HUMAN PROTOTYPE

RACHEL | IG: Clubroo | TWTR: Fishblanket

[sillysymphonys]

Silly Symphony - King Neptune directed by Burt Gillett, 1932

[thestateonmtv]

[avtavr]

[weirdlandtv]

Debbie Harry circa 1978.

[jollyredd]

Biskit has become Self-Aware™ 

[rcah]

Hey all you cool cats and kittens, just wanted to inform you that my animal crossing side blog is @jollyredd

Pls follow... or don’t... bitch.

[bubblegumbf-deactivated20160914]

LGBT

lesbians, gays, b-bicycles…. *sweats* trains

[grittyinc]

[nyctaeus]

[rcah]

Honestly, Britney Spears was right. My loneliness is killing me 

[ghibli-collector]

Ponyo on the Cliff by the Sea - Art Director Noboru Yoshida (2008)

[rcah]

I forgot tumblr existed until I just got email about a picture I posted 7 years ago violating the new terms; anyways how y’all doing, how’s adult life?

[rcah]

Not enough people suffered through the 2011 tumblr phase where you thought listening to nevershoutnever and taking dslr pictures of Nutella was peak creativity and it shows

[rcah]

SELFPORTRAIT.PNG https://www.instagram.com/p/B8jGsJupF_i/?igshid=p7vu34a4ebky

[filmaticbby]

Ginger Snaps (2000) dir. John Fawcett

[letterboxd]

More Foghorn: The Robert Eggers Q&A.

“I wanted to be able to laugh at misery.” —The Lighthouse director Robert Eggers answers your questions and ours about what he’s wearing on Hallowe’en, being cool with memes, and paying homage to Mary Poppins.

The Lighthouse, out now in select US cinemas and opening nationwide this weekend, is the follow-up to Robert Eggers’ feature debut The Witch, one of our highest-rated films of 2016 and the third highest-rated horror of that year.

Similarly, The Lighthouse is firmly in our top ten narrative features of 2019 and is absolutely tearing up the Letterboxd reviews section with reactions like “Eggers holds nothing back in this film. He takes things far past okay and doesn’t apologize for any of it,” (Logan) and “If a bearded, bulging-eyed Willem Dafoe talking like a pirate for one hundred and ten minutes, shot on high-contrast orthochromatically filtered high-resolution black-and-white celluloid that brings out every follicle and pore doesn’t deserve five stars, I simply don’t know what does” (Jonathan).

The film’s success lies in a combination of obsessively detailed production design, singular technical choices (“a black-and-white movie in a stupid aspect ratio”, as Eggers told Filmmaker magazine), the superb acting partnership of Willem Dafoe and Robert Pattinson as lighthouse keepers on a far-flung rock, a borderline-ridiculous amount of foghorn in the soundtrack, and—in spite of the characters’ miserable circumstances—a hysterically funny script.

Keep reading

[spaghettiettietti-deactivated20]