RMH

Product Placement
2025 on Tumblr: Trends That Defined the Year
Mike Driver
styofa doing anything
art blog(derogatory)
I'd rather be in outer space 🛸
trying on a metaphor
Lint Roller? I Barely Know Her
cherry valley forever

ellievsbear
No title available
Game of Thrones Daily
AnasAbdin
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No title available
sheepfilms

JBB: An Artblog!
TVSTRANGERTHINGS
Misplaced Lens Cap

seen from Australia

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@bamjournal
Yuri Pattison
http://yuripattison.com/battle-against-containment/
Electrophoretic prints on electronic paper
(Amazon Kindle™ E Ink™ 6" displays)
exhibited Helga Maria Klosterfelde, Berlin. 2014.
— Screenshot
Response — Object
Jonas Lund
New Now 4, UV print on plexiglass, metal frame and LED strip, 127x103x15cm
New Now is a series of digital paintings that was developed using machine learning to train a neural network on all of my previous works, so it’s both a way to optimise my practice and also dictate what pieces I will make next. The artificial intelligence created by the artist becomes the artist. This project speaks to the data-driven optimisation of targeted marketing and the ways in which artificial intelligence seeks to understand and manipulate our deepest impulses.
✋ hands on screen — right hand scan by a #green-screen, 2018. Pigmentary print on baryta paper. 100x150 cm . left hand scan by a #green-screen, 2018. Pigmentary print on baryta paper. 100x150 cm . #green-screen Pigmentary print on baryta paper. 100x150 cm — . . . #mathieumerletbriand #newmaterialism #recycle #recyclage #google #data #postdigital #postinternet #netart #contemporaryart #abstract #internet #artcontemporain #exhibition #site #nonsite #cloud #surf #infinite #paris #fondvert #biometrics (à Paris, France)
✋ hands on screen — right hand scan by a #green-screen, 2018. Pigmentary print on baryta paper. 100x150 cm . left hand scan by a #green-screen, 2018. Pigmentary print on baryta paper. 100x150 cm . #green-screen Pigmentary print on baryta paper. 100x150 cm — . . . #mathieumerletbriand #newmaterialism #recycle #recyclage #google #data #postdigital #postinternet #netart #contemporaryart #abstract #internet #artcontemporain #exhibition #site #nonsite #cloud #surf #infinite #paris #fondvert #biometrics (à Paris, France)
✋ hands on screen — right hand scan by a #green-screen, 2018. Pigmentary print on baryta paper. 100x150 cm . left hand scan by a #green-screen, 2018. Pigmentary print on baryta paper. 100x150 cm . #green-screen Pigmentary print on baryta paper. 100x150 cm — . . . #mathieumerletbriand #newmaterialism #recycle #recyclage #google #data #postdigital #postinternet #netart #contemporaryart #abstract #internet #artcontemporain #exhibition #site #nonsite #cloud #surf #infinite #paris #fondvert #biometrics (à Paris, France)
J. Arthur H. Hatt, The colorist, designed to correct the commonly held theory that red, yellow, and blue are the primary colors, and to supply the much needed easy method of determining color harmony, 1913. New York. Via Linda Hall Library.
Color
Gerald Holtom & Lord Bertrand Russell, Peace symbol, introduced 1958 as an arms down sign during a protest march from London to Aldermaston, England. Russell described it as a composition of the semaphore code letters N and D, for Nuclear Disarmament. Read more about the sign here.
logo
Tony Cragg
Les fenêtres © mathieu merlet-briand verre à vitre industriel, verre float recuit, cadre en bois peint, 2015.
À découvrir au Bastille Design Center dans l’exposition Dignes Design
à Paris Aéroport - Charles de Gaulle (CDG)
#jeanlucmoulene 👌@offprint.projects #Paris (à Beaux-Arts de Paris)
📖 #Materiality 🔍excellente lecture ✨ Documents of #ContemporaryArt par @whitechapelgallery edition 🙏 (à Paris, Rue De Sedaine)
@mauriziocattelan #mauriziocattelan 👌 @monnaiedeparis 📸 @mathieu.merletbriand (à Monnaie de Paris)
@mauriziocattelan #mauriziocattelan 👌@monnaiedeparis 📸 @mathieu.merletbriand (à Monnaie de Paris)
@mauriziocattelan #mauriziocattelan @monnaiedeparis 👌 (à Monnaie de Paris)
#wadeguyton & #danhvo @galeriechantalcrousel beautiful show 👌 ether 📸 @mathieu.merletbriand (à Galerie Chantal Crousel, Paris)