, though, that's up to all of you outside of this dimension and has nooothing to do with me! I mean, that Mitsui girl is getting beaten up and tortured anyway, and it's still gonna have that same outcome, right? It's not like I'm physically there pulling the strings, so that's about what we can expect from a scrub like Nagito.
However, you would do well to remember this, human. As long as the seeds of despair continue to be planted, despair can always continue to grow! Yes, it shall grow even past our legacy and consume all of your hopes!
But I'm dead so I don't really care what happens from here! Anyway, I already gave you my answer and you're running out of inspiration-- so I'm gonna leave before I get too bored to move! Bye-bye!!
Have you ever thought to yourself, 'Damn, I wanna figure out what to do with Nagito but I don't get how his luck works?' Or even, 'How come his canon husband Hajime Hinata won't get struck by a meteor the moment they shake hands?' Because so have I! The goal is to try to and fail to embody Junko Enoshima and her inexplicable ability to predict Nagito's luck!!
1
What Is Luck?
Thankfully, Nagito has an answer for this very question, but while I could just send that very same answer, I think it's more worth it to look at various general statements Nagito makes about his own luck at the same time. But first, said answer:
(Hi canon husband)
By itself, it's hard to understand because it's meant to be coupled with statements he's made in previous free time events.
Here's where it starts taking shape: luck by itself is an absolute power, meaning that it always is effective, but it can't be directly controlled. Now, I know what you're thinking: 'But Nagito controls his luck all the time in the game!' However, this doesn't make Nagito's own statement untrue. What's being said here is that he can't wield this absolute power of his own will. So, Nagito can't just will luck into giving him the exact events he wants. In the games, he obeys to the principles he knows of luck and then just puts his faith in the fact that the outcome will be something favourable for him. This means that he isn't controlling luck as much as he believes it will come in clutch for him whatever happens, and he just sets the stage for that to happen. But, it could have a completely different result than what he's expecting, like how he didn't die in Chapter 1 and how the traitor didn't live in Chapter 5.
Meanwhile, Nagito's own luck is defined by the consistent expectation of a positive result that can override the negative outcome that came before. Combined, Nagito would be essentially saying that this luck can't be wielded or resisted, and that it works as the hope that he was born with, which is to say that it's what he can personally look forward to in a feasible manner. This also means (and I know it'll sound really obvious but I've seen this before) that for this expectation to happen, Nagito's luck would have to apply to him so the luck is defined by things that happen in his life.
Sounds great, huh?? Except no!! It gets more complicated than that!!! Because why would it not!!!
Why would this just happen to you? Where's the luck that would come from it?
Because you sure were hyped for it here...
And now the principle is in reverse...
So what does it mean?
Here Nagito refers to a cycle of good luck and bad luck, but in thinking about that at face value, we'd have to erase all instances of Nagito just always being able to stay hidden in hide and seek, or always capturing the flag on his first try where clearly he can tend towards an event that is considered lucky. After all, if it were a cycle, it would have to be preceded by something else, right? But, most events in Island Mode are talked about as if standalone, and in the game proper, Nagito isn't always at all times every time experiencing some form of random event. There are simply times where nothing is happening.
So, can we call this a proper continuous cycle, or would it actually be more intuitive to think of that sentence as just a way to phrase the fact that Nagito sifts through good luck and bad luck in his life? I personally believe the latter is more compelling. However, this doesn't mean that we can ignore the supposed hopeful nature of Nagito's good luck, because there is bad luck that occurs which becomes good luck in the actual material. For example, the fact that he survived Chapter 1 and Byakuya (you know what I mean) died in his stead.
Another thing about the functioning of luck I'll mention is something Nagito says in the OVA:
I think that because of how for example, being the one person to win something out of thousands would make you lucky, it would mean that other people being unlucky would make you luckier, and other people are thus prone to being unlucky around Nagito. This manifests also in the source material, both in the death of his parents, how Byakuya dies in his stead, etc... However, as for whether this exact principle is absolute should maybe be taken with a grain of salt. I think that believing this holds true is just as valid as thinking it doesn't, and the reason I'm saying not fully buying it is possible is because this is something Nagito is saying in the simulated universe where he's just unlucky, which doesn't truly happen in the Danganronpa universe, considering being lucky implies being unlucky (as in having bad things happen to you) necessarily.
