let's talk about Bridgerton tea, my ask is open
Claire Keane

#extradirty

Andulka

Origami Around
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

tannertan36

Kaledo Art

blake kathryn

PR's Tumblrdome
sheepfilms

⁂
d e v o n

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almost home

Kiana Khansmith

titsay

★
todays bird

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@arsenic-lips
Late February, early spring. The daffodils have pierced through the cold ground and are just beginning to open their buds when Laura is found dead.
It is the leanest time of year, the last gap between last harvest and the first fruits and grains. Every animal is hungry, more aggressive, seeking to feed themselves and their young. Something is starving to death, something is eating something else, when Laura is found dead.
The snow is gone, thus the rivers are up. What was logged or burned is more likely to slide away under the combined saturation of meltwater and rain. Some slope of the land is slipping towards disaster when Laura is found dead.
Spring is a time of renewal, youth, beginnings. It is a time when everyone hopes for these things. When everyone can pretend they get a fresh start. The flowers will bloom, beautiful, the leaves will bud, beautiful, the birds will sing, beautiful. Someone is admiring the landscape when Laura is found dead.
Does Persephone emerge from the underworld, each spring? Or does she die down there, alone and cold, and another maiden takes up her mantle this year? Every girl is still in danger when Laura is found dead.
The Birth of Aphrodite (1904) by Norman Prescott-Davies (British, 1862 – 1915), signed and dated ‘1904’ (lower left), oil on canvas, 105.5 x 60cm (41½ x 23½ in.), Private Collection
The Odalisque, (Detail), (1839), by Dominique Papety (French, 1815 – 1849), oil on canvas, 147.6 cm (58.1 in) x 196.8 cm (77.4 in), Private Collection
Fortesa Latifi, from The Truth About Grief.
Of course you do end up healing, but you’re never the same again.
La Vérité (The Truth) (1870) by Jules Joseph Lefebvre (French, 1836 – 1911), oil on canvas, 264 cm × 112 cm (104 in × 44 in), Musée d’Orsay, Paris
Andrée Gastaldi, 1826-1889
Sappho, 1872
Fondazione Guido Ed Ettore Fornaris, Torino
Madame de Loynes, (Detail), (1862), by Eugène-Emmanuel Amaury-Duval (French, 1808 – 1885), oil on canvas, 100 x 83 cm (approximately 39.3 x 32.6 in), Musee d'Orsay, Paris
Anaïs Nin, in a diary entry dated 23 February 1925, from The Early Diary of Anaïs Nin: 1923–1927
Sleeping Venus (1899) by Claudio Rinaldi (Italian, 1852 – 1925), oil on canvas, 97 x 161 cm, Private Collection
The Moonlit Beauty (n/d) by James Sant RA (British, 1820 – 1916), signed 'Sant RA' (lower left), oil on canvas, 30 x 25 in (76.3 x 63.4 cm), Private Collection
Fountain of Venus (François Boucher, 1756)
Floris Arntzenius (Dutch, 1864-1925)