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Xuebing Du
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Andulka
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Keni
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A commission which I have done recently #illustration #painting #beagle #dog #drawing #pet #drawingoftheday
Thailand Exhibition #exhibition #thailand #art #painting #drawing
Evaluation
My understanding of the Image and text Brief was to use image and text in a variety of different ways to produce a final outcome, also how you can use image and text together instead of two separate components. This is important especially because last year my feedback was to develop different ways in which I can use type and image together.
Identifying the Audience within both Briefs was important as it can determined whether an illustration is successful once it is put into context. For instance the Editorial brief I conducted research on not only the readers of the observer but also the audience of the TV show (The Great British Bake off). From this I gathered an understanding that this article will interest a vast audience as The Observer is a sister papers from the Guardian it has a lot of readers and The GBBO has almost 9 million viewings in the most recent series. Following reading the article that had a lot of light hearted fun and humor it is important to portray this also within my imagery.
I feel that the best ideas that I produced were the ones which I developed by being playful with the briefs, for instance the Editorial article for the great British Bake off, as I tried to be as fun and light hearted with the imagery as possible to take the editorial away from the obvious and literal illustrations which I could have produced. I also find this approach fitting with the language used in the article as it involved a lot of Bake-off related puns and jokes, therefore I wanted to create an image which replicates the same sense of fun and humor which was within the article.
I referred to many different editorial illustrators including those that are being represented by The Observer to see what styles and type of illustrations are being produced for the paper. An editorial illustrator that influenced my work would be Kelsey Heinrichs his work is playful and focuses on the fun side and distorts it to make them quirky yet rather absurd, his work also is incredibly focused on his use of line and composition as he adds detail both into the foreground and background. His work becomes quite surreal and reminds me of something that you would imagine in a dream. Following this I then decided to look at the Surrealism movement during this brief as inspiration because I liked the way in which Dali and Magritte are able to create bizarre yet fun landscapes by distorting objects in terms of there scale and form. This enabled me to play on the idea of ‘The Great British Break up’ by using a giant mixing bowl with cake mixture being splattered around the image (I decided to use this as a metaphor being the messiest part of baking to reflect the chaos and mess the business exchange has become.) Also Mary Berry is trying to escape the ‘car crash deal’ as Paul Hollywood is sat comfortably being paid by a Chanel 4 boss, this contrast was also important in the image as Paul Hollywood is stated to be ‘The odd man out’ I wanted to show how Paul Hollywood to be superior by sitting him comfortably in the image.
My development process to generate and create ideas has been similar throughout both Editorial and the Image and Text brief, to begin with I would start by using word associations through a mind map which I would then use to create small illustrations of different ideas I could do for each brief, these could be completely different or just adaptations of one another. This allowed me open up to ideas I wouldn’t necessarily have thought of if I just developed a final outcome straight away. It also made me think about what design would be best once put into context for instance for the book cover I had to think about the illustration but also spacing for the Type on both the front and the back cover else it wouldn’t be an effective design.
The Audience for the Image and text brief is younger readers as I chose the Roald Dahl cover, therefore it is important to use bright and bold colours within the book cover to make it eye catching, also using large and simple text so that it is digestible for the younger audience. For the Image and Text brief I researched a variety of different practitioners to help influence and develop the ideas, which I was working on. The most influential for this project would be Jonny Hannah, Jasper Johns, Laura Carlin and Quentin Blake. From referencing the way these artists use composition, colour and type within their work I believe has allowed me to produce stronger final outcomes.
My working process is similar throughout both projects, initially I like to work traditional and hands on rather than digital. I have done this by using a variety of different mediums and techniques including watercolour, pencil crayons, acrylic, mono printing and Lino printing. I like to work larger than the actual image requirements and most of the times I will draw different components of one image separately and then scan my work into Adobe Photoshop where I will edit them together to create one image. I do this because I feel a lot more comfortable either drawing or painting as I have more control, during the ‘Image and Text’ brief however I started to draw on top of scanned in images of spiders digitally and laying them all together this is the most I have used Photoshop within one design this is because I am becoming more confident using digital software within my work.