Additionally, in V3's bonus mode, when Celeste, Makoto and Nagito gather, this fixed luck principle doesn't come into effect either as only the headmaster loses in mahjong while the three remain lucky. The context for this line in the OVA is that Nagito then wants to say that there's no greater honour for him, who has no talent, than having the ability to make the world better by absorbing bad luck. This being a world that's meant to simulate an alternative happiness, I think it's plausible to conclude that this absolute principle is exclusive to the simulation in order to make him feel useful despite his still lacking self-esteem, and that other people being unlucky relative to how lucky someone else is is applicable but also depends on their own luck that they're born with. Basically, there is a clear element of truth here anyway from the fact that other people are usually less lucky than Nagito, but that luck being limited might not be that clear and certain outside of the OVA.
Other than that, though, the answer to what luck truly is and how it works is, 'Who knows?' Considering it only manifests occasionally and without a specific time pattern, Nagito's luck basically happens whenever you the writer can will it so. The same applies for what type of luck it is. Still, in lieu of the general statements made by Nagito plus all instances of luck he names, I have this following handy dandy mind chart:
However, to explain this in more detail, we need its own section! Yay!
2
The Principle of Happenstance
What's good luck? What's bad luck? What's luck in the context of Danganronpa in practice? To Nagito, it's an absolute power, and good luck comes in after bad luck (or vice versa), but what does that mean? I unfortunately don't have all the answers but have instead food for thought for all fellow academics out there.
When we ask, is it good luck if nothing happens and everything is peaceful? Or, is it good luck if something doesn't make anything bad happen? The answer seems to be no. When nothing comes out of something, that's a type of bad luck. It puts the nurse example from his free time events into context:
Ideally, you'd want not to get hurt, but to have this good thing happen, a bad thing had to happen in that sequence. Since the bad thing led to that good thing, it was good luck overall. Meanwhile, if nothing had happened? It would probably mean that meeting would never take place, so the person who doesn't get hurt isn't lucky. So, each day spent in peace is like a moment of losing the lottery, as there's no opportunity for something to happen.
This seems to work off of the logic that, for example, if you happened to be the only survivor in a mass shooting, you'd be considered lucky. It denies the logic that the person never involved in that shooting would be the lucky one, because that person didn't have anything happen to them. So, they didn't get lucky, meaning they're unlucky by default. This understanding gives further weight to how Nagito feels about negative happenstance, in how he can look forward to it like he does for the killing game:
Because something IS happening, Nagito knows that something good based off of that event will occur. Meanwhile, like we can see with Island Mode, when nothing does happen, there's hesitation about what that'll mean for him, since there's nothing that can be expected from an uneventful moment. Nagito can think that something good will happen since nothing happened, but it stands a clearly different level of engagement than if something did happen. This means that where luck truly shines is when bad luck is involved, which is the point that mirrors hope and despair exactly as Nagito sees it.
In other words, luck in Danganronpa, and as a result Nagito's own luck is based off of Something Happening. Which sounds painfully obvious, but that actually also puts every random standalone event in the same context: an average result doesn't invite good luck, so if for example Nagito has to pull on any gacha banner, it would always have to result in a rare character coming out. If that pull were as normal, it wouldn't mean anything so it wouldn't happen. Nagito can remain never found in hide and seek because even if it's technically uneventful, it's rare. So, unusual or eventful things usually happen to Nagito, and then when it comes to things that aren't necessarily tied to luck conventionally, like just doing a task, a sequence of happenstance between bad luck -> good luck to good luck -> bad luck can happen.
Or, so I've concluded. I think there's no need to be strict about this since there's no clear clear statements, but that abiding by this principle of eventfulness in Danganronpa luck, being lucky can feel more in-line with things seen in the source material.
3
The Impact Of Luck
Besides luck itself is the way luck makes Nagito who he is. The first example being how the way his luck works and how he sees hope are equivalent, and for more context on that here is the shameless plug to my post about Nagito and the H-word, but luck has a deeper impact than that, affecting Nagito's self-perception as well as the despair in his own life.
I know the first thing popping to mind is the examples of his luck that he gives in the free time events, but I want to approach something else: Nagito feeling like his talent sucks.
