We were born in a year where everything pushed to be faster and nobody ever wanted to stop and the rest of the world looked on with wondrous eyes as we moved faster and faster and faster and paper became pixels and everyone just said fuck this it needs to be better and everyone ran with their heads down saying yes sir I want to make it better give me a plan give me a cube and lock me away and give me busy work and give me a grade and give me a paycheck and give me a good home and 1.6 kids and a white picket fence so maybe I can have a good casket and nobody noticed the world burning away like the cigarettes between our lips until we went to war and burned the world with our own hands and blew apart weddings women and little kids standing on street corners because that’s what we paid our contractors to do and in our drive to go fast fast fast we didn’t see it coming and boom now we were homeless and fucked we all were but the people who can afford it can pretend they’re not because we’ve got coke and meth and speed and we’ve got E and LSD and Special K and we’ve got shrooms and molly and heroin and we run from windowless building to windowless building blasting our personal soundtracks and turning our eyes ears and minds away from the stars and we bitch and moan about cultural appropriation and men who are women who dress like men but like fucking women and check our bank accounts and think about college degrees like any of that even fucking matters because we’re all fucking dying and we’re all fucked and we’re already fucking dead.
Like if you thought you had AIDS, would you wash your hands after you pissed? If you knew you were dead, why bother?
The same kid you sat with while he wrote suicide notes and a last will and testament. And you swallowed a pill to keep you awake but fuck! What it really did was straighten all the rough edges and drained every color in your eyes.
And it calmed you down. You knew. When you locked your dorm room that morning, headed out to get his blood drawn, you knew you weren’t coming back. He told you, he’d down cough syrup and drown his head in codeine, then drown his body in the Willamette River. Facts.
“OK,” you said. “But you have to let me be there so I know I did everything I could first.”
And so you left at daybreak because neither of you got any sleep and you get brunch. The Last Supper. Or like Pulp Fiction.
Now this is a tasty burger.
Y’know what they call a Quarter Pounder with cheese in France?
YOU: What do you think Pulp Fiction is about?
WAITRESS: Honestly I haven’t seen it in a while so I don’t exactly remember it. Sorry to disappoint.
[WAITRESS leaves with check]
HIM: I still think it’s just about two guys who really want to eat in peace.
HIM [quoting]: I just wanna eat my fucking burger in peace, man.
Cut to static shot of BRIDGE with sun rising over THE CITY.
“They shouldn’t be there when it happens,” he tells you. You agree. He goes in the office, and you down another pill. The nerves are coming back and you needs to cut them back down lock them away make the drugs control you and drain the fear down and away. You think briefly that it’s funny nobody ever uses the word when it’s about to happen. The S word.
He comes out of the office and–
He couldn’t get blood drawn here because they don’t have counseling. We walk to the Health Department instead. I’ve heard of gallows walks, but this was absurd.
Rushing, fluttering, pounding, crackling, a slow shiver and the world brightens and you lose touch. The rhythm, and slow, matter-of-fact, clear-cut, straight lines guide you. That’s it kicking in, thank god. You notice the tiniest fractions of details. The crunch of leaves underfoot. The cracking paint on the houses you pass by. The rumble of an engine. Ants crawling by your feet as you stand on a street corner waiting for the lights to change. You don’t talk to him. He doesn’t talk to you. You both know this could be that one last walk where you still carry that wonderful, fragile thing called Hope.
And the rush from the pill is like the way you breathe when you’re trying not to wake up the girl sleeping with her head on your bare chest. Her hugging you tightly to her what almost happened that Friday, November 15, and she held you close because you had become a ghost to her.
In the waiting room he goes in and you sit there. Your hands are shaking. Your knuckles are white. You don’t know it but your jaw is clenched tight. An excon comes in with a woman he refers to as “my girl.” He just got out of a 15-year prison sentence. He’s rough and covered in tattoos. He sits down directly across from you.
And this excon, he sees you. You lock eyes with him.
