No title available
TVSTRANGERTHINGS
styofa doing anything
shark vs the universe
No title available
One Nice Bug Per Day
trying on a metaphor
祝日 / Permanent Vacation
Janaina Medeiros
sheepfilms
titsay
Today's Document
Sade Olutola
Cosimo Galluzzi
Product Placement
$LAYYYTER
KIROKAZE
JVL
@theartofmadeline
Aqua Utopia｜海の底で記憶を紡ぐ
seen from United Kingdom
seen from Türkiye
seen from Singapore
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from United Kingdom
seen from Spain
seen from France
seen from Spain
seen from United States
seen from United States
seen from United Kingdom
seen from Russia
seen from United States
seen from United States
seen from Italy
seen from Türkiye
@audreyhorne
“BOTTOM LINE, IF PEOPLE DON’T SAY WHAT THEY BELIEVE, THOSE IDEAS AND FEELINGS GET LOST. IF THEY ARE LOST OFTEN ENOUGH, THOSE IDEAS AND FEELINGS NEVER RETURN.”
— David Wojnarowicz, Close to the Knives: A Memoir of Disintegration
Obvious Child | Gillian Robespierre | 2014
Vertigo (1958) dir. Alfred Hitchcock
Lupita Nyong'o by Jackie Nickerson for Vanity Fair Magazine - October 2019
CARRIE 1976 dir. Brian De Palma
The Love Witch | Anna Biller | 2016
“I will cut adrift—I will sit on pavements and drink coffee—I will dream; I will take my mind out of its iron cage and let it swim—this fine October.”
— Virginia Woolf, from a diary entry c. October 1927 featured in “Diaries,” (via violentwavesofemotion)
Moonlight (2016) dir. Barry Jenkins
dame-de-pique:
Eugene Delcroix, A Louisiana Swamp Scene, 1891
FKA twigs Is The First Face Of Issue 113
Clash 113 is available to buy online now ahead of its release next week - get the magazine HERE.
Photography: Matthew Stone Fashion: Matthew Josephs Art Direction: Rob Meyers
getting hair stripped and coloured professionally: £150+ and multiple 2hr+ sessions
box of bleach and dye: £15 and 1hr in the bathroom between me and god
twin peaks: fire walk with me (david lynch, 1992)
Edvard Munch (Norwegian, 1863-1944, b. Ådalsbruk, Løten, Norway) - Pakledd Skjelett (Dressed Skeleton), 1896, Drawings: Indian Ink (Brush) over Charcoal on Velin Paper (One of the unpublished Illustrations for poem Les Fleurs du Mal by Charles Baudelaire.
Chloë Sevigny photographed by Harley Weir for Dazed, 2019
“It was good for a while, being empty. I didn’t hurt anymore. But as time went on, it was like I could hear myself from far away, begging for permission to come back.”
— Myra McEntire (via quotemadness)
Ingmar Bergman, Persona, 1966
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