hover

[mentaltimetraveller]

Nairy Baghramian, 

Drawing Table (Homage to Jane Bowles) (2017)

 Waxed wood, painted metal, rope, canvas, blown glass, polyurethane, marble plaster, and metal eyelets 310 × 270 × 80 cm

[mentaltimetraveller]

Adriana Ramić & Micah Schippa, Touch is a Bridge, 2018, exhibition view, Hotel Art Pavilion, New York

[guillaumebarrau]

Guillaume Barrau Photography and styling for Situationist AW18

[manjitthapp]

Red Sun by manjitthapp / (instagram)

[yeezysound]

https://instagram.com/p/BV2qrmzhrGz/

[stuff-for-penthouses]

Carol Bove

Glyph, 2016

[sukebangang]

“I was drawn to shoot Paris because she has a very classic look. Since this was the first time we had met, it was very interesting to shoot her because I didn’t know what her personality was like. I think it’s exciting meeting and shooting new people because I never know what to expect. Looking at peoples’ Instagram and having this preconceived notion of what you think they are going to act compared to how they actually are in real life is very interesting to me” Paris by Elizabeth

[vjeranski]

Jim Dine

[vjeranski]

Juliette Bonneviot

Work from Xenoestrogens

[aleworldaddict]

Alek Wek by Txema Yeste for Models.com May 2017

[slickygirl]

https://instagram.com/p/BUmbymDla3T/

[mossgirl]

Xiao Wen Ju, Chinese Vogue, December 2014

[alienemily-deactivated20171218]

bowie

[inivyandintwine]

[artruby]

Rei Kawakubo/Comme des Garçons: Art of the In-Between, at the the Metropolitan Museum of Art, on view through September 4.

Portfolio by Julia Chesky for Art Ruby. 

[lamignonette]

[fleurjardin]

INDIA. Uttar Pradesh. Agra. Taj Mahal. 1985 // Raghu Rai