He sees your eyes, irises missing, pupils so wide they block everything else, your eyes only black and white. Your pale skin, flushed with the strainings of a barely-competent heart. He sees the occasional twitch hiding just under your skin. The fast breathing. The clenched jaw. He looks you in the eye and sees that while you meet his gaze, you’re looking right through him like he doesn’t matter. Like nothing matters. He sees the thousand-yard stare and the burning of a matchstick soul.
He can’t. He looks away. He shifts in his seat so he doesn’t have to look at you. You are untouchable. Later, one of your friends will ask you repeatedly if you’re alright, and your only response will always be that you’re stronger than god. In a waiting room full of sick folk with their heads down, you sit up straight, burning away at the universe, melting a hole through time. Time can’t touch you. Nothing can. You’re a thousand years old.
The excon could see it. He couldn’t look you in the eye because he could see you dying. He could see death on your skin.
Like you were already dead.
And then He comes out and says you have to wait a week for blood test results.
So he sleeps in your room for five nights in a row. You skip all of your classes that week, including two midterms. You are his last tie, his only anchor.
When he gets high, you calm him down and distract him. When he picks up a knife, you growl and take it away. When he takes shrooms you find him in the darkness and pull him out with a rope of metaphors and you get him back indoors.
You text your drug dealer and get more of that miracle. You won’t be able to face Friday, November 15th without it.
On Wednesday, a rainstorm blows into town. He disappears on a walk and his phone dies. You go out to the bridge. It’s three in the morning.
You cross the tracks. Townies watch you from dry spots under plastic tarps. You walk on the bridge.
You watch the black water and wait for his body to tumble into it and break the still water. You wait for a shadow to drop. You stand in the pouring rain and wait for your friend to kill himself.
Oh Clarence. Help me Clarence.
I wanna live again. I wanna live again.
I mean, it’s not that far, right? If he jumped you would too and you fucking know it because you’ve been dead since last Friday practically and you said you could fucking save anyone and save everyone and if you can’t save him how could you live with it? You read his will. He left everything to you. And you fucked and let him die.
You realize, looking at the black swirl of the river under your feet, color washed away by the pale moon hiding deep under the cover of a thousand clouds, you realize that you’re ready and willing to die.
Your phone is dead. You have no watch. The rain cuts into you like shrapnel.
But you have to stay and watch because what if you left? And if he showed up and did it when you weren’t there to stop him?
He’s already tried five times. Don’t let him make it six.
When we left for the clinic that first Friday, I wrote on a single page in my notebook. A farewell, I guess.
Hours passed in the rain and you had no clue but you decided enough was enough. If he wanted to do it, he would’ve done I by now. You walk back. You pass a clock and see it’s almost six.
You get back to your dorm. They’re all still awake and pale and shaking you and hugging you and saying things like “I’m never letting you go.”
Because how could they hold on to something that was gone? How can you hold on to a ghost?
You shower in your clothes, jeans and leather jacket. The river mist melts off your skin and the rays of the moon collect in a warm puddle at your feet. At least you took off your shoes first, I guess.
And on Friday, November 15 we walked to the Health Department and he tested negative and you tried to celebrate the next night but ended up fighting a drunk RA who was trying to rape one of your drunk friends. But he tested negative, and it was over. Just like that. From hell to paradise in seconds.
And you’re still on that bridge.
And you’re still locking your door, knowing you won’t come back, leaving a tiny explanation for your death on your desk in a little notebook an ex-girlfriend brought to you from Germany.
And you’re still sitting up at night watching your friend write suicide notes.
And you’re still itching for the black and white world of your wonder drug and you want it back, so much so that you buy more and more and one night you push your limits and take too much, and the lines all become so straight that you can’t step over them, and they break you in half instead.
And you’re still walking to the Health Department, leaves crackling underfoot, while he tells you that if he does it, he still wants to eat at Goudy first because nobody deserves to die hungry.
And you’re still sitting in a hard plastic chair, watching him come out of the office, expressionless, and you still remember how it feels to lose every hope you’ve ever had, smashed a thousand hopes a thousand times into a thousand pieces like you had dived into a pool of landmines. You remember how it feels to have nothing left to lose.
Because you’ve been dead since November 15.
I wanna live again, Clarence.