A Girl’s Point Of View
noise dept.
"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣
The Stonewall Inn
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todays bird
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
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shark vs the universe
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if i look back, i am lost
Lint Roller? I Barely Know Her
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Game Changer & Make Some Noise
Sweet Seals For You, Always

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@astheromans
A Girl’s Point Of View
Friends, 2019
Photo-editing, 2016
Some of my oldest edits, at least the ones I don’t despise now. HA (#artist problems 😉)
(IT) An interview with Walter Fontana
Ciao Walter, benvenuto su cubemagazine.it! Partiamo subito col parlare del tuo nuovo album Sono Qui. Da dove ė incominciato questo viaggio? Hai sempre avuto in mente una premessa iniziale da seguire oppure hai semplicemente lasciato che la creatività facesse il suo corso?
Dopo aver terminato l’avventura con i Lost, sentivo la necessità di staccare la spina per un po’, trovare del tempo per me stesso. Ho iniziato a viaggiare per conoscere posti e persone nuove, fare esperienze, vivere la mia vita. Questo mi ha permesso di fare un punto della situazione sulla persona che ero in quel momento e la persona che volevo diventare. Ho preso in mano la chitarra e ho iniziato a scrivere, a raccontarmi e le parole sono uscite da sole.
Nel singolo Perfetto ti abbiamo visto collaborare con il famoso rapper inglese Jethro Sheeran, ma l’intero album ė pieno di collaborazioni super! Qual ė stata la più importante e possiamo aspettarcene altre in futuro?
Ho sempre amato collaborare, soprattutto se le collaborazioni nascono in maniera spontanea e non forzata. Quando collabori con qualcuno, ti devi divertire, lo devi fare perché vuoi avere un confronto per poter migliorare in un continuo scambio di energie. E’ difficile dire se una collaborazione è stata più importante di un’altra perché credo che ogni persona che ha lavorato con me su questo nuovo album sia stata importante per creare il puzzle completo.
Leggi l'intervista completa su CubeMagazine
An interview with Aaron Bruno (Awolnation)
Back in 2015 I’ve had the pleasure of interviewing Aaron Bruno. Here’s the English version. You can find the Italian translation on CubeMagazine.
Hi Aaron, welcome to Cube Magazine! Let’s start, what’s the story behind “Run”, the first song of your album? The concept is really powerful: we are all capable of doing great things, we are also capable of taking very bad decisions. Where did this idea come from?
It’s a little riddle that I came up with sometime during the touring of the first record ‘Megalithic Symphony’. When I came up with the opening synth line, the riddle fit right in. Lyrically, it’s good to admit the dark, so we can then improve on the light.
One of your songs is called “Dreamers” and the first question that comes to mind is: what does it feel like to live the dream your 15-year-old self so passionately believed in? It must be awesome!
I really never believed this could all happen to me. Music was always something I loved and studied, not necessarily a reality of a career. I have to think more about my 27-year-old self who was down and out on his luck.
You’ve been an artist for a long time now, anything you are particularly proud of?
I am most proud of this new record “RUN”. It is my best work so far.
What do you think of fans taking inspiration from your music to create new original content? And what does inspire you?
It’s beautiful ! I am inspired by human emotion, and all the music I have heard since the day I was born !
One of our readers asks: do you have any advice for young artists?
Yes … Keep writing and writing and writing.
What do you have in store for the future? Any 'bucket list’ wish you’d like to tick off in the near future?
Well we opened up for the Rolling Stones last month, so I don’t really know what else to do now !
I always like to finish my interviews with an odd question. If I was to say “Art is how we decorate space, music is how we decorate time”, what’s your take on this?
Music shapes our personalities and relationships. It makes us who we are.
DAMNATIO MEMORIAE, the disease of our generation
“You can find inspiration in everything. And if you can’t, look again”, writes Paul Smith. Well, ain’t that the truth?
So, here’s the thing; I had finally convinced myself to find some time to tick this new TV show off my long list of “Shows I’ll Never Finish Anyway” when, well, the title of one of the episodes drew my attention. The episode was called “Damnatio Memoriae”.
Needless to say, my capacity to associate unusual ideas roamed along troubled paths, and my very long list has been once again forgotten. Cue this post.
Damnatio Memoriae, which is the Latin phrase for “Condemnation of Memory”, is the posthumous erasure of every trace of someone’s existence. In Ancient Rome, the practice of Damnatio Memoriae was the highest form of dishonour that the Roman Senate could ever inflict upon traitors of the State. To be forgotten was considered a fate far worse than death. The intent was therefore to literally cancel someone from history, and that’s what we now call “historical silencing”.
During my research of modern examples of Damnatio Memoriae I found an interesting excerpt written by Bill Bigelow in his “Rethinking Columbus: Towards a True People’s History”.
For years, I opened my 11th-grade U.S. history classes by asking students, “What’s the name of that guy they say discovered America?” A few students might object to the word “discover,” but they all knew the fellow I was talking about. “Christopher Columbus!” several called out in unison.
“Right. So who did he find when he came here?” I asked. Usually, a few students would say, “Indians,” but I asked them to be specific: “Which nationality? What are their names?”
Silence.
In more than 30 years of teaching U.S. history and guest-teaching in others’ classes, I’ve never had a single student say, “Taínos.” So I ask them to think about that fact. “How do we explain that? We all know the name of the man who came here from Europe, but none of us knows the name of the people who were here first—and there were hundreds of thousands, if not millions, of them. Why haven’t you heard of them?”
It never occurred to me that history is nothing but the story of what is not silenced. History experiences a merciless process of Damnatio Memoriae, whether it is because of a silencing in the making of sources, an error of judgement in the selection of records or just, well, human ignorance. And it’s with this very thought in mind that we should consume our history books.
Now take this gratuitous history lesson, put it in a more philosophical context and you’ll understand why I described my train of thought as troubled.
Is Time itself an unconscious process of Damnatio Memoriae? For a person such as myself, who spends a great amount of her time trying to “make the Difference”, the thought that one day it all might as well be forgotten is very disconcerting. It makes you question if you are trying hard enough or being good enough. And by the end of the day, does it even matter? (Spoiler: yes. Yes.)
I believe Alexander the Great and I might be suffering from the same disease. Not that I’ll ever go as far as he did, I dream of big things, yes, yet sometimes I can’t even find my way to the bathroom, let alone Asia.
Anyway, my point is, he spent his whole life trying to change the world as it used to be, to break the mould, although always accompanied by this inexplicable fear of being forgotten.
Long story short, before I start rambling again: history must not be forgotten, but also, history must always be questioned.
Educate yourself, history happens twice only because people don’t learn from their mistakes.