CREDITS. PINTEREST. ❘ ❘ ❘ WRITTEN BY OLI (SHE / HER, 25+)
will byers stan first human second
let's talk about Bridgerton tea, my ask is open
Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear
2025 on Tumblr: Trends That Defined the Year
KIROKAZE
AnasAbdin
hello vonnie

blake kathryn
Claire Keane
I'd rather be in outer space 🛸

@theartofmadeline
occasionally subtle

祝日 / Permanent Vacation
Lint Roller? I Barely Know Her
Misplaced Lens Cap

Andulka
🪼
Sweet Seals For You, Always
DEAR READER
seen from United States

seen from Maldives

seen from United States

seen from United States

seen from United States

seen from China

seen from Maldives
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from Germany
seen from Poland

seen from United States
seen from United States

seen from United States

seen from Belgium
seen from Singapore
@backlotvideo
CREDITS. PINTEREST. ❘ ❘ ❘ WRITTEN BY OLI (SHE / HER, 25+)
WIDOW'S BAY 1x01. roleplay starters of apple tv's first episode of widow's bay. feel free to edit according to scenario / pronouns. tw for language.
she's been acting weird for months.
i'm seeing something.
can you seriously not hear me?
fuck you, it's not fucking funny.
does anyone on this island work?
hey, it's none of my business.
i don't want any gossip. not today.
you shouldn't assume the writer is a man.
i think the quake has people on edge.
what are you asking me to do, [ name ]?
what do you think i'm asking you to do?
[ name ] is missing.
not my job to know that, buddy.
don't shit your diaper.
so, you wanna grab some coffee?
i think it's a little early for that story, [ name ].
do you know what? i'm gonna take it from here.
well, i hope you like the local color, [ name ], because we got a lot of it.
i was talking to the guy on the ferry and he said something odd.
he said bad things happen here.
was there cannibalism?
i don't think that's right.
what town doesn't have a checkered past?
i swear, i have been having the hardest time getting reception.
fuck cape cod.
we just learned [ name ]' s colorblind.
okay, so i wanna move quickly here.
i just want eyes on him the whole time.
so, i guess you don't want me to take him to the old hospital?
shut it down. shut it all down.
wait, did something happen to [ name ]?
fog took him.
well, i can think of a couple of other explanations i could go to before jumping to the "fog took him."
you refuse to accept our history, to accept the truth.
the only thing that's gonna get people killed here is the lack of infrastructure.
it's a haunt!
could you remind me again? a haunt is worse than a spook, but not as bad as a fright?
you can mock me all you like.
i think there are some people who want to be miserable.
they just found [ name ].
i know you didn't just lie to a bunch of people telling them i found this man.
you know, buddy, i'm on my last legs.
hey, uh, i'm gonna run out for a bit.
they haven't found him, have they?
should we be worried?
do you remember the boogeyman?
It's only the most terrifying thing that's ever happened to me.
i still sleep with the dresser in front of my door.
why is that more upsetting?
do you know what this is? i was trying to figure it out.
oh no, we're gonna have a talk.
i just don't know how to get through to you.
do you know where you get that adventurous spirit?
🚨 SOUND THE SIREN 🚨
[ 𝚂𝙿𝚈 & 𝙰𝚂𝚂𝙰𝚂𝚂𝙸𝙽 𝚂𝚃𝙰𝚁𝚃𝙴𝚁𝚂. ] 𝚍𝚒𝚊𝚕𝚘𝚐𝚞𝚎 & 𝚊𝚌𝚝𝚒𝚘𝚗𝚜.
below is a list of both dialogue & action starters catered to the spy & assassin type muses & verses. feel free to change names & pronouns as you see fit. please do not steal or add to the prompt list. ALWAYS REBLOG FROM THE SOURCE.
ACTIONS.
sender returns from intel gathering with bad news.
sender returns from intel gathering with good news.
sender hasn't come back from intel gathering at the intended meetup time.
receiver hasn't come back from intel gathering at the intended meetup time.
sender has been shot. receiver helps patch them up.
receiver has been shot. receiver helps patch them up.
sender kisses receiver to avoid being made.
receiver kisses sender to avoid being made.
sender & receiver are engaging in a stakeout of their target.
sender & receiver are attending a formal event under cover.
receiver is the honeypot & has been hit.
sender is the honeypot & has been hit.
DIALOGUE.
" i don't think now is the best time to discuss this. "
" target's on the move. you in position? "
" i'm so not wearing that! "
" i think i can make it the rest of the way. "
" it's just a scratch ... i'll be fine. "
" got any new tech for me? "
" you never cease to have all the best toys for me. "
" i got your six. lets make this quick & clean. "
" that was a bit of a close one wasn't it? "
" act natural. i think they're onto us. "
" the window is closing. take the shot. "
" if you have the shot ... i suggest you take it. "
" target's on the move! "
" we don't need backup! they're getting away. "
" i told you it's too risky. we should wait for backup. "
" you could kiss me. might throw them off. "
" just focus on the mission. we don't need anymore distractions. "
" don't look so glum. who knows ... might even be fun. "
" he's on your six. think you can lose him? "
" oh ye of little faith ... i'll lose him. "
" nice shot! try not to miss next time. "
› FIRST TOUCH PROMPTS → receiver to sender (pt. 2) … espionage / spy / romance inspired.
