✱˚。⋆ ↪ JUST ONE, I'M A FEW — NO FAMILY, TOO. WHO AM I ? ( a collection of dialogue & action prompts from bbc america's orphan black, season one. adjust gendering / phrasing as desired. )
i wanna see [ name ], okay?
well, that's not fair, is it?!
oh my god, you look.. like crap.
this long, no see? you don't get to know.
you have no idea what that costs me.
i wasn't talking about my cut, i was talking about my pride.
you've been gone for almost a year, [ name ]. i'm not judging, just saying.
i'm not judging, just saying.
what the hell is wrong with you?
look at me, you understand? look at me!
use it, or hang it up, okay?
do not snap towels at me, [ name ], i had a very traumatic childhood.
get in the car, damn it! we're late!
suddenly you don't give a damn, i get pissed.
now, you had better be ready. are you ready?
you're sure as hell overdressed.
what, were you out all night or something?
i know this shit is as hard as it gets, but you gotta stop making it worse.
"fashionably late", you called it?
stick to your statement and you'll be fine.
i panicked, what do you want me to say?
you haven't called me dipshit all day.
i know this thing's got you all twisted up, but you've got to forgive yourself.
[ name ], i know you're in there! open the door now!
it's not coming back to you?
i'm not sure i should say anything at all.
i don't want to talk about [ name ].
you need to talk to me about that moment.
feels like she's lying about something.
deep down, we all hope we're special.
the last thing i am is special.
oh. you're disappearing again?
weren't you coming back this weekend?
i got sick to my stomach, i basically puked on them.
what did you do to your hair? ... it's longer.
first, though, you need a shower. and a xanax.
your partner. he was following you.
[ name ], where have you been?
there's blood everywhere!
holy shit, it's true ... that someone is killing us.
you need to get rid of the body.
uh ... how about you come help me?
for starters, you're a drug dealer.
of course not, you think we'd let that happen?
i don't ... nothing, i don't want to talk about it.
that's my one bit of good news.
bastard must've followed me and nicked it.
okay, let's not go off ... [ name ], [ name ] !
how long can you keep gaming the cops?
what the hell are you doing?
i'm worried you're losing the plot again.
sorry, i've got a lot of work to do.
you're not ready for this, you need to take more time.
is that a diagnosis? cause i've got plenty of professional help for that.
i can't keep waking up at night, checking your breathing.
i knew it was too good to be true.
why would you help with such a stupid plan?
that was when i drew my weapon.
i'm not dirty, i just freaked out.
why would you go in my room?
the sink is broken, what the hell is wrong with you?
are you out of your mind?
idiot. do you even know who you're talking to?
i don't care who you are.
please just tell me ... who are we to each other?
are you kidding me? i'm not doing that.
you need to get out of here.
hide your ugly face on the way out.
what i'm trying to do is move on.
that's not gonna work for me.
does that sound stoned to you?
don't stop, someone might speak to us.
my skin breaks out every time we come downtown.
you point a gun at me again, i'll kick the living shit out of you.
what the hell were you doing here?
seriously, it's life or death.
you can't just ignore it!
sender is aggressively banging on receiver's front door, demanding entry.
sender begs receiver for their help in faking sender's death.
sender has discovered receiver's secret life, and confronts them.
receiver catches sender as they're trying to skip town.
sender tries to seduce receiver in order to make them stop investigating.
sender arrives to receiver's place drunk and injured.
sender calls receiver for help getting the blood out of their car.
sender starts a physical fight with receiver in a sensitive environment.
receiver must cautiously evade sender, who thinks they're dead.
receiver gets a cryptic text from sender asking to meet in person.
sender and receiver return to their hotel room only to find it trashed.
sender is caught following receiver, and receiver confronts them.
sender stands between receiver's loaded gun and a third party.