The Cheney Sentinel, Kansas, May 29, 1913
@bdbeastie
@0hcicero 😂😂😂
will byers stan first human second

izzy's playlists!
Monterey Bay Aquarium
sheepfilms
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JVL
we're not kids anymore.
$LAYYYTER
hello vonnie
cherry valley forever

ellievsbear
Acquired Stardust

JBB: An Artblog!

Origami Around

blake kathryn
Misplaced Lens Cap

pixel skylines
styofa doing anything

Kiana Khansmith
RMH
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@bdbeastie
The Cheney Sentinel, Kansas, May 29, 1913
@bdbeastie
@0hcicero 😂😂😂
sorry to be a broken record every month but christ menstruation is a stupid concept. oooooh excuse me for not getting pregnant, why the fuck is there goo falling out of me about it? grow the fuck up and reabsorb that shit for nutrients.
There's no ramp on that roof.
fantasies about vampires coming to your town to fall in love with you and make hot vampire sex to you: old, outdated, boring
fantasies about vampires coming to your town to improve the public infrastructure, destroy the rich families milking you for money, and perhaps also making hot vampire sex to you (or helping you make hotter sex with your partner of many years): rejuvenating, what we need in this day and age, modern
[ID: Five screencaps from Taskmaster. Joel Dommett sits at a wooden table in a Tudor kitchen, with a metal cloche and an envelope in front of him. From off-screen, Alex Horne says, "Right, you can open the task but not the cloche." Joel says, "Not the cloche? I wouldn't dare. I'm cloche-trophobic." He beams as he opens the envelope. End ID.]
@0hcicero
so gross and insidious how the conversation around glp1s co-opts the language of body positivity
using a glp-1 for weight loss is not 'loving yourself'. that's literally marketing and it obviously worked.
unfortunately, these are drugs used experimentally at several times the dose they were created to be used at to increase the side effect of weight loss. it is unknown what effects using these drugs at these doses over long periods of time will do to you. it is honestly wildly irresponsible that it is prescribed in this way and people are assuming it's gonna be safe for you. using a glp-1 is assumed to be the healthy thing to do, so 'loving yourself'. but it's not and these drugs absolutely have significant known risks in addition to potentially long term so far unforeseeable risks.
if you feel you love yourself more on a glp-1, it is likely because we treat fat people like shit and thin people better. the only acceptable fat person is the one that is trying their best not to be fat, so maybe the people around you are treating you better. but it's not the medication. it's attempting to alleviate fatphobia.
Itō Jakuchū, Roses et petits oiseaux, 1761-1765, Tōkyō, Musée des collections impériales (Sannomaru Shōzōkan), Agence de la Maison impériale.
Roppongi Hills - Tokyo, Japan
honduran white bats are crazy like thats cotton balls
Bats illuminated by lightning
sexism in medicine kills people. racism in medicine kills people. fatphobia in medicine kills people. queerphobia in medicine kills people. classism in medicine kills people. ableism in medicine kills people.
do not downplay people’s fears about being mistreated because they are a part of a marginalised group. it is a matter of life and death and you should be angry about it.
Yamamoto Baiitsu - Egrets, Peonies, and Willows, early 19th century Hanging scroll; color on silk, 146.1 × 71.8 cm The Metropolitan Museum of Art
A pair of herons pause in shallow water beneath a drooping willow branch and tall stems of flowering plants, painted in the “boneless” manner, with limited ink outline and pale wash. Yamamoto Baiitsu mingled with Kyoto literati circles but also sought varied artistic influences in the work of Chinese painter Shen Nanpin (Shen Quan, 1682–1758), who worked in Japan from 1731 to 1733, and other Chinese artists known in Japan. He transformed what he learned into an idiosyncratic style characterized by a sensuous surface quality and serene clarity. Distinctive to his technique was an inclination to use ink in the same manner in which colors were customarily applied—not only for linear brushwork but also for soft washes. Skillfully combining ink wash with washes of color and well-defined, sinuous contours, he contributed a lyrical, intimate vision of nature to Literati (Nanga) painting.