Divina Commedia - Paradiso - illuminated by Giovanni di Paolo, c. 1450

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Divina Commedia - Paradiso - illuminated by Giovanni di Paolo, c. 1450
Cy Twombly, 14 Papers, 1983
Wang Yi - Nosferatu (2023)
Acrylic on canvas
Art work by German artist Jeanne Mammen, c. 1931.
Joyce Lee (South Korean, b. Seoul, South Korea) - A Woman, Paintings: Watercolor, Acrylic, Colored Pencil on Paper
Margaux Valengin (French, 1992) - Green Egg (2026)
“Zone Riflesse” (1963) ◇ Paolo Scheggi — acrylic on three layered canvases
Carrara Line 1985 , Richard Long (b. Bristol, England, 1945)
photo: David Castenson
Nicolaes Visscher, "Novi Belgii Novaeque Angliae nec non Partis Virginiae tabula", 1655. Black ink with color wash on paper
Courtesy Alain Truong
René Magritte, The Land of Miracles, 1964
Hilma af Klint, Tree of Knowledge, No. 7b, c. 1913-1915
Anawana Haloba, b. 1978 Salt-lick performance Zambia (1999) [Source]
The Biennale de Lyon says:
Anawana Haloba’s artistic practice is based on permanent research into contemporary history, culture and ideologies. Her sound, video and installation performances often arise out of poetic texts that she has previously written. They set out to confront the viewer with subjects such as human trafficking, self-identity, or repressive systems in the neo-colonial structures that still govern most contemporary societies. In this way, Anawana Haloba plays on the positive connotation of the word “foreigner” in Swahili, where it implies, not an uncultured new arrival but a traveller – someone who has learned much, and has much to give.
Audrey Bialke (American, 1991) - Deep Murmurs Through Time (2023)
Astrid de La Forest
Grand peuplier bleu, 2015
Marcel Marien, Star Dancer, 1991
Cy Twombly, Untitled, (pencil on paper), 1960 [Private Collection. © Cy Twombly Foundation, New York, NY]
/ l’Altissimo /
Yayoi Kusama
AND LOVE IS FOREVER, SO I SAY IN MY SELF-PORTRAIT 2009 Synthetic polymer paint on canvas 162 x 162cm