[baii-leaf]

mon cher 🖤

[365filmsbyauroranocte]

Walkabout (Nicolas Roeg, 1971)

[julia-wanders]

Beautiful America’s Oregon Coast, 1999

[glumshoe]

[unrar]

Rome’s old quarter, Italy, Winfield Parks.

[kissedbythevoid]

[melodyhansen]

[detailedart]

Edouard Theophile Blanchard; Narcisse, ca. 1870. Details.

[blaaargh]

[thetowerofsleep]

[memoryslandscape-deactivated202]

wishbzne

“I want to give you something, or I want to take / something from you. But I want to feel the exchange, / the warm hand on the shoulder, the song coming out / and the ear holding on to it.”

— Ada Limón, from “How Far Away We Are” in Bright Dead Things  (Milkweed Editions, 2015)

[thecaftanclique]

Pendent Perfume bottle by Elsa Peretti (Tiffany).

Photo by Henrik Purienne

[20aliens-deactivated20200625]

https://www.instagram.com/p/BWn0LD4gY9U/

[thetowerofsleep]

[infected]

Templo de Santo Domingo, Puebla, Mexico by Alvaro Matias

[myalyssasaestheticss]

Mya Daren,  cinematographer, and artist 

Maya Deren: Grid of Stills from Maya Deren films 1944

This post-board or mood-board of stills from Deren’s work, assembled by her in 1944, includes stills from Meshes of the Afternoon, Choreography for Camera, At Land, and Ritual in Transfigured Time. A prolific artist, dancer, choreographer, film-maker, Deren embraced the skill-set that came to represent avant-garde American film-making in the post-war period, forming a kind of archetype for the counter culture.

[jinxproof]

Erin O'Connor | ph. Sean Ellis