The important things in this statement are what's in the second sentence. He might do amazing things through luck's influence in the game, but putting oneself in Nagito's shoes here, it's possible to consider that doing something amazing would mean that he's doing the amazing thing, and not whatever force messes with events. Luck isn't something he does, but something that happens to him, and this difference distinguishes him from the Ultimates, whose talents are all things that they do and can be trained to reach bigger heights. Conversely, luck is innate and can't get better than what it already is.
(ah fuck I already switched Danganronpa 2 to Japanese and I don't have the screenshot on hand god forgive me I might as well transcribe the line)
I've never... thought about having to overcome anything before. It's not like I'd run away from my problems, but... It's more like, I was just living my life without even thinking about them at all. Even so, I was still able to live...
(Chapter 1, pretty much the morning after Nagito dropped the letter on Byakuya)
It's subtle, and I think it can be contested by someone who has a different theory potentially (and if so please appear and tell me this theory posthaste), but my view on it is that the implication is Nagito could just trust luck to give him a favourable outcome, so he feels like he hasn't had to try hard or that it's worth overcoming something. If fate just moves on its own, why even try? There's meaning to this dialogue being from Chapter 1, because Nagito has to steel himself for the plan he's about to put into motion, as it involves working with the Ultimates to overcome the killing game. Still, just because it's dialogue from early on doesn't mean that it doesn't hold general meaning, because the fact that there's supposedly not much he by himself can bring to the table contributes to the view that he has no value. The specifics have more expansion in the hope post and it also edges more into how to perceive value in Nagito's lens, so I'll leave it at that, but basically, luck is related to this notion of value too probably!
Another thing is Nagito's will to live.
The eventful nature of luck means that Nagito goes through terrible events with consistency, so luck is both what kills his hope and what gives him hope at the same time. For him to be lucky, something needs to happen, but that happenstance itself breaks peace and makes him disillusioned with the world. However, since there is always good luck afterwards, Nagito clings to that notion so that he can see hope. This can lead me to send that quote where Nagito talks about being released from the cycle of good luck and bad luck and how hope was inside him the whole time, but that's also a value and worth ramble for another value and worth day.
Lastly, Nagito is affected by luck in how he thinks-- Or rather, overthinks-- Every situation. This thinking sharpened his wit but it makes him paranoid as a result, able to imagine scenarios for what may happen wherever he is as we can see from most of Island Mode:
(don't mind the messy nature of my own research please)
This means that when Nagito is thinking something lucky or unlucky will happen, he's imaginative enough that he's thinking of concrete and specific scenarios. So it's not 'Goodness, I feel the vibes in this room to be off' and more like 'We are near a cliff and there are strong winds and waves you will be swept by these waves instantly and I will never see you again but if you don't hit the rocks in the process it could have been worse' tiers of potential scenario-making (with room for simplification as per the evidence above but you get the idea).
Now, one thing that may pop to mind for this category is the idea that Nagito's state of having no friends or anyone in his life was caused by his luck killing them. It was certainly his luck that resulted in the deaths of his parents, but as for whether the same happened to any classmates, friends, other relatives... There's no real evidence of this in canon, and Nagito doesn't say anything to that effect, either. Nagito names potential ways Hajime can be in danger in Island Mode, but not all of them result in death, and if he was that afraid of someone dying in his presence, it'd put to question why he'd hang out and then want to be friends with Hajime at the end of Island Mode to begin with. Rather, if luck was that effective, it'd make it hard for anything to happen in the actual game, so I personally don't make this attribution, but don't deny the potential for casualties that luck has, and how the deaths of others to it would for example make Nagito desensitized to tragedy. Nagito has seen it all and knows that everything will be okay for him, so he still holds out hope and excitement for terrible outcomes.
Anyway, what that does mean is that no, his husband (or you if you're more up the speed of marrying Nagito yourself) will not instantly drop dead. Probably.
4
Conclusion
Luck in Danganronpa is based on the idea that you are lucky by lucking out of something, and Nagito's luck is this on steroids because he can luck out of anything. Except when nothing happens. Which can be any time in the source material. In other words, if you just make Nagito lucky at a time something could happen, and the rare outcome happens in this event, you're probably applying plausible Nagito RNG. The general rule of thumb is that Nagito will always end in an outcome that is favourable for him, and that this would be preceded by bad luck.
