as for we who love to be astonished

[trulyvincent]

Murmuration of Starlings that looks like one huge bird

[ijaazat]

Windswept Eucalyptus (1928) / Arroya Chamisa (1927) by Gustave Baumann

[fresh-isinglass]

[assaariyoshi]

thank you bags from various delis in New York 

[redlipstickresurrected]

Fidan Zaman (Azerbaijani, based Baku, Azerbaijan) - Paintings from her travel diary called The Sea, Paintings: Acrylic

[karolpilberg]

“The sadness will last forever.“ by Vincent Van Gogh

“Melodrama” by Lorde 

[montucky-outdoors]

Good advice spotted west of Avon, Montana

[tri-ciclo]

Jenny Holzer - In a dream 1983-1985, Foil stamping on cloth

[pauvremagicien-deactivated20180]

Jenny Holzer

Four corner: Arno, Blue, 2003

4 electronic LED signs: blue diodes Texts: Arno (1996); Blue (1998) 5.25 x 57.75 x 3 in 13.3 x 146.7 x 7.6 cm.

[unagalleriablu]

Louise Bourgeois, 10 am is when you come to me (particolare), 2006

Egon Schiele, Studio di mani, c. 1910

[disease-deactivated20210414]

ESTEFANIA LORET DE MOLA

[lakevida]

griffith observatory / hubble’s ultra deep field

[qui3tst0rm]

[downtothemarrow]

Alphonse Mucha - Medea, 1898 (detail)

[fordarkmornings]

Käthe Butcher (German, b. 1990) – A Hug in the Garden, 2020.

As widespread lockdowns swept the globe earlier this year in response to the threat of COVID-19, intimacy became fraught. For artist Käthe Butcher, the loss of an embrace or casual peck on the cheek was incredibly difficult. This desire for connection culminated in “A Hug In The Garden,” an emotional rendering of two women holding each other. (Source)

[love]

Drifting Heavy Weather Clouds by Emily Nolde, 1928

[kikitr0n]

Obsessed with gouache & prismacolors on toned paper  (♥u♥)

[seanlyles]