Two women’s Sarakatsans nomad costumes, the variation known “Serviana”. The Basil Papantoniou Foundation

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Two women’s Sarakatsans nomad costumes, the variation known “Serviana”. The Basil Papantoniou Foundation
Traditional costumes (Macedonian variation) of the Sarakatsans, late 19th century. The Basil Papantoniou Foundation
Two women’s Sarakatsans nomad costumes, the variation known “Serviana”. The Basil Papantoniou Foundation
Croatian villages Vrnavkolo and Letnica, municipality of Vitina, Serbia, 1988. HRT - Croatian Radio Television
“I didn't think whether it was Latin or Serbian. I respect it, there is one God, there is one church. There is a Maria, candles are lit like in my Church of St. Dimitrije, and that's how I am there. I move in my own way, I pray to God in my own way. The priest says the prayer as it is in his book. I understand him. As, it was in Serbian. We respected each other. [...] Whether a person was in the Orthodox church or in the Catholic church, God is him, and you divide him into how many parts you want to divide him into. I said a little while ago that there were three generations of priests here in Letnica and in Vrnavokolo, they never said to me: 'Well, why do you cross yourself with three fingers?' No. I pray however it suits me. Like in my church. I keep my side. They have benches, chairs, I kneel. I don't sit, I stand like in my church. As long as the service is going on, I stand!“
— Serbian man from a nearby village of Vrbovac (b.1939)
Religious boundaries are crossed, as reflected in the transcribed statements, through leaving one sanctuary and embracing another marked by a different religious identity. In the excerpt, the speaker refers to one Church and one God, yet within that framework still draws a distinction between “mine” and “theirs”. Thus, while religious boundaries are transcended, each individual continues to preserve their own mode of worship.
Serbian woman from Obrovac, area of Bukovica, Dalmatia, Croatia, 1906-12. Photographed by Radivoj Simonović, Museum in Vojvodina
Serbian Orthodox monastery Krka in Croatia.
First mentioned in 1345 as an endowment of Jelena Nemanjić Šubić. She was the daughter of the Serbian king Stefan Dečanski and the half-sister of the Serbian emperor Stefan Dušan. She was married to the Croatian nobleman Mladen III Šubić, the Prince of Bribir from the Šubić family. After the death of Prince Mladen, Princess Jelena ruled the Dalmatian towns of Skradin and Klis on behalf of their son Mladen IV.
Greek girl standing on a balcony, John Frederick Lewis, 1840. Yale Center for British Art
Christian Orthodox pedant necklace with a carved mother of pearl amulet, Bulgaria, 19th century. Collection of Peter Hoesli x
Serbian woman photographed having a cup of coffe on her wedding day in Prizren, Metohija, early 20th century. Photograph belongs to me!
Portrait of a young woman in a bridal costume from Galičnik, Macedonia. Milton Manaki, The State Archives of the Republic of North Macedonia
Narrow is the gate (2002) - Monastery Gračanica.
Narrow is the gate (2002) - Monastery Gračanica, Serbia.
Woman dressed in a Serbian town costume for married women, Sarajevo, 1903. Topič, František, Zemaljski Muzej
Serbian Orthodox church of St. Anne in Prizren.
It was located in the Pantelija quarter. According to the report of the Catholic missionary Gregory Masareki from 1691, it was located on the site of Mustafa Pasha's mosque. The church was highly respected.
According to the same report, there was a ruin of the church, on the remaining walls of which stood an icon where on the day of the saint, believers of all three religions gathered and left coins and candles.
Serbs on the market in Trebinje (1, 2, 4) and Mostar (3), Herzegovina, 1930-1937. Blanche Payne
Man and woman from Cetinje, Montenegro, 1930-37. Blanche Payne
12th century monastery in Velika Hoča, Serbia. Christopher Anderson - Magnum Photos