Unfortunately (?), we can't become Junko Enoshima, but hey... At least we can maybe understand some of the underlying nuance in the luck and how it affects Nagito in the process. Maybe. I personally found others becoming sort of lost in the sauce of how to make sense of the luck aspect of Nagito's character and also in trying to make it tragic by bad things happening to other people. While I understand the sentiment, since I love consistency myself, the random nature of luck makes it hard to make it so something is absolutely always happening. When it comes to things happening to other people, the question I'd like for everyone here to ask is, 'How does Nagito come out lucky from this?' Because in the end, the reason he could cope is that something good supposedly came out of it.
Maybeeeee there'll be a sequel but I have no idea and while you can ask me anything I am no Junko and can only offer funny headcanons for RNG... See you maybe next timeee--
I very specifically aimed for that phrasing of truly, undoubtedly and unmistakably alone because I felt like at this stage of yapping, Nagito could probably use that type of phrasing for the flare of it and emphasis, which in a way detracts from this element of consideration for Mitsui's feelings and more into looking at it as a spectator. I didn't think the entire like Japanese script in my head through for it, but had the concept of 天涯孤独 (for completely alone, no relatives, no nothing) and just figuring that in a setting of localization, the original would have had these words stretch to be bigger as Nagito is specifying just absolutely and completely certain it is that Mitsui has no one else. It's of course not fun news to receive. There's referencing from flashbacks, and this definitely was a doozy as the flashbacks were getting rewritten for second draft purposes so then everything had to adapt based on whatever changes I made.
But yeah both this and the above are together one Komaeda monologue which is meant to set the tone for Nagito being spooky and leaving no room for doubt on that end. The first chapter had Mitsui scrambled on what to think because of the gravity of the situation and her condition, and has to get this wake-up call that implies there are bigger things at stake than her own health, and they're based on something like hope. In that sense, I was hoping to mimic the type of horror that comes in from Chapter 1 of Danganronpa 2, the realization that Nagito can be dangerous and that he is looking at things in a way different from most other people. The first half while bleak at least is being explanatory but the second half sounds only terrible to be hit with. I would just about disintegrate. Nagito has these moments while speaking where he's demanding a hope-related thing from the other party, and here I'm emulating that, envisioning that swirly eyed Komaeda vibe here while hiding from you the fact that I edited this in post and who knows I might even edit it harder
This part is like augh oof goshie trying to evoke the vibe that other characters in Danganronpa 2 did where they view Nagito as having no empathy regarding the events except here we're getting deeper into the depths of hell because the circumstances are more extreme. The extreme here was also contemplated in the scope of this being a Komaeda with The Hand, but there are essentially themes here from Danganronpa 2 that I was hoping to get in there strongly about the impression that Nagito can give with the ideas he has, and his imposition of them.
"Your predicament right now isn't just 'as if it was' a game. It really is a game..." is a line I was very particular about like full-on vivid in my mind where essentially Mitsui is taking real life to be different from the scope of the game, something heavier, but here I'm taking a page from the Servant book or trying to anyway where there is the emphasis on a game, which is being used to cause growth. This IS a game. Games are real in real life, Mitsui. Get with the program...
This is one of those things where I know that I feel this way from Ultra Despair Girls, but my memory really just has it recorded like that without big detail but it's vivid in my heart that Nagito could probably actually say this and in that exact way. Trusting myself bro after spending too long in research hell...
A few things about the story's structure in general are that since this is a mystery story where a lot just remains up in the air for a good while, I knew there had to be an element of the reader character making theories as she goes for what might be going on. The other thing is that in terms of the plotline itself, it ended up this way because I wanted to engage in some form of Danganronpa gameplay where I could portray Nagito in a situation of debate. For that end, this premise about being forced to investigate a murder serves to bring the horror and the gameplay simulation into one place and is NOT there for yandere purposes I swear
I originally wanted the explanation of all the caveats and etc faster but honestly there's so much going on in terms of like getting dropped into the setting, getting dropped into feeling terrible from being fresh out of a coma, gettting dropped into feeling terrible because Nagito is terrible, etc that just the impact of these things was enough for me to keep the basic information as is, where we at least for this chapter know that Mitsui is there to investigate a murder.
