jasminetartine | Musée Bourdelle, Paris.

Kiana Khansmith

Discoholic 🪩

shark vs the universe
★
Mike Driver

Andulka
Interview Vampire Daily
Misplaced Lens Cap

Jar Jar Binks Fan Club
almost home

Game Changer & Make Some Noise
sheepfilms
Aqua Utopia|海の底で記憶を紡ぐ
Noah Kahan
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ojovivo
Keni
tumblr dot com
"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open
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jasminetartine | Musée Bourdelle, Paris.
Alice Gao
be picky about who you let into your life
Better to love too much than too little.
Margaret Howell spring/summer 1992, photographed by Koto Bolofo.
In this gentle fashion image, Margaret Howell’s tailored navy shorts resemble those worn in the 1930s. Her clothes blend memories of England with the pleasure of wearing worn-in country clothes. The look was revolutionary when she began in the early 1970s, inspired by nostalgic icons of British style, such as brogues, gymslips, sturdy tweed skirts and her father’s gardening mac hanging on the back of a door. Howell’s menswear and womenswear collections were launched in 1972, with an emphasis on tailoring. Howell has been so copied, it almost obscures her contribution but her linen duster coats, shirt dresses, floor-sweeping raincoats and tweed suits for women have an enduring appeal. ‘When I started out, I was only thinking about what I wanted,’ she told Vogue. ‘I liked quality and comfort … I was probably responsible for the move towards using men’s tailoring tweeds for women’s clothes.’
—Phaidon Editors, 1998
Digue et plage. Leon Spilliaert (1907).
To love me is to love a haunted house— it’s fun to visit once a year, but no one wants to live there.
Brenna Twohy, from “Anxiety: A Ghost Story,” Forgive Me My Salt (via lifeinpoetry)
merry crisis and a happy new fear
najbardziej mi przeszkadzają w życiu łokcie i plecy chciałabym żeby więcej było serca i rozumu
gadające głowy 1980
A Woman Under the Influence (1974)
I’ll have to be all by myself, forever. I’ve missed the life that was supposed to be mine. I’ve shut myself off from it.
Margaret Atwood, from Moral Disorder and Other Stories; “The Other Place,”