The Salvatore boarding house
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The Salvatore boarding house
oh, this is cuddles! we lost her when i was nine but i went into my house last night and there she was.
Who is D a m o n S a l v a t o r e ?
"Just between us girls."
Stefan Salvatore & Body Appreciation
Top 10 TVD Characters as voted by my followers: 6. Klaus Mikaelson
↪ “People quake with fear, because I have the power to make them afraid…”
pictures of you, pictures of me hung upon your wall for the world to see pictures of you, pictures of me remind us all of what we used to be
featured characters: stefan, elena set during: season 1 title: love changes everything
There is something about the start of a relationship that no film or piece of literature can ever describe. It is like walking on glass, on a structure so liable to break it is infinitely more precious because of that fact, yet at the same time equivalent to standing in the rain as the sun shines above you, because the rarity of such a moment - of having both good fortune and bad luck briefly combine to form an infinitely more beautiful phenomenon (the rainbow) - floods your lungs with such joy that it ironically takes your breath away.
Stefan and Elena’s first moments are filled with all the cliches of new love; their lives start to knit together through shy and curious looks, and tentative touches, through awkward first hugs which evolve into deep cuddles, right to tentative kisses which burn like wild fire on the skin.
She slips her hand into his without even thinking as they walk to class to class. He’ll shrug off his jacket when he feels her shiver beside him. When his vampire features start to show, she looks him in the eye and doesn’t flinch from the moment his veins pop out, to the moment the flicker of a darker soul flees from his eyes. When she learns another horrifying or disturbing truth about her past, he is quick to fold her into his arms.
They keep each other afloat on a stormy ocean of uncertainty.
"I love you," she says one night, and it comes apropos of nothing, until he realises she’s asleep, and the words have fallen off her tongue in a dreamy haze.
He kisses her head, and holds her closer.
Some truths never need saying more than once, but there is a certain gratification you get from hearing them all the same.
Their fights come from places of deep anguish and anger; when they hurt over harsh words spoken, it’s only because certain truths resonate deep within their broken hearts. They are broken people, and what knits them together is the fact they are wholeheartedly trying to fix themselves. Love like this seems perfect on the outside, easy, but it’s just as hard as every other part of life.
Even the purest of loves can hide the darkest of secrets; secrets which threaten their happiness at every turn. For her, it’s the cupboard full of skeletons her family has accrued over the years (metaphorically speaking of course), skeletons including her uncle’s true identity, and her adoption. For him, it’s the ripper, who shows his sinister colours every time the scent of blood drifts under his nose. He has to fight him every day, has to fight levels of guilt he cannot possibly ever make her understand.
But when he’s with her, bathing in her compassion and loving smile, he thinks his chances at holding back the ripper get stronger a little more each day.
And when she’s around him, encompassed in his strong but tender embrace, drenched in the love he radiates every damn time he looks at her, she thinks her odds at making it through another day emotionally unscathed get a little higher.
And when they’re together, nothing seems as scary (except the demons which personally haunt them).
He envisions spending forever with her, even though it may be a little premature to think so far ahead, and the dream of that future quells the nightmares which haunt him every night until he wakes up, the guilt wrecking him worse than any hangover possibly conceived. He needs that future to give him a trail of tomorrows to follow.
She envisions growing up with him, the thought of turning into a vampire a faint one, but not a route she is eager to pursue. The thought of being dependent of blood, of risking your heart, soul and morals for the sake of immortality with the one she loves sounds unreasonable, at least right now.
All the same, every future she conceives has Stefan in it, in some shape or form. She can’t envision letting him go.
(Sooner or later though, they both learn the hardest lesson love has to offer: that the course of true love, as well as never being smooth, can sometimes come to an abrupt halt, leaving you peering over the edge of an uncertain future, as you contemplate the dreadful possibility of letting go and seeing if you can make it on your own two feet).