For the Book jacket I decided to use lino printing, this was the very first time I had tried lino which allowed me to learn new techniques and a new media in image making. The reason why I decided to use Lino was because Quentin Blake who is renowned for his illustrations of the Roald Dahl books, his style uses mainly washes of watercolour / guache with scratchy black outlines. I didn’t want to paint because I felt that this may become another version of what Blake has already created, and I wanted to create a cover which will use bold flat colour which is why I thought lino would be the media to use. I think the final cover is a success as it has incorporated elements of each
Overall I am very happy with the both the editorial and the Image and text brief. I think that the Editorial was successful as I understood my audience and the TV show very well which allowed me to understand and create fun imagery for the article, not only this but I enjoyed the editorial and the process of creating different ideas for one image based on a piece of text. I think I selected key points and themes from the article and demonstrated them effectively in the final piece. In addition I enjoyed the facts which also felt like a similar process to the editorial, I think the fact ‘A Human will eat 70 assorted insects and 10 spiders’ was also successful as I like the way I twisted the imagery based on the language of being like sweets which gave the work a fun and original spin. It is also different to anything that I have produced before as I did lot of it digitally as well as by hand, I am going to try and develop this further within my study.
On the other hand I think that the most unsuccessful element of the project would be the fact ‘There are more vacant houses than homeless people in the United States’ I think my approach of the imagery was successful in terms of using the correct ratio of homeless to vacant houses on the stars of the American flag however I didn’t think about type, and I think I could have found a type that would look more effective. If I had more time I would have redone the type and done something by hand and scanned It in.
Thanks :)
Above is my final cover I am really happy with the final outcome of my cover as I feel that it would appeal to younger audiences in a book store. I am glad that I used lino printing as the cover is very different to Quentin Blakes style and the finishing effect from lino printing is fun and makes the images bold and stand out in colour. I like how the vines have worked to connect all of the different elements together to create one image rather than it being obvious that they are from 5 different rhymes.
The image above is the digital version, unfortunately some of the colours have dulled once printed which is frustrating next time I would try and find a solution to get the best colour pay off.
BACKCOVER
For the back cover I wanted to keep it very similar to the front cover, I have done this by using the vines again to spread onto the back cover and to connect all of the other components together such as the pigs heads and the pistol.
One thing I did struggle with whilst on the back cover was type, I decided to use the black back grounds again and to have the same font colours that are on the front cover so that there would be a theme throughout. However In hindsight I would definitely leave more room for the blurb and use less imagery on the back cover as It was a squeeze and if the blurb was any longer it wouldn't have fit.
FINAL FRONT COVER
After looking at different compositions and type this is my final front cover for the Revolting Rhymes. I am happy with the final result and how the image and text works together as I have used the text to be a part of the mugshot background I think that the image and text become one which is what I was hoping for. Also I am happy with how I have used the vines to connect all of the different components together so that it doesn't seem really obvious that they are 5 different rhymes, but a Roald Dahl mash up of classics.
TYPE
Following looking at digital Type faces on Photoshop, I have decided that they don't look right with my book cover design and style, therefore I have decided to take reference from Laura Carlins way of creating type that suits her style so I have uses Lino to create text for the front cover. I have printed these onto different colours which I have then ripped and relayed together. I like this effect as I think it feels fun yet slightly twisted but also will work well with the rest of the image.
Looking at composition and colouring of the front cover, I prefer the image of Goldilocks peeping round the mirror as it hides the fact she has no facial features but also is suits her personality of being a thief.
I decided to move away from Goldilocks so I started to look at different imagery I could use to represent each rhyme. Following this I created some lino prints of different image such as the bear from Goldilocks and the three bears, the mirror from snow white with the vines from jack and the bean stalk around it the pigs from the three little pigs and the pistol from Cinderella. I like the protential composition and fun that I can have with these images and to see how I can bring them together to one book cover, rather than just focussing on Goldilocks.
