Skeleton in Red Vinyl photo / collage / acrylic ink www.mario-labate.blogspot.com
YOU ARE THE REASON
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let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi
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will byers stan first human second
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art blog(derogatory)
we're not kids anymore.

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PUT YOUR BEARD IN MY MOUTH

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@arthacker-blog
Skeleton in Red Vinyl photo / collage / acrylic ink www.mario-labate.blogspot.com
Gary Card
Plasticine Cave, 2012
2 thousand faces from 3 tons of plasticine
Tomas Saraceno, Galaxy Forming along Filaments, like Droplets along the Strands of a Spider’s Web, Venice Biennial 2009. Photo: Alessandro Coco
Felix Vallotton
Sleeping Woman, 1899
oil on board
WOOD SCULPTURES BY ARON DEMETZ
For years, Aron Demetz (facebook) has been focusing on the human figure, on contemporary characters which appear to be frozen in poses of the antique portraiture or paralysed in bizarre postures. Aron uses traditional woodcarving techniques to convey his preoccupation with humanity’s relationship to nature. In his work he eschews the classical opposition of human and nature, and allows the two to become an inseparable whole, evoking the primordial experience.
“This Is Not A Chair” by Craighton Berman.
“Traces Of Id” By: Robin Portnoff http://portnoff.tumblr.com http://www.facebook.com/RobinPortnoffArt
Photo from Photographies Modernes by Pierre Bost, 1927.
… via Live Auctioneers
Mater Dolorosa (detail, ca. 1485) attributed to Simon Marmion
Zhang Huan, Family Tree, 2000
About this work, the artist says, “I invited 3 calligraphers to write texts on my face from early morning until night. I told them what they should write and to always keep a serious attitude when writing the texts even when my face turns to dark. My face followed the daylight till it slowly darkened. I cannot tell who I am. My identity has disappeared.
This work speaks about a family story, a spirit of family. In the middle of my forehead, the text means “Move the Mountain by Fool (Yu Kong Yi Shan)”. This traditional Chinese story is known by all common people, it is about determination and challenge. If you really want to do something, then it could really happen. Other texts are about human fate, like a kind of divination. Your eyes, nose, mouth, ears, cheekbone, and moles indicate your future, wealth, sex, disease, etc. I always feel that some mysterious fate surrounds human life which you can do nothing about, you can do nothing to control it, it just happened.”
Anj Smith. High Blue Country, 2012. Oil on linen, 14 1/4 x 11”.
ANJ SMITH AT HAUSER & WIRTH
The Flowering of Phantoms
15 January – 23 February 2013, Hauser & Wirth New York, 69th Street
painting by Hsin Yao TSENG
Shan Hur.
“Forgotten” is a series of installations by Shan Hur wherein a dug out wall reveals forgotten artifacts:
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llustrations by Marco Mazzoni
Adolphe Henri Dubasty
Forlorn Lover
1855
Thinking Caps,
Allen Egan
( I’d like to have those for my students..)