In love or out of it, however, Stefan and Elena soon come to find there’s no staying away from each other, and that is both their blessing and their curse.
featured characters: bonnie set during: no specific time title: this woman’s work
Bonnie will never admit it, but she has attempted to leave on a number of occasions; each time she reaches the sign saying ‘you are now leaving Mystic Falls’ and never goes any further. It’s like that sign physically prevents her from leaving.
A number of things have triggered her attempts at leaving. Perhaps the most trivial reason - yet the most profound, when you really think about it - was when she woke up one morning and looked in the mirror, recoiling at the sight of an ingrained line along her forehead you could almost mistake to be a wrinkle.
It wasn’t - isn’t - a wrinkle, but it caused her to panic at the idea that magic and the toxicity of the environment she currently resides in had started to age her. instantly, she’d been in her car, pushing it to its top speed, her heart in her mouth the entire journey until common sense had finally caught up.
She’s not one of these girls who worries about wrinkles and age lines - she’s not Caroline, in other words - but she is worried that this town is wearing her down. She feels about forty, although that could be to do with the fact she’s constantly pushing herself to new extremes when dealing with spells. A seventeen year old girl is always supposed to act older, not feel it, but if she’s counting all the ways she’s no longer - in spirit - a teenager, this is far down the list of signs she should be concerned with.
Bonnie wonders if Abby went through a similar sort of mid-life type of crisis, and that’s what propelled her to leave. If so, perhaps this is the closest she can get to understanding and forgiving her mother’s actions. The business of magic is a grueling one, and it is like having a full time job that way, except she can never leave it in search of better pursuits.
All this should make her a bitter person, and she’s astounded that she’s not. Maybe she’s resigned, that would be the better word to sum her up. A part of her criticises her feeling this way, insisting she should be happy to help, eager to help, not constantly moaning about her lot in life.
Isn’t that what makes me human, though? Bonnie questions. Isn’t that what reminds me I’m a teenager? The complaining that life is unfair, the unquenchable thirst to get out and be somebody completely new, the freaking out because I’m getting older and yet I’m pretty sure I’ve accomplished nothing with my life so far?
What teenager though has to fight death on a daily basis, or has to keep monsters - actual monsters - alive just because their friends have affections for them, or because they’ve turned into them themselves?
Bonnie wishes she could stop herself thinking this way, but there’s a dark part of her which urges her to cut everybody off and go fend for herself.
Luckily, the rest of her tells that voice to shut up, that her friends have done just as much for her, as she has for them, even though she knows that isn’t quite true. She knows in her heart of hearts if her friends had the power she has, they would fight the world in her place, and let her rest her injured wings, like she’s a fragile sparrow constantly thrust into a war zone even though it doesn’t belong there, and that’s what keeps her from leaving.
Magic will be the end of her, this she knows, and she endures each day knowing it could be her last, but if her last breath allows her friends to take many more, it’ll all be worth it, and that she believes with her whole heart.
featured characters: stefan, mentions of damon set during: season 6 title: no place like home
Sometimes it takes being driven from your home to realise how much a place could mean to you.
Exile is not something he’s used to; as a vampire, Stefan knows part of the role, so to speak, involves no limitations. You can go anywhere, any time, and never have to worry about death snatching you by the heels. As the ripper, he’d been quite used to indulging himself, not concerning himself with morals or anything of the like.
Here, though, on the outskirts of a town he can honestly say even with his vast knowledge of geography he’s never heard of, for the first time in a long time he feels mortal. Empty. Without a purpose.
That second one he can attribute to losing his brother, but it staggers him that even as an immortal creature, he is still weighted down with petty concerns such as knowing where he belongs. Right now, he hasn’t a clue where he belongs anymore. Mystic Falls, for all its fault, has always been his home. He’s not always liked it, and it’s housed more horrors than a gore filled horror movie saga, but it’s familiar, and filled with memories, although most are unhappy ones.
He takes a long drink from a bottle of bourbon, channeling Damon, missing and hating his brother in equal amounts. It frustrates him he still cannot pinpoint his exact feelings regarding Damon, only that his loss has torn a great big cavity in his chest he cannot fill no matter how much alcohol he drinks.
Better alcohol, though, than blood.
