Girl Standing in a Swing, Winslow Homer, 1879, Smithsonian: Cooper Hewitt, Smithsonian Design Museum
Medium: Graphite on paper
http://collection.cooperhewitt.org/view/objects/asitem/id/19066
sheepfilms
$LAYYYTER

tannertan36

oozey mess
The Stonewall Inn
No title available

Game Changer & Make Some Noise

No title available

gracie abrams

Love Begins
occasionally subtle
RMH
d e v o n
Phantogram Three
Cookie Run:Kingdom Official!

Product Placement
The Bowery Presents
Fieri Frames
let's talk about Bridgerton tea, my ask is open
Interview Vampire Daily

seen from Malaysia
seen from United States

seen from Türkiye
seen from United States

seen from Malaysia

seen from Italy

seen from United Kingdom
seen from United States
seen from Germany
seen from Brazil
seen from United States
seen from United States
seen from United States

seen from Türkiye
seen from United States
seen from United States
seen from United States

seen from Türkiye

seen from China

seen from United States
@artist-homer
Girl Standing in a Swing, Winslow Homer, 1879, Smithsonian: Cooper Hewitt, Smithsonian Design Museum
Medium: Graphite on paper
http://collection.cooperhewitt.org/view/objects/asitem/id/19066
Poet Composing a Classical Eclogue on the Quiet Country Life, 1840, Honore Daumier
Medium: lithography
St. John's River, Florida, Winslow Homer
En Solskensdag, Elin Danielson-Gambogi
The Milk Maid, 1878, Winslow Homer
Medium: watercolor,paper
Two Girls in a Swing, Winslow Homer, 1879, Smithsonian: Cooper Hewitt, Smithsonian Design Museum
Medium: Graphite on off-white paper
http://collection.cooperhewitt.org/view/objects/asitem/id/19064
Cattle at Rest on a Hillside in the Alps, Rosa Bonheur, 1885, Art Institute of Chicago: European Painting and Sculpture
A. A. Munger Collection Size: 54.9 × 66.4 cm (21 5/8 × 26 1/8 in.) Medium: Oil on canvas
https://www.artic.edu/artworks/39542/
The first rank. Son of a sacristan, produced in the collegiate registrars, 1860, Vasily Perov
Schreibunterricht, 1865, Albert Anker
Vase, Chelsea Keramic Art Works, ca. 1886–89, American Decorative Arts
Gift of Robert A. Ellison Jr., 2018 Size: 7 3/8 x 3 5/8 in. (18.7 x 9.2 cm) Medium: Stoneware
https://www.metmuseum.org/art/collection/search/19859
The Baggage Guard, Winslow Homer, 1888, Minneapolis Institute of Art: Prints and Drawings
Relief print probably from a metal plate; Size: 1 11/16 x 5 3/16 in. (4.3 x 13.2 cm) Medium: Relief print
https://collections.artsmia.org/art/58261/
The Russian Ball - In the Supper Room, Winslow Homer, 1863, Minneapolis Institute of Art: Prints and Drawings
Sheet size measurements on worksheet incomplete: 15 5/8 only dimension Size: 10 3/4 x 9 1/8 in. (27.3 x 23.2 cm) Medium: Wood engraving
https://collections.artsmia.org/art/58055/
The Herring Net, Winslow Homer, 1885, Art Institute of Chicago: American Art
In 1883 Winslow Homer moved to the small coastal village of Prouts Neck, Maine, where he created a series of paintings of the sea unparalleled in American art. Long inspired by the subject, Homer had spent summers visiting New England fishing villages during the 1870s, and in 1881–82 he made a trip to a fishing community in Cullercoats, England, that fundamentally changed his work and his life. The paintings he created after 1882 focus almost exclusively on humankind’s age-old contest with nature. Here Homer depicted the heroic efforts of fishermen at their daily work, hauling in an abundant catch of herring. In a small dory, two figures loom large against the mist on the horizon, through which the sails of the mother schooners are dimly visible. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives. Mr. and Mrs. Martin A. Ryerson Collection Size: 76.5 × 122.9 cm (30 1/8 × 48 3/8 in.) Medium: Oil on canvas
https://www.artic.edu/artworks/25865/
Hurricane, Bahamas, 1898, Winslow Homer
Lumbering in Winter, from Every Saturday: A Journal of Choice Reading, January 28, 1871, Winslow Homer, 1871, Smithsonian: American Art Museum
Size: image: 11 3/4 x 8 3/4 in. (29.9 x 22.2 cm) sheet: 14 3/4 x 11 1/8 in. (37.5 x 28.2 cm) irregular Medium: wood engraving on paper
http://americanart.si.edu/collections/search/artwork/?id=37119
The Artist in the Country, Winslow Homer, 1869, Art Institute of Chicago: Prints and Drawings
Gift of Arthur and Hilda Wenig Size: 159 x 168 mm (image); 272 x 193 mm (sheet) Medium: Wood engraving on paper
https://www.artic.edu/artworks/158334/
The Trunk of an Old Oak, 1869, Fyodor Vasilyev