AIR FRYER COD
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Is this how you roll?
d e v o n

bliss lane
Sade Olutola
hello vonnie

blake kathryn
Monterey Bay Aquarium
Keni

izzy's playlists!
Fai_Ryy
Cookie Run:Kingdom Official!

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"I'm Dorothy Gale from Kansas"
occasionally subtle
Sweet Seals For You, Always

ellievsbear

gracie abrams
Cosimo Galluzzi

Jimmy Eat World

Love Begins

PR's Tumblrdome

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@beautybyuche
AIR FRYER COD
Follow for recipes
Is this how you roll?
Jean-Michel Basquiat photographed by Sabina Sarnitz, 1986.
Armin Blasbichler, T III, 2009 [Inception Door] - 585 mounted diapositives of Pantone swatches, laminated glass, wood frame | H 211cm, W 97cm
Quilters. Photographs by Henry Groskinsky (1971)
Putnam County, Georgia. Irving Rusinow (via the Department of Agriculture, National Archives)
hot temper: Nyaduel Bawar By Olivia Frølich For Annabelle Magazine December 2022
JOSEPHINE BAKER in PRINCESS TAM TAM 1935 │ dir. Edmond T. Gréville
60/? costume design: If Beale Street Could Talk by Caroline Eselin
“Fieldwork Footage”, dir. Zora Neale Hurston (1928 - 29)
Oliver Hadlee Pearch photographs MaRock, Botswana’s leather cowboy metal subculture for i-D Magazine Winter 2022
By Edwin Zhang for Cosmopolitan China December 2022
Michelle Yeoh | TIME Icon of the Year 2022
Yeoh is suddenly finding herself, after all these years, in the conversation with many women, white women in particular, who are considered to be the very best at their craft. “I do look at all my peers—Cate Blanchett, Olivia Colman, Helen Mirren—and go, Oh God, I envy all the different opportunities you get to showcase your talent again and again,” Yeoh says. She put everything she had into playing Evelyn Wang. “When you get an opportunity like this, you have to pour your heart and soul into it, because you don’t know when the next chance is,” she says. “I think that is my biggest fear: Please don’t let this be the one and only.”
…
Yeoh has always been a woman who knows what she wants: to prove herself, to lend voice to fully embodied, fascinating characters, to play and to love and to reach generations through the magic of movies. Now she wants that Oscar—that validation for herself and for people around the world who look like her, like us, so we can experience what it feels like to be told we belong. “It’s not about needing it,” she says. “It’s that feeling that you don’t have to explain: it’s love from other people. My arms are out open.”
Manfred Thierry Mugler you will be missed.
Ossie Davis, Ruby Dee, Sidney Poitier and Juanita Hardy relaxing. New York City, NY (1959)