This dialogue is also a bit on the archaic (first draft) side, but this moment in particular is not only the arrival of the strange name that is Mitsui Chirikata (kanji is 治理方満依), which the latter was out of compromise with my wife because she was in charge of telling me what would fly in terms of my target audience, and she told me to make it Mitsui. My original idea was that the name was going to be for someone who is meant to be cool and intimidating, and with the Danganronpa naming convention being broad enough I was going all the way for a shounen anime vibes name like Ryouga Chirikata (治理方療雅) but this was also a timeline where I expected reader to be called Chirikata-san instead and also my wife had disapproved of that one too anyway and Ryouga wasn't gonna cut it either I was surrounded on all sides is all I'm saying
Here is still significant though because I figured it would be sort of spooky sort of a flex if there was a segment in which Nagito was double-checking if the amnesia thing was for real while also introducing this key name to the fray, though the fact the name plate was there wasn't for that 4D chess (as in the one about the amnesia) originally. So it's also meant to be adapting to this situation, so it's trying to imply some form of cunning.
This phone call gets more cursed from here though it only goes downhill from here
Mitsui takes her conclusion about these lines fairly fast but this is a string of lines that I wrote considering the possibility for some level of ambiguity where was it really a taunt? Or did he actually mean it? Since Mitsui is a narrator like Hajime who made his own judgements of what Nagito means, the vibe check isn't law which is good for me to take advantage of in this story that's meant to be spooky. But it does have its basis on Nagitos ranging from Chapter 1 to 3, even if not fully a 1:1 of the lines, but this idea of answering more to the side than directly and with it implying some taunt that isn't very clear on its intention but manages to be scary. The scary part isn't fully the taunt but more like the implications behind it, since Mitsui had been weighing in the red flags since he left the building and so the response is as if reinforcing those red flags.
This Komaeda paragraph is notable to me because I remember being in discussion with my friend about different iterations I had of it in an attempt to have it in-character. It was an important moment because it's when Nagito finally kinda tackles the part where Mitsui is kinda been very kidnapped but then again!! It's what you wanted anyway (so it's totally okay)! And okay you might not want it right now but it's for your own good totally (so it's okay)!! And I mean it's not like you can move or even remember where to go anyway (so it's totally okay??)!! The point was to showcase what I call a horror by purity of intent where Nagito tends to justify what he does as righteous and is acting thinking he's doing the right thing for people even if said people are not very happy about it, and there's some kind of reasoning and argument attached usually, which he won't much budge on.
There's a chimera of different Komaeda things going on in this paragraph, taking from the "I understand how you feel, but" plus "Think about it this way", describing the situation in a sort of succinct way, ellipsis... change of mood, round of questions which to Nagito actually have an answer so it's more asked to guide the other party's thoughts to that (correct) conclusion and then asserting it as final
Like, I knew I wanted a sort of argumentation that made it seem like yeah I know it sucks... but anyway no you still have to be here and if anything it's a good thing you're here actually-- which is of course meant to be baffling and conventionally make zero sense. I have a few of the early attempts archived while talking to my friend and they're definitely funny to look at behold the archsimp OOC of all time
this is lies and deception this is the cover for an iteration of the distant past where I was ignoring the localization and so had everything in the format that I guess I see with some frequency too, like with honorifics and stuff. I guess if this fic were like the localization of an original japanese script (it isn't but you know) it would be that right now it's covering the original issue here where reader does remember Nagito's name, but calls him Komaeda-kun, and from there Nagito assumes that there's something off
And from there is piecing together that there's some for real amnesia going on based on the whole... blunt head trauma ow
It's meant to be a little unsettling because it's accounting for the possibility that reader is actually faking the amnesia, even though there were good odds she could have memory issues. The idea in my mind was that actually I'm not that at liberty to say-- but I guess to some extent it's meant to be spooky also in the way where in this situation, there's a part of Nagito that is still composed and also calculating, while accounting for multiple possibilities.
You might have just woken up from a coma and have amnesia and all, but...
You'll be fine surely!
Pull yourself by the bootstraps and get over it!
