Núria Riera
Stranger Things
Lint Roller? I Barely Know Her

祝日 / Permanent Vacation
$LAYYYTER

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KIROKAZE
hello vonnie
Sweet Seals For You, Always
Three Goblin Art

Discoholic 🪩

★
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he wasn't even looking at me and he found me
Game of Thrones Daily
d e v o n

ellievsbear

izzy's playlists!

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seen from Azerbaijan
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@art-ks
Núria Riera
Stephan Vanfleteren
Life changing.
Laura Davis, Frayed Edges, [a book of essays and a book of poetry], (announcement), Covers designed by infantilni, Femmesocial Press, 2026
Josef Bolf
On the surface, avoidance, minimization, distancing, splitting, and attempting to place a positive value on painful experiences may look like dreadful self-deception. In reality, however, this self-regulation of negative affect performs a life-saving function. For precisely that reason, trauma patients find it dangerous, even impossible, to give up these survival strategies and self-healing measures, even though they block creativity and growth and lead eventually to stagnation and decay. [ . . . ] The sacrifice of one's self-protection strategies and the loosening of one's rigid defense mechanisms are dreadfully painful and threatening processes, for they uncover old wounds associated with safety, trust, power, esteem, and intimacy.
Ursula Wirtz, Trauma and Beyond: The Mystery of Transformation
Au hasard Bresson (1967) dir. Theodor Kotulla
© da-da-sk
Wilhelmina Barns-Graham (British, 1912-2004), Untitled, July 1995. Ink and watercolour on card, 7 ½ x 10 ¼ in.
1DontKnows aka Phanuwat Chukoed aka ภานุวัฒน์ ชูเกิด aka Mew aka มิว (Thai, b. 1996, Thailand) - Dissolution, Digital Collage
Tomie / 富江 Written by Junji Ito / 伊藤潤二
We’ll leave the light on for you, Nadav Kander
Agostino Arrivabene (b. 1967), “Kore metamorfica II”
oil on canvas, 2025
source
Friedrich Kunath.
Honda x Citizen, Ana-Digi Temp
Max Ernst, Marine , 1926
oil on cardboard
(19.9 x 15.9 in.)