ESPACE 3-8, Leopold Banchini
Not today Justin

oozey mess
One Nice Bug Per Day

Product Placement

shark vs the universe
Claire Keane
hello vonnie
almost home

pixel skylines
todays bird
Sade Olutola

PR's Tumblrdome
d e v o n

Love Begins
$LAYYYTER
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith
i don't do bad sauce passes
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Xuebing Du
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@post-internet-studies
ESPACE 3-8, Leopold Banchini
Anish Kappor, Tail Pavilon, 2005.
Studio Olafur Eliasson, Model Room, 2003
Martine Syms exhibition at Sadie Coles HQ
Martine Syms (b. 1988, Los Angeles (CA)) obtained a MFA from Bard College, Annandale-on-Hudson (NY) (2017) and a BFA from The School of the Art Institute of Chicago (IL) (2007). Syms has earned wide recognition for a practice that combines conceptual grit, humour and social commentary. Using a combination of video, installation and performance, often interwoven with explorations into technique and narrative, Syms examines representations of blackness and its relationship to vernacular, feminist thought, and radical traditions. Syms’s research-based practice frequently references and incorporates theoretical models concerning performed or imposed identities, the power of the gesture, and embedded assumptions concerning gender and racial inequalities.
Eija-Liisa Ahtila : Potentiality for Love
Marian Goodman Gallery, March 2, 2018 - April 11, 2018
Yuri Pattison, communal table for user, space (2016). Detail. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist; mother's tankstation limited, Dublin; Helga Maria Klosterfelde, Berlin; and Labor, Mexico. Photo: Andy Keate.
info here
Gilberto Esparza, «Plantas autofotosintéticas» (Plantes autophotosynthétiques), vue de l’installation à l’Espacio Fundación Telephónica, Lima, 2014
Mohamed Bourouissa, Demain c'est loin, 2017 160 x 420 x 150
Esthétique des ruines
Christo and Jeanne-Claude, Wrapped Reichstag, Berlin, 1971-95
http://christojeanneclaude.net/projects/wrapped-reichstag
Daniel Arsham, Selenite Hands in Prayer, 2015 Sculpture 38 x 40,5 x 30,5 cm, Unique Selenite, pulverized marble, hydrostone
Time
Claude Lévêque, Aube bleue, 2018. Dispositif in situ, Kamel Mennour, Paris
Monika Sosnowska, Handrail, 2016–18. Installation view Hayward Gallery, London, 2018
© and courtesy the artist. Photo: Mark Blower
Katja Novitskova | Pattern of Activation | installation | 2014
http://katjanovi.net/patternofactivation.html
Louise Drulhe — The Two Webs | Mapping the parallel networks | 2017
https://louisedrulhe.fr
Synchroteam Happy or not borne satisfaction client borne
Rêveries urbaines - les Bouroullec
Les thèmes abordés par les Bouroullec reprennent leur philosophie de mobilité et d'assemblage : des modules facilement déplaçables et adaptables selon la topographie des villes.
Rêveries urbaines, Fire station, Vitra Campus, jusqu'au 22 janvier. © Studio Bouroullec