🚩
mister officer the red flag is right here--
Overall also an absolutely eerie scene but haha the deeper reasoning is outside my spoilerful reach ohohoho
I feel like Chapter 1 (first half) has the most leftovers from the first draft as in things that are really old to the point that they're more so from older iterations than the actual final ones. Like, me right now, I wouldn't have written it like this? If I were to have the prose match the reader character. At the same time, to be honest, I didn't really replace it because I felt like it has some degree of sense with the character anyway so it's just barely in-character (with the reader character? archsimp what--).
With Nagito's dialogue I feel a bit the same way here where I think I'd have a different character voice altogether if I did that from scratch, but as technically I get where I was going with it here (some English localized equivalent of also some kind of ツイてないな…), I figured that it's not too off the mark and still have it this way. Rare lenient archsimp moment
When it comes to the turmoil, there's meant to be a set of contradictory emotions happening for now, but where it seems to end up boiling down to fear, this massive regret and anxiety...
In the end it's also pretty significant to me how essentially reader's current physical condition is so bad that it also has to be the other way around, that since there's nothing to resort to and otherwise it's complete despair, that at the same time there's this hope that Nagito would save her, even though she also doesn't want that to happen, and it's very sad 😢
I had a few things to think about regarding reader's condition, of which a few are more related to how to have that lean more to how it might happen in Danganronpa while others were in the interest of being more bleak, but one thing I drew from research off of waking up from a coma and the general condition was the concept that there were different levels of consciousness, and how the process of waking up from a coma isn't just opening your eyes and everything's cool. There are also other things I had in mind, in particular relating to blunt head trauma that are being combined with some effects from coma that I drew from research that at this point barely remember, but I was taking advantage of the absolute terrible combo of afflictions here (dizziness, limbs absolutely sore and hard to move properly, memory is scrambled, and waking up had happened before lucidity). The latter in the parenthesis was on my mind that moment because I felt it would also be bleak for there to be this type of confusion right now, like... Am I actually properly, completely awake? Does my memory still even work properly? Can I trust my own memory?
I guess before everything somehow gets worse, it was already pretty bleak because this story has as its foundation the massive debuff that came with waking up from a coma...
(absolutely skipped the prologue yes I honestly can't say anything about it at this point in time)
Here was particular to me because Danganronpa protagonist law from 1 to 2 (and Ultra Despair Girls had that kind of but as an intro cutscene) dictates (?) that the protagonist introduces himself in a sort of proper official introduction kind of way that is also half awkward since it's this official introduction but they're no one special supposedly and also they're continuing to give a bit of an intro exposition about the context of the plot
And so by that law, I felt like the reader character required to have this type of introduction too, because the role taken here is the role of a Danganronpa protagonist. However, she has no name, meaning she can't do an official introduction where she gives out her name woops? But as our predecessors introduced themselves to the audience, I felt like the same had to apply for the sake of tone accuracy and followed with this reasoning where I tried for that meta angle of, "Here would be an introduction, but... Woops! Amnesia!" DR seems to also tend to be conscious of clichès in its writing at a meta level so I incorporated also the idea that thus the fact that reader has no memory could probably be seen at a meta level in-universe as part of a trope that isn't bombastic to the audience and combo'd that with the awkward tone about the introduction but this time because of not knowing her own identity.
Before this was also a segment trying to describe the room reader wakes up in because while the aesthetic going in for this story was always "murder hospital" (this is what I usually call it to my wife), it also was meant to not be rocking a 1:1 architecture of a hospital for convenience and have this bizarre property to it that would add to the horror and so I first wanted also to establish how uncanny the room was to set that tone in stone for the time being where later it's more or less understood why this is.
I'm gonna be so real never trust anyone telling you what to do and they start talking about how it's because that's more canon since 99.5% of the time it has nothing to do with canon but absolutely everything to do with limiting your creative freedom
Legit this is all I see when people are adamant about how you should be following "canon" which conveniently just so happens to align with what they'd like to see in fanfic
I sorely underestimated the courage necessary to re-read my own fanfiction and react to it on this blog and I have this distinct feeling that when I do I'll be scrambling to edit whatever I find in post whenever I feel like I have to show it
you will see a different chapter than you saw the last time you read it from any blog post I make surely