AUDIENCE
The audience for Roald Dahls Revolting rhymes is vast for younger readers as Roald Dahl has sold over 250 million copies worldwide, with books such as Charlie and The Chocolate factory, the BFG and Matilda and more which have also been developed into films and plays, his books attract children globally. His work is also supported by penguin as he has both books within the penguin and puffin genre. Due to the vast audience which Roald Dahl has created over the years, I want my book cover to be colourful and to replicate the fun and twists within the book.
Laura Carlin
Laura Carlin graduated from The Royal College of art in 2004 since then she has worked freelance and is represented by ‘Heart Agency’ for her illustration work. Her work also varies from traditional illustration to ceramics. Carlin’s work has been used within editorial for clients such as The Guardian, New York Times, American Vogue as well as a weekly spot with the Financial Times. Her work is also well known through her illustrations for children’s books, for instance Iron man. I like the way in which Carlin playfully experiments with colour and composition throughout her work and simplifies objects which makes them look almost childlike. She uses variety of medias within her illustrations prodomatley water colour, collage and colouring crayons she also uses these medias within the type of her illustrations, for instance for the Iron Man book cover it appears that she has used ink or watercolour for the type as she has very crudely handwritten the type which is very fitting to her style of work. Not only that but she uses little influnces from her illustration within the type such as a wheel for the ‘o’ in ‘Iron man’ this makes the image and text feel combined instead of separate elements. Within my own work I would like to use text in a similar way to make both image and text seem like one image rather than different components. Within my own work I would like to also use some of these influences to grasp younger audiences, especially when looking at type by not always relying digitally but also looking at different ways of using handwritten type on book covers.
Quentin Blake
Quentin Blake is Famously known for his illustrations of the Roald Dahl books. He would have originally illustrated the Revolting Rhymes along with the rest of the franchise, there for putting his stamp on it along with the rest of the books which are iconically known for his style of illustrations. Because of Quentin Blakes iconic reputation I wanted to veer away from his style as much as possible as I don't want to create another similar version to what is already out there. His style uses mainly Watercolour and Guache which uses lots of different washes and tones with a solid black outline. Within the book illustrations of my own for the Revolting Rhymes I aim to use bold flat colours and mark making so that my work hopefully won't become another version of blakes, also I want it to be fun yet slightly twisted to run with the theme of the book.
GOLDILOCKS EXPERIMENTS
Goldilocks edit
Above is a development of the Goldilocks Lino print, I have scanned the prints into photo shop and played with the colour hues to change the colour, I also placed the mask as a black jumper on underneath to give her the appearance of a thief. I also decided to place the image infront of black lines as if the image was a mug shot to enhance the criminal twisted modern day version of goldilocks. However I wasn't sure on this design and after speaking to Helen I think that this image would make a weak book cover as the image doesn't look right without all of the facial features present. However I like the style and finish of using lino so instead I'm going to look at other symbols from the revolting rhymes and see what I can produce.
Lino printing
I have experimented with lino printing for my book jacket, this is because the nature of Lino means that it creates bold lines and an interesting texture to images. I have decided to try this medium as Quentin Blake is notorious for his illustrations and design of the Roald Dahl books. His work is mainly watercolour and quache illustrations with a sketchy outline using pen. I want to use a media which is different to Quentin Blake’s style as I don't want to regugitate his illustrations and style. I intend to be bold with both colour and line work within the illustrations using Lino.
My first experiment was of an eye mask which was inspired from the Goldilocks and the three bears Rhymes as Roald Dahl twists the rhyme to suggest that she is a thief in the bears house, and with this I decided that an eye mask is symbolic of a criminal mask and hidden identity.
Idea Development
I decided to think of symbols or main objects and characters which could resemble each rhyme within the book to go onto the book cover. This involved reading all the rhymes and picking the most iconic symbols and characters.
Idea Developement
I have made quick sketches of different ways I can design my Book Jacket. To begin with I also thought that the book jackets were for a single rhyme, these have still been helpful to develop ideas for the book jacket, I have had to consider placement of text on both front and back including the title, author name and the blurb.