Rafael Romero Barros (Spanish, 1832-1895)
Naranja abierta y azahar, 1895
Oil on canvas
🪼
No title available

Jar Jar Binks Fan Club
RMH
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
tumblr dot com

❣ Chile in a Photography ❣
Not today Justin
NASA
let's talk about Bridgerton tea, my ask is open

gracie abrams
Noah Kahan
Cosimo Galluzzi
Today's Document
One Nice Bug Per Day
Cosmic Funnies
The Stonewall Inn

oozey mess
"I'm Dorothy Gale from Kansas"

seen from United States

seen from Japan
seen from United States

seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from United States
seen from Spain
seen from United States
seen from Italy
seen from United States

seen from United States
seen from Singapore
seen from Iceland

seen from Mexico
seen from United States
seen from United States

seen from United States
seen from Qatar
@artfartdart
Rafael Romero Barros (Spanish, 1832-1895)
Naranja abierta y azahar, 1895
Oil on canvas
Leonard Baskin (1922 - 2000) “Oracular Sibyl, 1978"
‘TREE OF LIGHT 54′ Tatyana Murray Glass, Plexi, Led Lights, Wood; REFRACTED LIGHT 39 1.2H x 19 3/4L x 5 1/4D inches
Rudolf Kosow (German, b.1972)
Bewitched, 2020
Acrylic on Canvas
Puddle 1952 Maurits Cornelis Escher (1898–1972)
Mikhail Golubev (b.1981) - Adam and Eve. Temptation.
styling by Dirk Bikkembergs
page 106 from Mode, Dit is Belgisch: lente/zomer '85 published in 1985 by ITCB (Instituut voor Textiel en Confectie van België)
Tatsuo Ikeda (Japanese, b. 1928) - BRAHMAN: Chapter 3: Floating Sphere-2, Acrylic on paper (1977)
when you raise your eyebrows it's as if you were taking off all my clothes
JA114 中村拓志 Hiroshi Nakamura & NAP
loretta sartorio
Gordon Louis Mortensen(American, b.1938)
Late November 1993 color reduction woodcut, printed in 31 colors with 31 press runs 24 x 17 ¼" via more
bell hooks mentioned going through a time in her life where she was severely depressed and suicidal and how the only way she got through it was through changing her environment: She surrounded her home with buddhas of all colors, Audre Lorde’s A Litany for Survival facing her as she wakes up, and filling the space she saw everyday with reinforcing objects and meaningful books. She asks herself each day, “What are you going to do today to resist domination?” I also really liked it when she said that in order to move from pain to power, it is crucial to engage in “an active rewriting of our lives.”
Untitled (Seed Pods), Greenwich, 12 4 21, Photo by Joe Bruha, Copyright 2021
I think we need to have more compassion for our past selves and stop hating everything about who we used to be
Lovers,
Michael Ackerman.