The only problem with Wildflower, by The Avalanches: MP3 compression.
A lot of their samples are sourced from MP3s rather than direct vinyl transfers.

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The only problem with Wildflower, by The Avalanches: MP3 compression.
A lot of their samples are sourced from MP3s rather than direct vinyl transfers.
A poorly compressed MP3, then that same MP3 pressed to vinyl. Vinyl distortion causes the high-end to be distorted and hissy due to side-effects of the playback process, thus appearing to compensate for the low quality compression removing the high-end.
Actual audio shown; first MP3, then vinyl
Mother Mallard's Portable Masterpiece Co. - Oleo Strut (from Like A Duck To Water, 1976)
Luke Vibert - Ghetto Blast Ya (from Bizarster, 2015)
Appears to feature a nowadays uncommonly-sourced version of the Amen break from Ultimate Breaks and Beats, Vol 1.
Luke Vibert - Knockout (from Bizarster, 2015)
Wisp - Hnipian (from Honor Beats, released 2006)
(listen)
Venetian Snares - Bebikukorica Nigiri
Generated sound
Rising flute note with bit reduction and delay.
Holy Ghost! - In the Red
Spectrogram of Jamhands My final project for Electronic Music 2nd year
I Broke My Robot - Why Did You Have To Make It Hurt?
Death Grips - Big Dipper
Daft Punk - Giorgio by Moroder
Dune II: The Building of a Dynasty Ingame Music
Unknown source.
Custom Zebra2 patch with modulating delays.