The temptation, all the same, is there. It lies dormant in his blood, waiting patiently for something to tip him over the edge so that he succumbs to the ripper.
But he doesn’t give in.
He just grieves, aching for some semblance of normality. In the end, despite his bravado, he suspects that’s what his brother wanted too.
Now neither of them will ever have that again. Maybe it was foolish for them to believe they could.
cristinayang asked: stelena + vibrant colours
featured characters: tyler, caroline set during: season 6 title: (learn to) begin again
Forging a new relationship in the ashes of the old is an unbelievably difficult task, they learn.
Romance is off the cards, initially, as they try and gather some semblance of who they once were before all this drama entered their lives. Luckily, for Tyler, having his werewolf status back in place helps create the illusion he’s back to who he once was before Klaus snapped his neck and effectively ruined everything that was good about his life.
Unfortunately, the empty house and the broken heart he nurses shatters the illusion. He can get past the fact Caroline slept with Klaus - barely, and even then he still struggles - but he can’t get past the fact there’s a room his parents both slept in which remains untouched. It actually haunts him, like a room is physically capable of manifesting itself a spectral form.
In these moments, when he trembles and grieves all over again, Caroline is right there, caressing his cheeks, holding his head against her chest, whispering soothing words which gradually sink in.
It’s times like these which make him hate himself for walking away; she gave him the choice - the ultimatum - to stay, and he chose revenge over her. He chose a lifetime of persecution, of mutual hatred, of various attempts at getting revenge over a golden haired girl with the brightest smile and the biggest heart, and he will never stop punishing himself for that.
Maybe in her own way that was what she’d been doing with Klaus - punishing him for abandoning her. It’s all he can really summon up as an explanation that stops him from actually hating her, although actually as time goes by he finds that it doesn’t hurt as much.
Klaus stole one afternoon with her. He has a plethora of memories with her that he never, for one moment, stopped treasuring.
Maybe they don’t have forever anymore - he’s not sure what his mortality status is at the moment, only that if he is mortal again he has no plans to change that, at least not right now - but they have right now. He doesn’t know what they are, only what they could be again, but for now he’ll settle for the fact they’ve returned to the shores of a friendship which had preceded their romance.
He’ll take it in a heartbeat every time.
This time, he won’t walk away. He knows the price for doing so.
featured characters: elena gilbert set during: entire show title: uncovered
It takes her months to get rid of the nightmares, and even then they never really fade.
The reality is, her life is a nightmare, and you can’t wake up from that. All you can do is keep surviving, no matter what the personal cost might be.
As an exercise, her one time therapist advised her to write a list each day of all the positives her life has, just to give herself some perspective, to remind her that what she has will always outweigh what she’s lost. She keeps up that exercise until her list dwindles down to just a handful of names, and even then those names eventually get crossed off one by one.
She cries in the shower and leaves her sheets dry as a bone to hide the evidence that she’s falling apart. She forever enters her shower one person, only to leave as someone else, someone with a little less life inside. But all the same, she finds that smile to show the mirror, tries to convince herself it could be a lot worse (how could it though? really?) and goes to sleep putting nice images in her own mind, constructing memories she honestly isn’t sure are real, they just make her feel good to contemplate.
With each loss comes a heavier heart, a darker soul.
She eventually convinces herself she’s being punished for something, that it’s her fault somehow, that surviving that car crash was the worst thing she’s ever done.
She tries to dispel these dark thoughts, but they grip hold of her tormented mind with too much ease. Sometimes she thinks she might go mad like Ric, except not from possessing multiple personalities, but from sheer grief. But she carries on surviving, determined never to go down without a fight.
(Sometimes when she looks at the mirror, she feels her mother tucking her hair out of her face, brushing her lips against her cheek, urging her to be brave in dulcet tones as sweet as a lullaby)
Instead of having a list of things - people - she has to be thankful for, she alters the list’s purpose, so it now reads as being a list of people she has to survive for.
Of course, Jeremy is on the list, but there’s a name above his that takes precedence over everybody else.
Her own.