[pushing my glasses up with an air of unwarranted superiority and gesturing toward a painting without a minotaur] the Minotaur is implied.

Andulka
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we're not kids anymore.
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ellievsbear

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trying on a metaphor
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Keni
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Aqua Utopia|海の底で記憶を紡ぐ
taylor price
YOU ARE THE REASON

if i look back, i am lost
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@badvictim
[pushing my glasses up with an air of unwarranted superiority and gesturing toward a painting without a minotaur] the Minotaur is implied.
sorry i'm basic but i love the act of killing someone for the first time as a metaphor for sexual violence
loss of virginity as a social construct representing the loss of innocence, phallic weapons penetrating flesh and being withdrawn stained with blood, guilt manifesting as a feeling of uncleanliness that can't be washed away, the cultural associations of both your first kill and first sexual encounter with achieving manhood/maturity, hesitation or refusal to participate being met with coercion and mockery. you know what it is.
Il visitatore del mattino (The morning visitor) - 1963
Dino Buzzati
god likes you lonely. god likes you crushing on him. rumor is he's clingy. rumor is he's buried in the valley of negev. i know he's in your bed, though. i know his knees are to his chest on your bed, his cheeks flushed the color of lilacs. i know he loves you. he tells me this
what if I started talking
The Wolf House (La casa lobo) dir. Cristóbal León & Joaquín Cociña, 2018
unclean = adj. of or pertaining to uncles
The Secret Diary Of Laura Palmer
my favourite post in the whole wide world
getting an evil spirit put inside you without your knowledge or consent is basically a classic childhood experience
a parent that violates their child is not beholden to boundaries. if one line can be crossed, any line can be crossed.
duuuuuude you have GOT to come out tonight we're enacting cruelty upon those who have transgressed so badly that we can justify any act against them... and you KNOW we're interpreting our delight as moral righteousness... Yeah it's fucking crazyyyyyyy get an Uber
Her mother arrives at the academy in order to remove from it shortly after the delivery of a letter from the licentious de Mistival himself, authorising his wife's martyrisation. When they strip her, they discover that her husband has just roundly whipped her. They may do with her whatever they please; Father has told them so. The boudoir, the temple of vice, is a Garden of Eden in which God has permitted the consumption of the fruit of the tree of knowledge of good and evil. So, finally, the violation of the mother is no more than a performance, a show; it demonstrates and creates Eugénie's autonomy but also the limits of her autonomy, for her freedom is well policed by the faceless authority beyond the nursery, outside the mirror, the father who knows all, sees all and permits almost everything, except absolute freedom.
angela carter, "the school of love: the education of the female oedipus" from the sadeian woman
Telemachus’ Detachment by Louise Glück