brushing hair behind their ear
hands grazing while reaching for the same object
catching them by the waist
sliding a hand over their holster while checking for weapons
tending to a gunshot wound in silence
brushing fingers over their pulse to check they’re alive
pinning them against the wall to keep quiet
wiping blood or sweat from their brow
gripping their hand tight during an interrogation
pulling them behind cover with a firm grasp
lifting their chin to check for signs of life
steadying them after a sudden explosion or attack
wrapping a scarf or cloth around their neck for disguise
touching their lips to silence them
brushing past them in disguise, pretending not to know them
adjusting their cufflink or watch mid-mission
helping them out of a tactical vest
gripping their wrist before they walk into danger
holding their face after a close call
brushing dirt or ash from their cheek gently
sneaking a hand under the table to reassure
linking arms to pass as a couple
tracing a fresh scar with careful fingers
pulling them close while hiding in shadows
fixing their earpiece, lips inches apart
pushing hair away to whisper a secret
pressing a hand to their chest to feel their heartbeat
zipping up their suit slowly, lingering at the collar
wiping a cut on their cheek with a thumb
lacing fingers together before parting ways
touching their face to make sure they’re real
grabbing the back of their shirt to stop them
brushing a hidden note into their hand
tapping their knee under the table for reassurance
laying a head on their shoulder after a long mission
cupping their jaw while patching them up
gripping their coat lapel to make a point
letting their fingers linger after handing over intel
holding their gaze while adjusting their glasses
brushing off shards of glass from their back
wrapping arms around them after a near-death moment
trailing fingers down their spine to check for wounds
sliding their hand over theirs in a tense car ride
resting a hand on their thigh mid-interrogation
pulling a splinter or wire from their skin
grazing their fingers while sharing a burner phone
tilting their chin up with two fingers to meet their eyes
tugging gently on their jacket to stop them from leaving
laying a hand over their heart after a confession
smoothing their collar after a close encounter
letting their fingers linger on a fresh bruise
catching their wrist as they reach for their gun
leaning forehead to forehead behind enemy lines
pressing a palm to their back before a mission
brushing off flecks of blood after a takedown
squeezing their hand before going separate ways
resting a palm on their chest during a rare moment of quiet
helping them out of a disguise, brushing hands often
letting their hand hover before finally touching
ext-backlot -> backlotvideo
HEY!!! YOU 🫵
i’ve gone through my mutuals, new followers, inactive blogs, etc, and if you’re here and seeing this, I WANNA WRITE WITH YOU!!
check out the carrd if you haven’t yet, and don’t mind the mess as i tidy up here. THANK YOU <3
refresh nearly complete. stay tuned
okay i'm done for today... i've been workin on a new carrd, header, etc for a couple days now. take a peek if you're interested <3
INT. BRIGHT FALLS SHERIFF STATION — DAY
#⁎ SCREEN TEST⁰³◞ : “STARTER CALL” [★] @morally as RILEY BISHOP &. @backlotvideo as ALAN WAKE.
DISSOLVE TO: ALAN GRIPS HIS COFFEE CUP—CHEAP AND DISPOSABLE, MADE OF STYROFOAM—AND STARES DOWN AT THE GROUNDS SWIRLING INSIDE. ACROSS THE TABLE, DETECTIVE BISHOP STARES AT THE RING ON HIS LEFT HAND.
“ maybe i am crazy. ” the margin bell of a manual typewriter rings in his ears like tinnitus. endlessly, its carriage returns. AN INKED RIBBON; A MANUSCRIPT PAGE; A MÖBIUS STRIP THAT’S FOLDING IN ON ITSELF. déjà vu is a cruel trick—his memories are just out of reach, shrouded in darkness. alan shakes his head, “ but that’s fine. ”
KILL YOUR DOPPELGÄNGER
Blue Velvet (1986) dir. David Lynch
INT. UCHICAGO, 1997 — LIBRARY — NIGHT
#⁎ SCREEN TEST⁰²◞ : “STARTER CALL” [★] @crimenalist as CALLEIGH DUQUESNE &. @backlotvideo as JASON DESSEN.
DISSOLVE TO: JASON AND CALLEIGH SIT AT A TABLE IN A MOSTLY EMPTY LIBRARY. IT’S LATE, BUT NEITHER OF THEM MIND THE CLOCKS, DEEP IN THEIR WORK. JASON IN PARTICULAR LOOKS LOST IN THOUGHT. STARING AT HIS NOTEBOOK, NOT WRITING.
“ i can't help thinking ... we’re more than the sum total of our choices, ” he clicks his pen, twice, dithering between reality and the crackpot theories he scribbles in the margins, “ that all the paths we might have taken factor somehow into the math of our identity. ”
INT. PARLIAMENT TOWER — ALICE’S APT. — DAY
#⁎ SCREEN TEST⁰¹◞ : “STARTER CALL” [★] @miswaken as ALICE WAKE &. @backlotvideo as DAN TORRANCE.
CUT TO: ALICE’S APARTMENT IS IN DISREPAIR. A MESS OF LIGHT FIXTURES AND PHOTOGRAPHY EQUIPMENT. AT THE EPICENTER, SHE STANDS WITH DAN. SLOWLY, BUT WITH EASE, HE IS TAKING IT ALL IN.
“ sometimes... you have to know. ” morbid curiosity is an addiction in its own right. five years old, face - to - mask, peeking between his fingers. that same itch—RADIO STATIC BUZZING—crawled up his neck the moment he set foot over the apartment’s threshold. “ ... sometimes you have to see. ”
MIRROR/SENTENCE LUIS CAMNITZER // 1966-68 [vacuum-formed polystyrene mounted on– synthetic board | 18 4/5 x 24 3/5 x 1/2”]