Maria @before-midnight199 - Tumblr Blog

luperina

Therefore, in emptiness: there is no matter,

no sensation, recognition, volition or consciousness,

no eye, ear, nose, tongue, body, or mind,

no sight, sound, scent, taste, tangibles, or dharma,

no field of the eye up to no field of mental consciousness,

no suffering, no cause of suffering,

no ending of suffering, and no path,

no wisdom and also no attainment.

Because there is nothing obtainable.

Trust that the candles you have lit will not go out .

#poetry #poem #books #candles #slow burn #peace

jacindaelena

Gwrych Castle by wander_linaa

whitepolaris

EMPRESS ♡

susanoos-wife

'Camellias With a Bird,' Kuwagata Keisai

thunderstruck9

Cedric Morris (British, 1889-1982), The Blue Poppy, 1932. Oil on canvas, 30 x 25 in.

1five1two

'Quiet Afternoon'. Hiroto Norikane.

alenagerashchenko

TOKYO, JAPAN

before-midnight199

fishes lover

smithsonianlibrariesarchives

19th Century Japanese postcards from Ehagaki = [A collection of Japanese pictorial postcards] (1868).

Full text here.

before-midnight199

japanese art lover

requiem-on-water

The Dancer (2012) by Amy Stauffer

sentrysvoid

Dead Poets Society dir. Peter Weir | 1989

allaroundthesun

Ulyana Lopatkina - The Dying Swan

before-midnight199

dying swan

lionofchaeronea

Title: Edinburgh Castle from Princes Street Artist: Samuel Bough (English [active in Scotland], 1822-1878) Date: late 1860s Genre: landscape painting Period: Victorian Medium: oil on canvas Dimensions: 156 cm (61.4 in) high x 125 cm (49.2 in) wide Location: National Galleries Scotland, Edinburgh

Samuel Bough, from Carlisle, spent the prime years of his career in Edinburgh. His artistic output focused on landscapes and cityscapes, particularly seaports, and won him the admiration of Robert Louis Stevenson.

before-midnight199

Edinburgh lover