Lottie looks perplexed at first.
Especially when Nat spins on her heels and rushes out of the hut without even waiting around for her to read whatever’s on the scrap of paper.
The words “it’s yours” and “it makes me happy when I call you that” are still reverberating in Lottie’s ears.
All this time, she’s been convincing herself that ‘Prophet Girl’ was an insult. A way for Nat to mock her. A way to make it clear how skeptical Nat was about her visions, dreams, and intuitions.
To hear that it was none of those things— and that it actually makes Nat “happy” to say it— makes Lottie want to chase after her immediately and give her the biggest hug ever.
But first she wants to know what’s on the piece of paper, so— with her heart pounding in her throat— she unfolds it and reads Nat’s chicken-scratch handwriting.
She kind of chuckles when the first words are about it not rhyming.
Why would she think Lottie would even care about that? Did Nat actually feel pressure to write a poem back? Is that why it took her so long? Is that why she’s been avoiding her for over a month?
Jesus, she could have just written “I like you too”, and it would have brought Lottie to her knees with gratitude.
Halfway through reading— and tears are already streaming down her cheeks and getting caught on her smile. She’s always found it strange that people cry when they’re sad and when they’re happy. She never used to understand that phenomenon before, but… now she does.
“it was loud,” Nat’s poem reads, “like something you feel in your ribs before you even hear it.”
And then she says she doesn’t know what to call it.
But why should they call it anything? In Lottie’s experience, when people put labels on things, that’s when things start to fall apart.
Daughter. Student. Soccer player. None of those labels ended up sticking, did they?
But feelings— especially ‘loud’ ones— Lottie wonders if those can last longer as long as you don’t name them. As long as you just describe them, like you would describe a painting or a piece of music. It’s ‘loud’, like Nat said.
It’s also full of oranges, yellows, and reds, like a sunset. It vibrates like a frequency. It hums like a happy melody. It makes her feel warm inside, even though the ground has not yet completely thawed outside.
With the scrap of paper still clutched in her hand, she races out of her hut and starts searching nearby for Natalie. It doesn’t take her long. She’s standing in a clearing beside the animal pen. Van and Tai are nearby, but Lottie pays absolutely no attention to them.
She runs full speed to Nat and tackles her in a hug, surprising both Nat and Van and Tai, who she can feel gawking at her.
“I’m sorry you don’t recognize yourself sometimes,” Lottie whispers against Nat’s ear, making sure only she can hear her. “But… if you want to know what I see, I’ll tell you. I see someone who can’t stop caring about others, even though she’s been kicked around by them too many times. I see someone with a heart two-sizes too big for her body. I can hear it beating right now, in fact. It’s the best sound I’ve ever heard.”
And then she finally releases the hug, which she realizes might have been just a bit too tight. She takes Nat by the hand, tugging her towards the woods.
“C’mon,” she says, glancing behind them. “There are way too many eyes on us here. I know a place we can go where no one will find us.”