Singing out of tune for the joy of it

20s. They/them. Bloggin about art, cute animals, and whatever else. Dying on the mobile app. I don't tag much but if you want something tagged let me know.

[asteraceaye]

I majored in art!

Go check out my art blog @arteraceaye

[cryptidfuckery]

Hey so like omen wise how are we doing. Are we doing okay

[leofwines-deactivated20250831]

thos video is killinh me

[reckless-glitch]

[ramblingandpie]

[Video description: Gritty is turning the crank on a flagpole to raise the Progress Pride Flag. He gesticulates angrily that the flag is not blowing in the wind, then gestures offscreen. The flag begins blowing. As Gritty begins raising the flag more, the camera pans out to show a man in a suit and sunglasses, looking like a stern Secret Service agent, is holding a leafblower that points at the flag. End description.]

[dogpuppy]

[squirrelly-13]

they got married btw

[visit-me-here-in-wonderland]

oh you’re not kidding

[fuckyeahchinesefashion]

Cattle in Arxan, Inner Mongolia, China, love wading into the water to feed on aquatic plants, even on freezing winter days. (cr飞凡视角)

[aromanticsky]

I think that if I unsubscribe I should stop getting the emails

[veggiemedleys]

see my problem is if i “listen to my body” it literally only wants to lie down and take naps, all the time

[drawingden]

So how’s the art coming along guys?

[bumbleshark]

[lejardindeschats]

if sinners (2025) taught me anything, it's that it IS actually always about race.

you can be oppressed, and still promote and maintain the very same systems of oppression onto other marginalized people. being oppressed in one dimension doesn't allow you to be exempt from oppressing in other dimensions. the "villain" of the movie, remmick, being from the time period of the english colonization of ireland, all the while wanting to take a piece of sammie's own culture from him, use him for it. and this plot point coming after remmick witnesses the significance of sammie's playing within his culture, for his ancestors and how it would shape Black culture in the future.

even in today's society, ive noticed that people treat Black people like a commodity. our worth is only as much as other people decide it to be, and that's usually dependent on how much the oppressor can take from us. for example, the controversy of"internet slang" and how it is blatantly just AAVE with a bad disguise on

do you listen to Black musicians? do you watch Black movies? do you engage with Black creators? do you defend the racist tendencies you notice in your friends, in your family, or do you stay silent? do you listen when Black people tell you you've said or done something racist? do you actually care about not being racist, or do you just not want to look like you're racist?

i just think people have a very specific take on what racism is, and that if they're not committing KKK-levels of violence on people, then they're not racist. or if you've experienced oppression in one form, you cannot possibly be engaging with oppression in another form. but the ways in which we interact with other people and the world will always be through the lens of race, because that is simply what it means for oppression to be systemic, especially in the US and our current political climate

anyway 10/10 movie. highly recommend

[figdays]

Limited Gooey Glorbus figure // NyahGremShop

[miscellaneousmao]

Clodsire coffee jelly with a little surprise on top! ☕🍒

Felt like they were missing something so I added a Cheri Berry at the end - immediately made me laugh, look at my boy 😭 Hopefully Saiki K. would be proud.

[fforsythiaaa]

Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”

So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”

Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.

Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.

[untitledcatgame]

here is a character called Raven. he is just a long legged crow who you will meet often on your travels

[my-dailydreams]

[tvneon]

[orteil42]

given the current climate this pride especially i feel i must mention that i love my trans friends, i stand with trans people in the fight against transphobic legislation and those who would enforce it, and this blog is not a good place for you to be if you do not vibe with that