*runs to Ardene’s* rg @kimkardashian
Alisa U Zemlji Chuda

JVL
almost home

blake kathryn
ojovivo
cherry valley forever
noise dept.
$LAYYYTER
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS
art blog(derogatory)
Misplaced Lens Cap

#extradirty

@theartofmadeline

Product Placement

oozey mess

Origami Around
NASA
let's talk about Bridgerton tea, my ask is open
Lint Roller? I Barely Know Her

seen from Canada

seen from Malaysia

seen from Malaysia
seen from Malaysia
seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from United States

seen from Singapore
seen from United Kingdom

seen from Malaysia
seen from United States
seen from Germany
seen from United States
seen from United Kingdom

seen from Poland
seen from Türkiye
seen from Germany
seen from Germany
@babe-nation
*runs to Ardene’s* rg @kimkardashian
🔥🔥🔥
Happy Monday, stay sharp
Frieze: What could you imagine doing if you didn’t do what you do?
Agnes Varda:Finding ways other than photography and cinema to capture fragile instants – as substitutes for memory.
Joan Didion: The Center Will Not Hold (Griffin Dunne, 2017)
Every time there's a hit movie featuring a woman director or cast of color or a female lead or any other development indicative of Hollywood's slow push toward inclusivity, it's also felt like we've had to relitigate a point that's been made before, and by now has become well-known — that there are audiences for these movies, and that they should be made. A Wrinkle in Time doesn't need to serve as a test case for whether films directed by black women, and with black leads, can be successes, because of course they can. We've known that forever, even if the industry is still, slowly, catching up.
“A Wrinkle in Time” Has Become an Argument Instead of a Movie
Jessie Andrews x Roberta Einer for Mehdi Lacoste
💜💙💜
Our hearts are so full ❤️ Thank you so much to everyone who came out to the @ghostbff launch tonight, it meant the world to us.
Been a long time coming but THE WAIT IS OVER. Tomorrow I get to release new 🎶 #doubtmouth 📷 by the lovely Vanessa Heins
this babe tho.
#BabeNationBooks A contemporary retelling of Balzac’s Cousin Bette, The Cosmopolitans, by Sarah Schulman, is set in New York’s Greenwich Village in 1958 and follows the relationship between Earl, a gay, black struggling actor, and Bette, a straight, white secretary at an ad agency. Earl and Bette have been best friends for years out of a shared loneliness that has been working for Bette but not so much for Earl, who is desperate to find a romantic relationship. When Bette’s cousin Hortense arrives to “make it in the big city” as an actress (insert large eye roll from Bette), she causes a huge rift between the longtime friends, an act in response to which Bette unleashes some serious, previously-unbeknownst-to-her revenge skills worthy of Blair Waldorf to get her friend back. Thanks to @srutii for the🔥rec.
So excited and proud to be partnering with @elizabethbanks and @whohaha to launch @ghostbff on March 1 ⭐️⭐️⭐️ More details to come! Repost @ghostbff ・・・ Introducing GHOST BFF, a new dark-comedy digital series that is challenging the stigma regarding mental health conversation by empowering women to feel confident in their emotions. Coming to @whohaha on March 1st, 2018. #WellnessWednesday #GhostBFF #NewRelease
Girl, yas. @reesewitherspoon @nytimes
Director Lindsay MacKay on the set of @ghostbff, which we can’t wait for you to see so, so soon 🎬🎥💜 #femalefilmmakerfriday #ghostbff #babenationcreations #webseries #womeninfilm
Happiest 2018, babes 🥂 May you create—write, direct, produce, shoot, however you do it—some very cool things you love this year ✨✨
Taking this week like • • • #marioncotillard #fromthelandofthemoon #womeninfilm #booksandbed #cannes2016
Location scout lit 🧡💛💙 (at North Bay, Ontario)